This isn't just about casting actors for the characters in your novel-- this is MORE. *DUN DUN*
You're sitting in a darkened movie theatre, wondering if you have enough time to go to the bathroom one more time before the feature starts, when a new trailer comes on.
It's the preview for YOUR NOVEL: THE MOVIE.
What does it look like? What kind of theme does it have-- what emotions does it envoke? What songs are playing in the background and, most importantly, what scenes will it depict?
Think about what kind of movie you want the audience to THINK the trailer's for. If the preview is before a romantic movie, you might choose more romantic scenes and a softer tone. If you want it to seem like an adventure movie, show the main character jumping a subway turnstile, looking deadly serious as his coat flares out behind him.
The trailer for my movie would be ominous. It an older man(Meagan) eating dinner with his wife (Torah). Torah: So what did you do today, Meagan? [Fade to Black] You see the man dragging bodies from a pickup truck into the woods outside his home. He opens a hole in the ground and drags the body deep within the earth. [Flash of Light] We see a room full of cages, in which people are held. Woman: What the hell are you doing you sadistic prick? [Man ties her down to a table and begins to sew her mouth shut. She is then thrown into a cell which is strewn with dead bodies.] [Fade to black. We hear other people screaming and see flashes of actions that are too gruesome to tell. We later see him with an empty room, cleaning up blood.] Fades to dining room again. Meagan: Oh, nothing.
That sounds epic enough for me to have to cover my eyes during the trailer and decide not to see the movie XD only because I'm not into that sorta stuff, but I think that is just another indication of it being awesome!
Dude that is EPIC! It sounds like something dark and twisted like I would write... And it should totally be a movie! I'm telling you, a trailer like that would have me hooked in an instant. XD
Idk how this happened, but I was posting as a response to jhanneanderson's trailer idea up at the top... Somehow it ended up down here. Well that's annoying.
OMG that sounds amazing!!!!!!!!! I would totally watch (and read this)! Somebody on one of these comments said that you could be theh next Stephen King. I agree!!!!!!!!!!!! It. sounds. awesome. =)
Holy crapoly. That's scary stuff. I'm not sure if I would actually watch it or opt to change my underpants instead . . . . =] It sounds incredibly interesting though.
jhanneanderson wrote: The trailer for my movie would be ominous. It an older man(Meagan) eating dinner with his wife (Torah). Torah: So what did you do today, Meagan? [Fade to Black] You see the man dragging bodies from a pickup truck into the woods outside his home. He opens a hole in the ground and drags the body deep within the earth. [Flash of Light] We see a room full of cages, in which people are held. Woman: What the hell are you doing you sadistic prick? [Man ties her down to a table and begins to sew her mouth shut. She is then thrown into a cell which is strewn with dead bodies.] [Fade to black. We hear other people screaming and see flashes of actions that are too gruesome to tell. We later see him with an empty room, cleaning up blood.] Fades to dining room again. Meagan: Oh, nothing.
That is intense. Sounds epic, can totally picture that as a trailer :O
Abila staring off across hills Cut to Coy scuffing the dirt Cut to Liber scrambling up the hill Fade to Abila crying, curled up in cell. Over the top- Liber: Do you want to get shot? Fade to Liber holding a locket with a picture of two five year old girls. Over the top- Abila: I can't feel her anymore, Lee! Fade to Liber appearing behind Coy. Over the top- Coy: We have to believe in her! [Fade to black. white writing - 'the story of three teenagers] Coy scrambling to get to Liber, who is covered in blood, Abila holding him back Coy: LIBER! [Fade to black. white writing - who's lives were undone] Abila reaching through bars or a cage to a thinner, weaker girl who looks like her. Corday: Abi... I-I'm sorry [Fade to black: white writing - who's special abilities are brilliant] fade to Coy slamming an SUV door shut fade to Liber appearing inside a closed shop fade to a wound on Abila's head healing [Fade to black: white writing - and terrible] Estrid throwing Liber and Abila across the room with Coy and Corday unconscious by her side [Fade to black: white writing - they have new things to discover] A falcon landing on Coy's cousin's, Falkner's, arm. A fox scrambling through the undergrowth, dog's barking heard. A wolf attacking Liber's dad, Marcus [Fade to black: white writing - but more questions to seek] Coy and Falkner sat on a log Coy: What's happening to us? Falkner: I wish I knew... I really did [Flash scenes] - Abila throwing herself at Estrid - Corday pulling Liber from a wreckage - Liber pulling out a knife, his eyes trained on Estrid - Corday holding her mother, Bellona, over a cliff face - Abila and Coy kissing [speeding up] - Estrid slapping Abila round the face - Marcus throwing himself in front of Liber - Coy causing a building to fall - Corday holding Liber's brother, Milo, close to her chest - Liber turning the knife round so it points at himself [Fade to pale red background. At bottom, Abila on right looking to her left; Coy left, looking to his right; Liber centre, looking straight on. At top, above Abila, a wolf; above Coy, a fox; above Liber, a falcon. Inbetween animal and human, in bold, black letters made of broken stained glass, the word HUNTED] Fade to Coy and Abila facing each other in a field Abila: Don't leave me. Coy: Never.
came on here and there's tonnes of responces! Eeek! Just to warn you guys, I've had to give up on NaNoWriMo - everything got on top of me - but I'm continuing in my own time... And thank you, you're too sweet :)
Thank you, thank you, thank you!!!!!!!!! I'll try - promise!!!!! And then, if it somehow becomes a movie, I'll 'convince' the producers to use that movie - I saved it in my documents!
XD I'm glad you could tell - that's the idea! Loving the icon, and the best thing is, we can't be in rival houses! I'm a Hufflepuff!!!!!!!! (And a proud one at that)
Maximum ride? O_o woah... awesome! Though they don't have wings! But, bit of insider, Asilia was original gonna be for a Supernatural fanfic, as an angel! So technically, she DID have wings ;) XD
That is amazing! I saw the entire thing play out in my head, heard what the characters sound like, and felt chills go down my spine. I can not wait to read this! Publish plz!!! :D (@ Silath1996, btw.)
XD I'll try not too - looking a sixth forms at the moment, and GCSE's, mocks, blah blah blah... but I'm getting back asap, if it kills me. I, myself, want to know what happens - though I know some, my characters write most of the story themselves...
Opening shot: a man is lying in a hospital bed, in a sterile white room. There's an IV in his arm and in his neck, and an EEG cap on his head. He lies beneath a white sheet. He is pale and emaciated, with several fresh red and raised scars on his wrists and throat.
Close up on the man's face as he says, breath rattling in his throat: "I saw him -- he was in my mind --"
CUT -- flash scenes: A hallway, torquing out like an optical illusion, stretching too long A glimpse of a young man's face, sharp and beautiful, flitting into shadow The sound of a man's soft laughter
CUT to two men in a government office, one in a suit, the other dressed like a professor. (Background music begins, a reinterpretation of a Wagner piece by the Trans-Siberian Orchestra.) The suited man says: "We're bringing in some outside help. His record's perfect. He's never missed a shot."
The professor, frowning: "A mercenary."
The suited man, correcting him: "A hitman."
CUT to a man in a black coat on a roof, gazing through the scope of a sniper rifle. He's wearing fingerless gloves; close-up of his finger tightening on a trigger. CUT to this same man quickly dissembling his rifle, grabbing a black duffel and darting into a stairwell.
Voiceover of the suited man's voice (as we watch the professor sit down opposite the hitman at a table in a bar, his gaze bright and focusing in quick succession on the sunglasses tucked into the collar of the hitman's shirt, then his fingers curled around the stem of a martini glass, then the way he's seated with one foot drawn back as if prepared to stand at a moment's notice): "This is the most important – and the most potentially dangerous – situation we’ve had to face since the end of the war.”
The hitman: I know an agent when I see one. You're too obvious.
The professor: Who said I was trying to hide?
CUT to the hitman and the professor walking next to each other down a hall. The hitman raises an AK-47 with one arm.
CUT to a man's slender fingers turning the pages of complicated sheet music, touching it with a sense of reverence. Voiceover of the professor: "It's a genetic mutation. He can control you through your subconscious." Brief pause. "Have you ever gotten bored in a lecture and started to let your mind wander? Have you ever listened to a piece of music so fantastic that you stopped thinking about anything else but how it made you feel? That's how he gets in."
The same hands lifting a conductor's baton, a brief flash of the same young man's face we saw before, smiling.
CUT to a girl in her 20s, hair tangled and matted, face pale and streaked with dirt. She is trembling and hugging her arms to her body, rocking slightly as she says: "I see him in my dreams. He's always there. I try to stay awake but I can't /help/ it, he--." She breaks off abruptly and glances up toward the camera. "He's going to make me kill you. He's going to make me kill /all/ of you."
CUT to the hitman, sitting with the professor. He says: "It's the music, it has to be. He writes a song, and somehow, it possesses you. Drives you insane, makes you want to kill yourself. Or kill someone else."
Flash of the professor plugging headphones into an iPod, putting the earbuds in his ears, pressing 'play.'
Flash back to the hitman and professor sitting together. The hitman says: "And I don't know if we can stop him."
CUT -- flash scenes: The hitman raising a gun, his eyes fluttering as if he is about to fall asleep, and the lights flicker out. A second later, a bat comes flapping out of nowhere toward the camera/the hitman's face, screeching. A city street, covered in ice, the sky grey: nuclear winter Those slender fingers spreading wide on the keys of an organ, blood stains beneath the nails Someone else's gloved hands shaking as they use a razor to draw out three thin lines of cocaine The professor sitting in an empty room in a ratty armchair in what looks like an abandoned apartment, an IV bag hanging from a stand next to him, his head tilted back against the chair and his eyes shut, lips parted, looking pale and ill The hitman pressing the girl from before (who looks much cleaner now) against a wall, his hand sliding up her forearm to grasp her wrist, pressing her hand against the wall next to her head, their faces nearly close enough to kiss A full orchestra playing The young man, conducting, raises his arms as if to indicate a crescendo
CUT back to the office with the suited man and the professor.
Suited man: "Staying under the radar is your best defense. Because once he realizes you're on to him, the moment you fall asleep..."
Professor: "...it's over."
Quick flash of the professor kneeling opposite the hitman on the bed, slapping him in the face with both hands, yelling, "Stay with me, /stay with me,/ you have to stay awake --" --and then back to the office.
I agree with previous comments. I want to read this book. And when the movie comes out it had better actually come to theaters here in sweden, otherwise I will probably end up doing something illegal to get my hands on it.
I love this trailer. <3 It had me on the edge of my seat, literally. You really managed to keep up the pace in it.
Haha I will send you an advance copy. :P I'm so glad you liked the trailer. Hopefully starting tomorrow night I'll have time to sit down and pound out the rest of the book!
Excuse me... How much are the tickets for this? And where can I buy your novel when it's finished? Because truly? I cannot even find words to describe how much this appeals to every aspect of myself. (This is my fourth attempt.)
First of all, your plot sounds absolutely incredible. Exciting, confusing, gripping, fast-paced — in other words, everything I look for.
Second of all, you did a wonderful job translating it into a script. Just saying.
Thank you so, so much! <3 This is incredibly encouraging to hear. I need to get the rest of my life organized asap so I can get something further finished and put up some excerpts!
That was amazing. You literally had me on the edge of my seat. About two-thirds of the way through, I realized that I was leaning far forward, my face inches from the computer screen. You completely mesmerized me in less than a thousand words, and I know I exclaimed aloud over a few favorite lines.
I echo everything the above poster said: I would watch the movie; I would buy the book. (Yeah, when are you publishing? xP) The plot sounds amazing. You translated the plot to script very well: I could see it clearly, hear it, feel the intensity.
Thanks for sharing. Now I want to go make my novel as brilliant as yours.
Oh wow, thank you! :D This is amazingly flattering, it really is. I've been having trouble balancing out my schoolwork and thesis with writing this novel, and now I'm half inclined to say forget everything else and just do this. >.> Haha.
Oh wow. Okay. I would buy ALL the tickets. I would hoard them in my house and trade them for special favors. Goddamn. This is awesome. I just. Words? This sounds like the kind of novel/film that would create such an intense fanbase. People would talk about it for years. Cults would form. From just these few words, I'm hooked, and now I really, really want to read your novel, like, yesterday.
I cannot even. This sounds like the kind of plot I would actually spend money on.
Hahahaha that is amazing. :D Thank you so much! To be honest I feel like my novel is driving me insane bit by bit, itself (just like the Composer's music, if I dare reference my own story). I need to sit down this weekend and just bang it out. Too much schoolwork's been getting in the way lately. :/
Hahaha I'm so glad you liked the 'trailer.' :D Now to bang the rest of the words out and actually make my first two chapters into something longer and more resembling a novel....
This was incredible! All the CUTS and fast-action bits were awesome. I felt like I was really watching a trailer! xD I can see this story being published, most definitely being adapted. Kinda Inception-y. Sounds amazing! :D
That gave me chills =) If you ever publish this, I will go buy the book the day it comes out, and if you get Hollywood rights and it turns into a movie, I'll go to the midnight premiere =) Amazing!!!!
Wow this sounds spectacular! I want to read it and then see the movie so badly! Please once you are done this submit it to a publishing company! It needs to be published
Mine would start with this image of this huge ass city through the window of a car. It's really pretty and the sky is blue, and this little kid would voiceover: "People used to say that God created the world in seven days." During that, it would flick between a couple of scenes with pretty landscape, like one that involves a park and shit.
And then gunshots. It would go black, with shouting, and then it would flash up scenes of the same city, destroyed, with the kid's voiceover: "Now they’ve come to say that man destroyed it in less."
That would crossfade into the song "You're Gonna Go Far Kid" by The Offspring, and during that song it would montage all the really dramatic scenes. My MC Conner running from police, getting thrown dramatically out a window, and the big fight scene near the end with explosions and all that stuff. Interspersed with scenes that are less dramatic but still cool, like my secondary MC getting hit by his dad with Conner looking on, when the kids discover the guy in the sewers, etcetc.
The song would fade out to silence with this image of both MCs out in what looks like a desert, the first lying on his back with the other like lying on top of him, trying to wake him. The MC wakes up and you hear the second MC say "are we gonna be okay?" and then the first says "I promised you, we're gonna be alright."
and then it'd end with the title (Glass) hitting the screen and shattering it like glass. And then it'd be followed with "sometimes seeing isn't believing".
I love, love, LOVE those first two dialogue lines: the whole creating the world in seven days, and destroyed it in less thing. That's the kind of tagline I hate people for coming up for, because I wish they were MINE. :D I'd watch that. I'd totally watch that. And get the book.
*Gonna go creep your novel stats once I'm finished with this.*
I love the first two dialogue lines! It caught my attention and made me want to read more. You know those first few lines in the Twilight movie? I pictured it kind of like that. A little kid looking out of a car window, looking at the huge-err, butt city", and his voice saying them, kind of scared but matured by what he'd seen. =) I'd buy that book and movie ticket =D
My movie would be somewhat ominous, showing a tall man in pitch black robes with the wailing of souls in the back ground, sitting on a large throne made of solid Obsidian and bones of the dead. [Fade to black] Then it shows the same man (Hades) standing back to back with his two brothers (Poseidon and Zeus), with demons crowding them, with their weapons drawn. [Scene change] It shows Hades firing a bolt of black energy at an unknown target, yelling in fury. [Scene change] Orpheus: Who.... Who are you? Hades: I am Hades! Welcome to my humble abode, and your final resting place. [Scene change, with a flash of fire.]
HOUSE OF HADES: THE MOVIE. Coming soon to a theater near you!
*Mads Langer's 'I'm Fact, She's Fiction' playing in the background* Young man (Keane) dressed in medieval clothes working in fields seen from about a hundred metres away Fade away, then fade in: him with a blonde man (Sebastian) talking and laughing (cannot hear what they're saying; only music in background) Fade away, then fade in: Sebastian and Keane kissing beneath a giant oak tree, then Keane moving back, shocked look on his face. Sebastian reaches out and reassures him (still cannot hear what they're saying) Fade away, then fade in: An older man, looks a lot like Keane, standing over Keane and yelling at him. Keane's on the ground, holding a hand to his face as if he's been hit, looking betrayed. fade away, then fade in: Sebastian leaving, walking away, Keane crouched against a stone wall with his head in his hands, tears on his face Fade away, then fade in: Keane waking up a pale man (Caspar) sleeping in a haystack, world around them freezes, music goes into an instrumental part here Fade away, then fade in: Keane's father (the older man from before) yelling at them both, Keane protecting a shaking Caspar Fade away, then fade in: Keane and Caspar, travelling across plains and fields and towns (you know, doing that thing where the camera moves back and flies away and shows the whole landscape) Camera moves up and watches the sky, sky turns to dusk Title of novel (still undecided!!) and my name appear on the screen in white fade to black. Rating: PG-13, I s'pose.
Oh my gosh that sounds so cute!! I love the idea and really want to know everything that's happening with them and around them. I'd love to read your story once it's done! (or at least what you have by the end of the month). Please?! Soooo captivated!!
I'd totally read that. Then stay up all night in front of the theaters to get a ticket. <3 (Nice to know there's another slash author on this site, too.)
LocationIn a land of myth and a time of magic... On the USS Enterprise. In the TARDIS.
JoinedNovember 8, 2010
Posts2
Hmm... I should be writing, but I'll do this instead... Music: The Greatest Story Never Told (Murray Gold) A busy London street. My MC, Ciel, is hurrying through the crowds with my other MC, Carrie, behind her. Then cut- the street at night. Carrie is talking to CIel. Ciel: I've found them. Cut: A bar. My MMC, Jester, is talking to a minor character, Pierrot. Ciel is in the corner, listening. Jester: Tonight? Cut back to Ciel and Carrie. Ciel: We're going hunting. Shot of a museum at night. Ciel and Carrie creep down a dark corridor, cautious and quiet. They hide in a room just off the corridor. Outside the museum: Pierrot: Just... be careful. Jester: ...Yeah. Inside a room with a diamond, Jester and Pierrot are carefully reaching into the case when... BAM. Music changes to something much bigger and more dramatic. The wall explodes. Fade through to a man shading framed in the gap. Fade cut to Ciel and Carrie rushing in. Fade cut to a gunshot and a figure falling.
Then a fast montage: Jester flying though a window as it breaks Ciel and Jester fighting The three of them sitting together and talking Jester leans on a bar and says :I want to know about Shadow. The city at night, from above Ciel and Carrie running down a corridor, covering their heads from gunfire Ciel throwing a knife Carrie pointing a gun A knife flashing in the dark The fade through to Jester, sitting on a roof at night looking over the city. Ciel sits beside him. Ciel: I'm sorry. Jester: ... Me too. Ciel: It's my fault... Jester: I had to watch him die because I made the wrong choice. Then BAM: Jester jumping off of the roof and flipping Carrie screaming as she flys backwards Ciel splattered in blood, falling away from the camera Then fade to Ciel and Jester and Carrie sitting around a table. Ciel: We're going to catch him. Jester: I'm coming with you. Carrie: Are you sure? Jester: I need to avenge him. Ciel: Very well. Fade to title: LEGAL CRIME Date ect
Open with Bang Your Head (Metal Health) by Quiet Riot. Main character drives along the highway, finds his way to school. Saunters in, slow-mo, looking suave in black leather (the ever so untouchable bad boy). Switch to pretty girl standing by a tree, reading a novel. Looks up as she notices boy walking towards her. She puts the novel in her bag and as he approaches, they kiss.
Cut to classroom, where pretty girl and bad boy sit in class. Teacher walks in, starts writing on the board: Mr. Jones. "Welcome to First Period Physics. I'm your long-term sub, Mr. Jones." One student, a young girl, looks at him admiringly. He subtly does the same for her.
Cut to lunch. Bad boy and pretty girl are eating lunch. Happy. Listening to music.
Cut to a cold, winter, neighborhood setting. A house is on fire, and bad boy drives up, seeing the ambulance and firetrucks. EMTs lift pretty girl out of the house on a gurney. Screen cuts to black.
Narration: "High school. It's filled with stress, love, loss, and a whole lot of hell. For me, it was just the tipping point."
From the director of A Beautiful Belly Based Upon the Bestselling Novel Candlefish Pictures Presents Everything Else: The Movie.
The Trailer of my movie would be the strangest creative fiction on screen ever written in English by an Asian writer.It would definitely be a wonder to watch with an opening 'song and dance scene 'a setting like a fairy tale plus reality, a world of the written word, with an emotion of joy happiness , depression, jealousy and forgiveness.The Theme is 'Good deeds have a good ending, fears are always baseless, one should face the truth bravely'
its full of excitement entertainment suspense magic innovation creativity The main character is being followed by a colleague, as she vanishes and appears in strange places.Followed by chants and songs and meeting strange characters on the way, this is a wonderland of all wonders, It will be I believe a box office hit and will break many records.
The opening A large Yellow pencil appears , apparently in a hurry, frightened anxious , walking with short hurried steps, looking back again and again as if suspecting someone following-music is 'tap tap tap-crash- a rocking rhythm The pencil appears on a road ,made up of pencils fitted in rows, all multi colored, the houses on the sides are also made of pencils, soon she reaches a huge blackboard, and stops in front of it...she writes 'O P E N ' on it and the board splits open like a door in the center, pencil walks through and the board closes behind her. Pencil Redhood is following and takes notes...
Rain is coming down out of the Texas summer sky and onto the three men standing before a grave, one wearing an army uniform, one wearing a leather biker jacket and jeans, one wearing a suit jacket and black slacks. The camera pans around as the we begin to hear VOs of teenagers talking.
JOE: Hey! Here's one for immortality. Says that anyone can become immortal if they are willing to make certain sacrifices. (Camera continues around, beginning to focus on the headstone.) DON: Oh, yeah? What kind of sacrifices? (Camera shoes the headstone's words: Donald Thomas Henderson, Oct. 31, 1976 - July 4, 1995. "Forever Eighteen". JOE: Kill a friend....
All but the words "Forever Eighteen" fade to black. Then the letters dissolve.
The song in the background would be Micro Cuts by Muse. It would start as Irene is giving a weather report. Then flash to an image from space of a giant hurricane in the tropics with a voiceover of Irene saying "Hurricane Piper will most likely avoid all land completely . . ." Then flash to Anna and Levi dancing in the living room, when thunder startles them apart and Anna walks dramatically over to the window. Flash to Chapman diving through the rain, flash to Anna and Levi in the car with hurricane elements outside, flash to a giant tree smashing a house while Chapman watches - And finally a scene of devastation - destroyed houses, tress, etc with a voiceover of Irene: "stay tuned to channel nine for all of your Hurricane Piper updates."
Opens up on Elliot, Selene, and Thomas standing on top of a building, staring down at a pitiful man who is scared sh*t less. Selene: You have been charged with the crimes of killing 33 humans, and aiding in the creation of a natural demon. Thomas: The Jury finds you guilty as charged. Selene: *nods" Elliot, go ahead. Elliot stands up straight, releases his scythe (the man is shown transforming in a demon) Elliot jumps off of the two story building and charges at the demon. *screen flashes*
Opens with picture of a jungle Voice: It was a green world, where people lived in harmony with the nature Cut - fingers lighting a match and dropping to the ground Voice: It took courage to destroy paradise Cut- A young man, face scarred, eyes covered with bandana, smiling Cut- Second young man, back turned, revealing a tattoo covering his whole back, depicting a fish Cut - Third young man, holding a machete, slashing a tree that drips red blood-looking liquid Cut - Young woman, standing in a room, looking at a hologram of a huge city, covering her whole view, touching it, tears in her eyes Cut - Planet, surrounded by black space, with the title text: "Green World"
LocationEldersburg, Maryland (suburbs of Baltimore)
JoinedOctober 28, 2011
Posts15
scene opens on a girl in a Victorian age dress. Turquoise wings stretch form her back. She is in front of an older woman sitting on a golden throne who has on a shimmering dress in a similar style. Golden wings stretch from her back. The girl(Stephanie) has a small circlet on her head and the woman(Akia) has an elaborate crown oh her head. Stephanie: Mother, You can't be serious! Akia: I'm sorry, Steph. It was not my choice. Akia fades away, replaced by a young girl with wings made of dark purple fire now sits on the throne. She leans back and laughs. girl: You thought you could wing because of that stupid prophecy, didn't you? Well you can't, that prophecy will never be realized! I will kill you and that dragon of yours. Stephanie: The future has already been predicted. You cannot change what has been set in stone. girl: That stone can be weathered away and reshaped. scene fades to a meadow filled with strange animals. a young boy and Stephanie stand in it. Stephanie: The world is about to change. boy: For better or worse? scenes of fighting flash on the screen Stephanie: I don't know.
[Screen: black, fades to closeup of a marble fountain, pans to show finely-dressed woman(Farren) leaning on her arm and sitting in a trophy garden] {Music: soft woodwinds} (Voice-over Farren: "They say that we should learn from the past.")
[CUT to closeup of Farren with someone walking up behind her. She glances to the side but doesn't turn around.] Man: "You are Lady Tanner?" Farren: "That would be me." Man: "I have something I would like to discuss with you."
[CUT to view from behind Farren, where she turns around and looks up at the man. FADE to black.] (Voice-over Farren: "I think they're right.")
[FLASH SCENES] {Music: drum-beat at every cut} -[Shocked men(Joven and Kirjane) in hallway looking over their shoulders.] -[Robed figures around a magic circle in a cave.] -[Overhead view of Dusklorn's central palace.]
[CUT to glyph on the floor of underground ruins, pan out to show Farren and black-haired elf woman(Butler) looking at it and each other with puzzled expressions, then look away from camera as wind makes an odd sound down the tunnel. CUT to black.] (Voice-over Farren: "But they've never actually seen their past, have they?")
[FLASH SCENES] {Music: dramatic choir} -[View of large room with magic circles on each floor.] -[Joven preparing to cast a wind spell - gathering whirlwind between his hands.] -[Giant owl smirks at someone beside the camera in an ornate study room.] -[Kirjane surrounded by human guards.] -[Farren goes to kiss Joven.] -[A man who looks like Joven(Ryvere) shooting a bandit between the eyes.] -[Butler holding fire in both hands and looking at something behind the camera.] -[Farren raising her battle-axe to attack a large, stone snake.] -[Magic circle in cave glowing red.]
{Music: none} [CUT to black. CUT to dragon made of fire rising out of a crater and roaring.]
{Music: dramatic drums} [CUT to black with title: Blight and Holocaust]
[CUT to Joven standing by the fire at night.] {Music: none} Joven: "We could always try running away. It's not that hard." [CUT to Farren raising an eyebrow. CUT back to Joven.] Joven: "What?"
Everything is black. Music starts to play and we see a girl lying in the middle of the field.
Girl VO: In the early fall, thoughts of the Rebirth were completely off most people's minds.
Fade to black.
The girl that was in the field is standing with a boy and a girl. The boy is looking down at his feet, obviously upset
Girl: What's wrong?
Other girl: His brother was Removed
Fade to black
Text on screen: They thought they were trying to make things better...
Other girl is sitting with first girl OG: I have an idea
Black. Text on screen: But then only made things worse
Girl: What? OG: I'm going to stop the Rebirth.
Rapid images of people crying, a man sitting on a couch motionless holding a photograph of a woman, a crowd of people wearing the same clothes and looking grey and miserable.
Fades to black once again, text fades on screen: The Rebirth: Removal
[upbeat sounds of someone clapping and drum beats in rhythm a.k.a. Dead Man's Bones's Lose Your Self] [overhead view of Kuala Lumpur at night, the slow night traffic near LDP, flashes of screams, and sounds of hissing and skin and blood bubbling through] Anya (fingers drags through her hair, her eyes were sunken and shadowed): I missed something before. [flashes of sharp metallic equipments, vials of liquid injected into bloodstream, dilated pupils, blood red tears, sounds of heavy object fell into a lake in a loud splash] Anya : I-I cant let it happen again. Not with him like this. (her voice breaks with Anya crying against the palm of a man who was lying on a bed in dead coma) [flashes of sounds of siren blaring through the streets and a car slammed hard to the side of the road. beakers and thin glasses utensils breaking on the floor. Anya's face covered in blood, breathing hard in exertion with her gun cocked to the side of her head. Her eyes were darting side while sounds of footsteps nearing] [fade out]
*Tragic music plays quietly* Black screen. Then there are flames, distorted and warped. Distant screams. A whisper; "They are all gone." More flames. Distorted slow motion of a horse and rider, and somebody on foot. Flash of steel, and red. "Dead, killed when I was a child." The flames flicker out. Black screen again "I am the last one." A flash of a sword, a woman screams. "I am..." Music begins playing; not tragic, but with beating as scenes fade in and out (like the Star Wars trailers with the Darth Vader breathing) Someone appears; a teenage boy, 17, walking forward on a field at twilight, sword drawn. Fades out, switches; a woman, 26, a Queen, on the same field, slamming a staff down as the screen fades again. Switches; a man, 23, close up of drawing the bow back. Fades out, switches; a Princess and a Prince, back to back, surrounded by soldiers, each holding weapons and preparing to fight the soldiers. Fades out. Flames light up the background. A silhouette appears in the flames, hair and cloak blowing. The voice again; "I am the Last Shadow." The flames leap higher and the screen goes white for a brief second, before turning black again. Music fades in; one single note, played long and slow. The title, flickering with flames, appears; T H E L A S T S H A D O W Last sounds fade away.
The trailer for my movie would show many numbers... Think, Numb3rs... Like, lots of flashing numbers going everywhere across the screen. And then there would be a scene of a little girl, crying desperately and on her own. Teenagers running, and then the general, dramatic turn as they see something coming from behind them. The narration: IN A WORLD WHERE ORDER IS MAINTAINED TO THE LETTER... SIX TEENAGERS ARE TRYING TO MAKE A STAND...
Then suddenly, a change of scene. Two boys, holding hands underneath a large tree. Another boy lifting the little girl onto his shoulder and smiling at her mother. Two girls, staring into each others. ALL FOR THE DESPERATION CREATED BY LOVE.
In the background would be a classical score, with really hell-like music, think Dies Irae... And then as the scene changes, it moves into something gentle...
My novel would probably be rated M in australian ratings... I think that's R.
Trailer for a movie of my book? I'll give it a shot I guess.
[black screen with Kristen's voice] “You ever feel like you're being tortured, because your parents won't let you buy some crap or go somewhere? Ever been grounded and wanted to run away to be free? Ever hated your parents so much you wanted to die? Have you ever felt sorry for yourself? Suck it up." Kristen jumps out of a manhole and slams the metal disk into the side of a guy’s head. She rolls under another guy’s legs and snaps up to kick a third guy into a pole across the street. Before guy number two can move, she stares at him and he falls to the ground screaming. [Black screen] “That’s right, I can make powers look scary, but I’m not the only one.” A woman’s dreaming of running through a field to her fiancé and Lea pops up in her way. Everything turns dark and the woman wakes up screaming. Kristen grins cheerfully, “Enjoying your stay?” Skips to Ben running past a guy, up a wall, and kicks a guy off the side of a building. He leaps off, raises his arms, and shoots energy out at the man, who is slammed into the ground one hundred feet below. Nick teleports to Ben, grabs his shoulder, and teleports to the top of the building. Kristen walks over to the edge and spits off the building, “This time, it isn’t a battle. This time, it’s war.” Nick grinning, “Whatever, as long as there’s good food.” Skips to the ‘Coming Soon in Whenever’ Ben smacking Nick in the head, "What would you know about good food?" [Fades to black screen with white words] “Prepare yourself.”
Opens with a close-up of a blue eye with makeup, then slowly zooms out as a young female voice narrates: "Hi, I'm Wendy. I'm incredibly lucky. I'm normal. I wear makeup, admire models in magazines, hang out with friends, and fight with my little brother. I'm just like you." The camera zooms out enough to reveal her entire face, blonde wavy hair in low pigtails, clear skin, and a large scar over her left eye with it glazed over. Wendy: (speaking aloud) But something bad always happens my birthday. [Screen suddenly turns to black] [Happy lullaby music plays, no other audio] scenes of a little blonde girl with pigtails playing with a ball, a pre-teen Wendy laughing with friends at a sleepover, [music transitions to strings version of lullaby] the little blonde girl in a hospital bed with a bandage over her left eye, a pre-teen boy with dark hair hanging by his ankle high on a flagpole, a car crashing into a tree, a teenage Wendy sobbing in a hospital hallway, an unknown pregnant woman stroking her belly with a single lock of wavy blonde hair going down to her elbow, a black limo pulling up to a house and a man with dark hair stepping out. [Screen suddenly turns to black] [Fading from black, a close-up of Wendy again] Always.
Mine would be kinda of similar to Jhanneanderson's, somewhat I should say but not quite. I say that because ours are both about someone killing others.
Older teenage girl with long blond hair(Claressa) walks the dark streets of the city with a dark hooded cape on. -Mysterious actionish music- The scene is very dark, and the screen keeps flashing from the scene to black, every time zooming in a little bit on her face and then her eyes, which start turning a crimson red. (If you have seen Naruto, thing of the akatsuki's sharingan, crimson red). Then imagine an older guy smoking while leaning on a brick wall in a dead end alleyway. He looks very sober and he mumbles under his breath. Claressa suddenly appears in the exit of the alley way, looking parinoid. (Camera zooms in on the mans mouth, which smirks up in happyness)
Man: I knew you'd come. Claressa: Yeah, sure. But I'm not here for small talk. (Claressa dashes forward and pulls her hands out of her cape, where you can see her hands are balled up. The man and Claressa have an epic battle scene, where there are alot of flips of the walls. After a flash of white light, you see the man thrown against the wall, where you can hear his spine break and fall lifeless to the ground. Claressa falls dizzyily to the ground, and then looks across the way at the man. She quickly gets up and leaves, her cape wooshing and fading the screen to black. then you hear her say, " That is where my life began, and so the world came to hunt me down."
Imagining my novel as a movie is seriously one of the things that inspired and motivated me to start in the first place. Writing a novel is only half of my dream, having it become a movie is the other half.
It would begin by fading in from a black screen, while the Shayne(The main character) reads off the first paragraph of the novel. As the screen lightens a montage of the day to day live of the communities Raider's begins to play, the audience sees the main characters in good light, and a few average citizens whom their close with. And then it freezes on one scene. Shayne: Andrew's....dead? Allen: He was killed on last night's raid. [flash of light] We see a green stretch of land and a shed, in which we can see what appears to be the nose of a fighter jet. Kayte: What is this plan exactly? Allen: To remove the Marks family from power and start setting the world straight again. We can't do this without you girls, without both of you. Shayne: I'm in. [flash of light] The camera is sprayed with the mist from a waterfall as Allen take's Shayne's hand Allen: So you'll jump with me? [fade to black] We seen a wasteland with cracked dirt and dying plants, a few towns in the distance, and the camera pans around to find our leads standing in their Raider gear. Kayte: Is this what the Surface is really like? Allen: Lets get going, we're not coming back this time.
(Scene opens with the Harlands at the dinner table) Nat: Look... (shows ring on hand) Mrs Harland: Oh my goodness, congratulations! (Rich is staring wide-eyed at the ring on hand as she says this) (Fade to black) (Scene of plane flying through sky while Mine [Taylor Swift] is playing in background) Rich's Voice: I never thought about the day my sister will get married that much. I doubted that it'll roll around so soon. Much less around my birthday, in Disney World, and to such a big family. (Fade to airport, where Harlands are meeting Carlsons. Mr Carlson outstretches his hand and introduces his family while camera flashes to their faces while he's saying their names) Mr Carlson: Jonathan Carlson, and this is my wife Evelyn, and my kids Whitney, Zachary, and Haley. Mr Harland: (takes Mr Carlson's hand and shakes it) Gabe Harland. (flash to Haley, who is staring at Rich's friend Nick. Nick smiles a bit and Haley looks away) Nice to meet you (Montage of time at Disney World in which both Haley and Rich are sulking through it) Rich's Voice: Every moment I spent with this family, I just wanted to scream and get the heck out of there. It didn't help that I had to be grouped in the same group as Haley Carlson (Flash to Haley and Rich arguing in hotel hallway) Haley: I hate you and this whole place! I wish Kyle never had to marry your sister! Rich: Well I wish Nat doesn't have to marry your brother! (Pause as the two realize, flash to Haley and Rich talking. Hey Soul Sister is the music now) Haley: Wait, so you don't want this wedding as much as I do? Rich: I think so Haley: Do you know what this means? Rich: That we can ruin this wedding together? Haley: Uh-huh, you betcha (Flash to Rich talking with Nick) Nick: Uh-uh, no way am I getting into this insane idea Rich: Please? (Nick looks at Rich, who is practically pleading, and gives in) (Cue montage of Haley, Nick, and Rich doing various things: spying on Nat and Kyle while they plan the wedding, Haley "falling" down right into the cake, Haley and Rich on the phone, Haley and Nick kissing on the balcony only to be interrupted by Rich, etc.) Rich's Voice: I never really thought I could get along with Haley, but it seemed like we were more alike than we thought. I'm not really sure if we could pull it off, but all I know, that we're on the Most Magical Place on Earth, so anything's possible. (Cue Title--A Disney Wedding--with a little sparkle around it)
[[The trailer opens up with a shot of a decaying Earth rotating in space.]]
Female Narrator: It never occurred to the Humans that they would have to one day leave their Earth. It made them laugh when they heard the first Human scientist tell them the atmosphere was no longer stable enough to hold in oxygen or keep dangerous UV rays from entering their normally safe area of living. [[The moon blocks the picture for a moment as it passes, the whole right side is covered in trash and abandoned cities.]] No, they thought that scientist was insane.
[[Suddenly, large, white cruise liner/space ship-like transporters with "BETA" stamped on the sides shoot out into space in all directions then converge on the camera. A flash of white brings a scene of another planet. One side is desert while the other is covered in massive mountains blanketed with pure white snow. Along border between these two halves is a lush, green forest.]]
Female Narrator: Unlike the small and disobedient Humans of Earth, we, the ones you so eloquently call "Demons," do what is necessary to make sure we survive as well as all plant and life forms that we interact with.
[[The scene shifts to two crouching aliens on a sandy dune overlooking the horizon. One of them, a catish lizard-like male, turns his eyes to the sky and says something to the other larger, blood red life form. She looks up and her eyes widen in shock as the blue sky begins to turn red.]]
Female Narrator: When the Humans came down for the sky, we tried to make peace. [[The red alien and her catish companion rush to a scene of carnage and chaos. The BETA ships are littered across the whole desert. Fire and smoke engulf their view as they dive into the nearest ship.]] We tried to help them leave. [[The humans and all kinds of aliens are working together.]] However, everything changed when that... thing entered power. [[A man in his mid-forties sits at his desk in a small room. The red alien and her companion stand before them, calmly speaking to him. Black flashes across the screen.]]
Female Narrator: The way of my people is a rather simple one: you survive as long as you are willing to learn from your mistakes and make something good out of them. [[The red alien drags her companion out of a lopsided building, covered in Human blood. She turns around and roars in anger, exposing her rows upon rows of razor-sharp teeth.]] If we tripped, we caught ourselves and made sure to remember why we tripped and how to avoid doing it again. If we got cut during a physical exercise... [[She raises her empty, clawed hand up and screams a spell.]] ... we made sure to cut the one who cut us. [[The building she escaped from implodes and the screen turns back.]]
[[A young girl (Xander) sits in a chair in a small ten by ten room with a man dress in military garb (Cravings). She leans forward in her seat.]]
Cravings: So, you want to be in the Black Ops program, huh? And at Timberlake, no less! Aiming high enough? Xander: [[smiles sweetly]] Someone has to kill those murderous Demons, right?
[[The scene fades to black and comes back in a wild flash of light from three suns over the desert. The camera turns from the sky to the sandy ground where an army of humans armed with sharp objects. They're all dressed in heavy tan cloaks and thick shirts. The camera flies over the length of the army and turns toward a massive fortress-like school. "Timberlake" flashes along the bottom of the screen. The speed of the camera picks up and zooms in to Xander.
Xander: (raises her gun) Bring it on, ya jerks.
Female Narrator: Would you be amazed if I told you that Human was actually the hero of my people?
[[The screen flashes with images of Xander and an older male (Damien) running through the woods, digging holes in the sand, walking on a sea of glass, jumping off of dragon aliens and diving into the water below them, casting fire and darkness magic at a sea of military officers, and standing on a pile of black bones.]]
Damien: (smirking at Xander) Not too much. Xander: (frowning) that's because you're stupid. Damien: Whatever.
[[The screen fades to black.]]
Humanity Rated R Coming Soon to a Theater Near You
My trailer would have the song Tears by Aly and AJ playing in the background. (Here's a link to hear it: http://www.youtube.com/watch?v=n2f3flaHoV8&feature=related) I want it to be very mysterious, and it won't explain anything and it won't give anything away. At first you would see the title, The Life of Lucy, fading onto the screen with a black background. Then you'll see a 16-year-old girl looking out of a car window as the car drives past a sign that says Welcome to the town of Mystery then the car stops and arrives at a creepy old house. She'll get out from the backseat and then look back at the house to see a boy her age staring at her from the attic window with significant emerald eyes. Then the screen will flash white to show Lucy looking down from a staircase at her parents having a private conversation. Her mom says: "Do you think she's seen him?" Her dad responds: "“I’m not sure.” Then her mom says: "My mother tried to protect us from all of this a long time ago… Do you think it is safe here David?” Her dad responds: “Everything is going to be fine Charlotte. This isn’t like when you were a child and lived here, this time will be different.” The screen goes white again and you see Lucy talking to Oliver (the boy in the window). Lucy says: “Why are you here?” Oliver says: "It's complicated." The screen goes white again and then reveals Lucy sitting at a lunch table with her friend Nissa. Nissa says: "Well, according to legend this town of Mystery was founded on a paranormal rift of energy.” Lucy: "What does that mean?” Nissa: “It means that creatures were drawn to this area by some kind of unseen magic.” The screen goes to white one last time to show Lucy and Oliver together again. Oliver says: "What do you want to know?" Lucy says: "Everything." You see Oliver smile and then respond: "We have a long night ahead of us Lucy Fey." And then the screen goes black and it says when the theoretical movie comes out. So what do you guys think?
Male MC, Ralph, voiceover: “Destiny is a hard thing to escape.” Female MC, Anima, dressed in ragged clothing and covered in dirt and dried blood. She’s standing on a mountain, looking down at a town below. Cut to a newspaper with a headline that reads: Victim # 13, Will This Killer Ever Stop? Cut to a beautiful woman, dressed in a Victorian-style dress, sitting in a chair, smiling, with a fan held just in front of her chin. Cut to identical little boys, smiling. Zoom out to show them standing in a room covered in blood, with dismembered body parts everywhere. Cut to a large ghostly wolf (male voice): “Even when I tell you you’re an idiot, you still don’t listen.” Ralph voiceover: “Oh, you may think you’ve escaped it, but something’ll eventually come along and prove you wrong.” Cut to another large ghostly wolf, this one with a silver muzzle (female voice): “He will not stop, you know. Not until you confront him.” Cut to a man wearing a mask like one you’d wear to a masquerade ball (Axel): “No matter how many times you change your name, your appearance, your country. No matter how many times you change, it will find you. It will always find you.” Cut to Nana, looking angry: “What do you mean you don’t know what to do? You’re a guardian. Guard!” Cut to the main villain (no name yet), holding Anima up by her throat. Ralph tackles him. Cut to a woman, Clarette, casting a spell while the man beside her, Kevin, shoots a gun. Ralph voiceover: “Believe me. I’ve spent centuries running. And the bitch still finds me. Every. Time.” Cut to a bouquet of black roses on a bright red background. The title (still undecided) forms in wispy gray letters.
I've never thought of this and I always run my scenes through in my head like a movie but this? Well, this is genius. I love the idea. I'm going to start thinking about it right now : ) Thanks!
[A girl about 17 wearing dull clothing is walking around the rainy streets of an unknown place, You can't tell the time period, just that it's somewhat recent.] Alice [narrating]: It was an ordinary day. [Close up on her, she has longish brown hair and brown eyes. You could call her plain.] Alice: I am an ordinary. [A man around 19 or 10 appeared in front of her, smiling. He is vibrant in contrast to her and everything else. He has black hair and bright green eyes like a cat's.] Alice: So why did he pick me? [Flashes of Chess hugging her and the people around them literally freezing, then her following a black cat and screaming as she falls down a dark hole. ] Chess [bowing]: Welcome to Underland. [Flashes of giant mushrooms and bizarre animals. Alice is stunned and looks overwhelmed.] Alice: No, there're no way.... [Another boy with blonde hair and a wide top hat is dragged in front of her by Chess. You see Chess's mouth move as he says his name, but you don't hear anything.] Alice: Wait, Matt? Chess. [Alice gasps.] You are from the book! You're the Cheshire Cat. [Chess smiles widely.] And you're the Mad Hatter! [Matt glares at her so fiercely she stops talking entirely.] Alice [narrating while you see flashes of Matt shooting a gun at Chess and Chess roaring, throwing what looks like balls of lighting at a stone wall] Things are not as the appear in Wonderland. [Goes back to Alice, she is holding a pair of scissors and cutting off most of her hair.] Alice: I'm not going to ignore it. I'll figure them out.....[Fades to black as you hear another scream, this time male]...even if it kills me.
Music… quiet, shrill, sort of tinkly. Heavy thudding like a heartbeat as the darkness of the screen flushes with sunlight. You are looking at a hallway. A girl laughs. Glass marbles skill out of a box and roll in slow motions across the floor. As the sunlight catches them, they light up with tiny pictures inside—a castle, a waterfall, lithe female figures dancing in a ring.
Scene change: music swells into more of a piano and violin based fugue over the thin, shrill sound from the beginning. A fish’s skeleton wriggles out of the open pages of a biology textbook and begins swimming in the air.
Scene change: (fugue continues) a giant tree full of all different colors of leaves, layered one after the other, stretches into the blue sky.
Scene change: close-up of a boy’s pale blue eyes. Young male voice: “I just want somebody else to see what’s inside of me.”
Scene change: a boat shaped like a giant leaf drifts through the air. Snow falls around a blonde boy, and a dark-haired girl who is huddled into a white blanket. Some of the snow drifts together into a woman’s figure, and she glides into position behind the boy, and places her hands on his shoulders.
Boy’s voice continues: “Someone who won’t think I’m losing my mind.”
Then he is facing the brown-haired girl in the sunshine, standing on the ground, with blurred green leaves swaying behind them. She smiles nervously.
Girl: “I don’t know what to think.”
Fade to dimly lit forest with bare, claw-like branches over head. Boy’s voice whispers angrily: “This is my world. Don’t you dare tell me it isn’t real.”
Change: blue eyes in an ivory-pale face, catlike pupils, dark eyebrows.
A man’s voice, tenor, almost amused. “Why did you have to bring that human here?”
Music and visuals cut. A trickle of shiny silver liquid traces across the screen. “Dreambuilder (insert date here)”
Music starts playing. I imagine it to be an original score with a slightly ominous albeit whimsical feel to it.
INT. OLD ORPHANAGE. EARLY EVENING. The scene fades in to reveal an extremely dusty and condemned orphanage. Dusty orange light streams in through the windows. The camera pans slowly across the large main room, to show all of the wear and dishevelment the building has amassed over the years. There should be obvious signs of recent activity in the main room.
The music continues to play, only more softly.
Annabelle (V.O.): So... what’s the plan? Ella (V.O.): Movie night and pizza? Annabelle (V.O.): But that’s pretty much how we celebrate every birthday; don’t you ever get sick of it? Topaz (V.O.): It’s not like there’s much else to do around here... Annabelle (V.O.): There has to be something other than movies and pizza though. Right Bianca? Bianca (V.O.): That’s be nice...
CUT TO: EXT. EMPTY PARK. AFTERNOON.
Five girls (Rose, Annabelle, Topaz, Ella, and Bianca) walk slowly up towards a long tent. A sign on the tent reads: MR. N.’S TRAVELLING SHOP OF CURIOSITIES.
CUT TO: INT. MR. N.’S TRAVELLING SHOP OF CURIOSITIES.
Rose is standing in front of a podium which has a large antiquated leather bound book resting on top of it opened to the story of Little Red Riding Hood. The Camera closes in on the book.
A tall, thin old man appears on the other side of the podium when the camera zooms back out.
Mr. N.: This is no ordinary book. ... What might I ask brings you lovely ladies to my shop? Bianca: It’s our birthday. Mr. N.: All of you birthday? Rose: Supposedly. Mr. N: Supposedly?
CUT TO: INT. OLD ORPHANAGE. EVENING.
This time the girls are all huddled together in the center of the main room. Rose is holding the book to the title page, and all the girls are staring down at a hand written note.
Rose (V.O.): Twenty years ago today we were all found on the front steps of a local orphanage. No birth records. No documents of any kind really... Just a card in each of our baskets with our first names on them. Mr. N. (V.O.): This book, is a collection of all fairy tales, and it is yours.... After all, I was only keeping it safe for you girls. The music plays a little louder and mutes out the rest of the noise.
Rose (mutedly reading the scribble on the first page): From once upon a fairytale, where adventure lies in wait, came swiftly on a magic gale, that which would seal fate. Those pure and brave of heart, speak loudly and speak true, on your journey you shall depart, these words were made for you.
Rose should be barely audible over the music.
CUT TO: Montage of clips.
The music is as loud as it was in the beginning.
Misshapen and drastically unsymmetrical black and white creatures with hollows for eyes, a stitched up mouth and mismatched triangle designs around its eyes (Nightmares) rise from a puddle of a black ink-like puddle on an ash grey ground.
Ella –now in blue fairy-tale style clothing- slashes through a Nightmare. It implodes into the same black ink-like liquid.
Annabelle–now in yellow fairy-tale style clothing- aims one of two blunderbusses at a pair of nightmares. She shoots one bullet, and both implode into a black puddle.
Topaz –now in aqua fairy-tale style clothing- uses a whip to pull a Nightmare to the ground. Bianca –now in pink fairy-tale style clothing- lodges one of two hunting knives into the Nightmare. It implodes into a black puddle.
Rose –now in red fairy-tale style clothing- is facing the camera and has an arrow readied in a bow. She shoots. The screen cuts to black.
FAIRYTALE CHRONICLES appears on the screen.
Mr. N. (V.O.): And so the five Heroines arrived at long last into the Enchanted Forest.
The words on the screen are replaced by the word RED.
Rose (V.O.): Come on now girls. It could be an adventure.
RED fades away, and is replaced by the date the movie would come out.
I'd make mine really cool. It would start off with a bunch of cuts of different things mentioned in the book. An abandoned mirror underwater, a empty room with bookcases lining the wall, a girl playing the piano, a burnt pier, a lighthouse on a windy day. It would stick on a field of poppies and sunflowers. Then close up on the girl from before and a raggedy boy. They're laughing, but then the boy stops and asks her, "Eliza, what are you?" The girl pauses, but stands up and runs away, the back ground changes a couple times, until it stops at a rainy promenade by a burnt pier. as this is happening, the girl has a voiceover, "My world is corrupted. I found out one day, and my life has never been the same since," the screen changes to show the girl crying over a dead body. "So I ran. I ran through the mirrors, into other worlds." it shows the girl going through the mirrors, meeting the boy, and running. "But my worlds catching up with me. And one day i'll have to go back." The girl stops running and sees elements of her world drifting into the world she's in. A piano stuck in a tree. A bunch of masked bird men (like plague doctors). Smashed fob watches. A tear runs down her cheek, "not yet" she whispers
[A forest at night. A three-year-old girl, Fairy, is standing in front of large bush, picking off berries and dropping them in her basket, humming happily. Camera pans up to show a full moon glowing above the tree tops. Fade to black.]
[A snowy town square. A woman, Calleigh, sits cross-legged on the ground in front of a large building. A large crowd surrounds her.]
Calleigh: Once upon a time...
[Camera pans to the side to show Fairy, now seven, standing next to another building, half-hidden in shadows. Fade to black.]
[The forest. A half-starved wolf lies on the snow-covered ground, a rabbit in its claws as it hungrily tears off strips of meat. A young man, Talon, walks up to the clearing. The wolf stands and growls. Talon just smiles.]
Talon: Peace, brother. Enjoy your meal; I won't bother you.
[Fade to black. A wolf howls. Cut to Talon standing in the town with a drunkard, looking furious. He grabs the man's throat]
Talon: GONE? Gone where?
Drunkard: Don't know, do I? She's jest gone.
[Talon swings at the man. Cut to Calleigh sitting by a fire in the forest, Fairy asleep at her side. The girl rolls over in her sleep, revealing large scars on her neck. Calleigh gasps.]
Calleigh: Werewolf...
[Cut to Talon stand over the drunkard's body. He starts to turn away.]
Rina's voice (offscreen): He was telling the truth.
[Talon turns to look at her. Fade to black]
[Fairy and Calleigh walking down a road toward another village]
Calleigh: I'm taking you back to your own village after this, girl-child. Remember what I told you. Don't try to hide, but do try to be invisible, won't you?
[Fairy nods. Fade to Talon stumbling through a snow storm]
Talon: FAIRY! Fairy...
[Fade to black as he collapses]
[Quick montage of scenes] [Talon holding a tiny girl in his arms] [Calleigh with her forehead pressed against a tree trunk as she cries] [Fairy laughing silently] [Talon and a young man walking] [Calleigh sitting on the ground telling a story] [Talon staring at his hand, which is missing two fingers] [Fairy spinning in circles with her arms sticking out] [Calleigh building a fire in a small hut] [Talon punching the young man he was walking with] [Talon running through the forest, holding Fairy, who is crying] [Fade to black]
[Silhouettes of Talon, Fairy, and Calleigh. Calleigh and Talon are standing twenty feet apart, Fairy in the middle looking from one to the other. Fade to black]
A girl running through a field, holding a gun, mounted with black cloth armor. 2 men, dressed similar to her, run out, and spry her up and down with paint balls. "Out!" She yells, and the match is called.
Narrator (N): This is Sarah.
(School field, girls playing hockey) Friend: What happened to your arms? Sarah: Oh, nothing.. (Flashes back to paintball) *Cuts to a house in the country* Sarah: I'm home, Dad Dad: I got you a job, sweetie. Sarah, questionably: A job? (laughs) What kind of job? Dad: Babysitting Sarah: Easy.
N: But not as easy as she thought
(Flashes quickly through various gore scenes *DUN DUN DUN DUN DUN DUN DUN!*: A zombie being stabbed with a corkscrew, a little girl waking up screaming, a grill surrounded by zombies exploding, a golf cart being chased by zombies)
*heartbeat,* (in normal speed) Sarah breathing heavily, a bloody hand clasps over her mouth, and she screams
Flashes to black, Shows title, then release date and all that other stuff *Starring Abigail breslin* DUN!
Mine would start out in a science lab with a huge machine that you could lay inside. President Jason Coulton (Jason Harder) is in the room with several scientists. (PG). JASON: What, are you going to turn me into a super soldier so i can't die or something? SCIENTIST 1#: No, not exactly. We've been researching a way to transplant coded brain tissue into another body. (NEW SCENE) Still in lab. JASON: What is that thing? SCIENTIST 2#: The BDRD. JASON: The what? SCENTIST 2#: The Brain De-stabilizer/Re-Stabilizer Device. (NEW SCENE)Still in lab. JASON (LOOKING IN MIRROR): OMG. This is weird. I’m a kid again. (NEW SCENE) On a playground in a schoolyard. SADIE: There's something.... different about you. i just can't put my finger on it. (NEW SCENE) Camp half-blood PERCY JACKSON: Welcome to camp half-blood. Here you will be doing all of your training. Oh, and we’ll have to call you Jason HARRY POTTER: ‘ello everybody. PERCY JACKSON: Oh, have you met Harry? He’s new here too. He used to go to a wizarding school…Before he found out he was actually a half-blood, not a wizard. (NEW SCENE) Battle. BATTLE WARRIOR: We will fight! For…our freedom! Fight scenes flash by. JASON: This is my life now, I’m not going back. (BUM BUM) THE PRESIDENT’S BRAIN. Coming 12/12/12.
41paladinman wrote: Mine would start out in a science lab with a huge machine that you could lay inside. President Jason Coulton (Jason Harder) is in the room with several scientists. (PG). JASON: What, are you going to turn me into a super soldier so i can't die or something? SCIENTIST 1#: No, not exactly. We've been researching a way to transplant coded brain tissue into another body. (NEW SCENE) Still in lab. JASON: What is that thing? SCIENTIST 2#: The BDRD. JASON: The what? SCENTIST 2#: The Brain De-stabilizer/Re-Stabilizer Device. (NEW SCENE)Still in lab. JASON (LOOKING IN MIRROR): OMG. This is weird. I’m a kid again. (NEW SCENE) On a playground in a schoolyard. SADIE: There's something.... different about you. i just can't put my finger on it. (NEW SCENE) Camp half-blood PERCY JACKSON: Welcome to camp half-blood. Here you will be doing all of your training. Oh, and we’ll have to call you Jason HARRY POTTER: ‘ello everybody. PERCY JACKSON: Oh, have you met Harry? He’s new here too. He used to go to a wizarding school…Before he found out he was actually a half-blood, not a wizard. (NEW SCENE) Battle. BATTLE WARRIOR: We will fight! For…our freedom! Fight scenes flash by. JASON: This is my life now, I’m not going back. (BUM BUM) THE PRESIDENT’S BRAIN. Coming 12/12/12.
Narrator (text on screen): Mary thought she's living a normal life...
You see Mary working in a cubicle and answering a call. 'Hello, Mary speaking.'
Narrator: Until one day...
(blurry focus) Mary is trying to open her eyes, 'Where... Where am I?' Suddenly a big monster jumped in front of Mary, you hear a scream. *Fade to black*
You see Mary in a corner of a dark room, crying, 'I just want to get out of here'
*Fade to black*
You see monsters holding hand in hand and they sing and dance to a musical number.
*Fade to black*
Back to Mary in her dark room, she looks desperate, 'Please! I just want to get out of here!'
*Fade to black*
You see a monster sitting next to Mary on a bench.
Monster: This is very exciting. They told me to wear a blue shirt, but I'm wearing a red shirt!
LocationRavenclaw Tower, Hogwarts School of Witchcraft and Wizardry
JoinedJuly 23, 2011
Posts3
[Fade in from black. Soft violin music in the background] Ellis walking through the forest silently. Kate peeking out from inside the cave. Connor looking intently just past the camera.
[a scream. the music speeds up and gets louder] Each of the outcast's faces flash on the screen. Overtop, Ellis speaking: I couldn't stand watching the people kill each other and steal from each other and cry for each other. Shot of the jewelry store being shot up. Overtop: It is hard enough to watch it for one lifetime, but forever?
[music gets slightly faster] Shot of Ellis running through the forest, her clothes streaked with stains. Overtop: Forever would be agony. [Quick flashes of scenes] Kate stabbing a guard in the back. Ellis reading a list of names. Daren shooting at something off screen. Ellis and Daren kissing. Ellis pushing Daren away. Connor stabbing his side. Kate leaping down from a tree. [Cut to black. Pause. Silence.] Close up of Ellis speaking. "He controls everything" Shot of Daren speaking to her. "He doesn't have to." [Sharp, swift, final note on violin. Cut to black.]
Mine would be this: (Man running from cops) {Fade away} (Man running from grizzly bear) {Fade away} (Explosion) {Fade away} (Title of movie with dramatic background music)
My two lead characters would likely have to be drawn from the ranks of young actors, unknown, yet (hopefully) talented, and with no sense of self-respect whatsoever. The score would include Loreena McKennitt, Mike Pinder, and probably some head-banging garage band for the youthful demographic. Look for superhuman martial moves, a looming old stone mansion on a high cliff overlooking the stormy Pacific, and freaks! Freaks are always good to grab the attention. So is sex. Which there is some of. In the movie, not in real life. :(
Overhead shot of McGill university in Montreal Shot of girl (Vice) running out of classroom door and then a man in a mock riot police uniform rushes her and pulls her to the ground' Choppy shots of Vice struggling against the man on the floor -low camera angle- [Vice screams] [black] Cityline of Toronto shown in a fastforward shot from sunrising to sunset. (instrumental and spoken beginning of Survivor's Guilt by Rise Against playing in the background) On the word 'Forever' Toronto night shot pauses and music stops, then white flares start appearing in different sections of the city. [sudden black] [explosion sound] Vice bolts up in bed as a flare fills the screen and wooden shards are shown flying around the room Vice reaction shot Guy's (Ronan's) voice shouting: "Vice!" Shot of Vice's back with blood staining the left shoulder of her white wifebeater. She has a gun raised, there are three bodies just visable in far background. Burning buildings along leftside of screen. Single streetlamp left is the only light in the shot. Ronan's voice, softer, cautious: "Vice..." Overhead shot of Vice lying on bed between long blonde haired guy right (Ronan) who has an arm over her waist and blonde girl (Nadia) on Vice's left. Vice staring up at ceiling, just above where camera is, a tear rolls down her cheek. [slowly fades to black] Shot of seven people in a living room, afternoon light coming in from front windows. Vice is standing in the middle of a living room. Nadia sitting on arm of couch to her right with Ronan beside her, brown haired boy (Jonah) beside him, asian girl (Rachel) sitting on the floor in front of Jonah. A redheaded girl (Maeve) is facing Vice, arms crossed. Vice: "Simon's dead! Tara killed herself last week! How many more are we going to lose!?" Maeve: "You know as well as I do that Toronto is gone, there's nothing we lower units can do about it."" Vice: "Monreal's gone too but that doesn't stop the other gangs from fighting back!" Twin of Ronan with short blonde hair (Conan) steps between them. Conan: "Vice is right. We need to fight back and we need to do it now." Maeve narrows eyes, then looks away. Maeve: "We're all going to die." Different cut scenes of gang fights with different people from the main group of seven involved (ie: back alley, warehouse, the hallway leading to elevators in a large office) (1:28-1:37 intrumental from Suvivor's Guilt playing in background) [cut to black] [heavy breathing] Female voice: No... Cut to shot, camera angled upwards, where Vice is on a blood and dirt covered floor; she's perched on her knees. Very dim light from a single lightbulb. A figure is standing just in front of her but you can't determine who it is. A man is standing in front of the standing figure, gun raised.The figure you can't determine turns its head a little bit. Ronan: "You're a shamful opprotunist! What you don't understand is that it's better to die on your feet than to live on your knees." Maeve: "You have it backwards, it's better to live on your feet than to die on your knees." [gunshot] Shot of cemetary. Vice kneeling in front of a simple gravestone with 'Simon Reglin' written across it. Green grass around the gravestone. A bouquet of flowers rests on the raised dirt in front of the stone. Vice stands and turns to face the others dressed in black behind her (group of seven including a girl with black/blue hair (Alexis)). Vice: Let's go kick some ass. [fade to black]
The atmosphere of the trailer would be dark with the feeling of losing time, everything's really hetic. It would be a crime movie so the trailer would have blood and guns and such in it. Survivor's Guilt by Rise Against would be a staple soundtrack song.
[Camera pans down on an apartment building in New York] Maria: I've been accepted for the exchange program at school! [Fade out, then back in on her mother] Catherine(Mom): When are you leaving? Maria: Um... tomorrow night actually. [Camera pans over the landscape of Norwich, England] Marias voice as the landscape goes by: I know it's short notice. [Fade onto Marias face] Maria: But don't worry, I'll be fine. [Fade to the face of a handsome young man (Leonardo)] Leonardo (British accent): I hope you don't mind me asking your name? Maria: It's Maria... Maria Valencio. [Fade out on them staring at each other across her room] [Fade in on Maria and her friend (Rayna) walking across the school campus] Rayna: [Hands her friend an invitation] Here, I'm having a party this weekend. [Flash scenes of a wild party, then back to Marias face pondering over the invitation.] Rayna: Trust me it'll be a blast! [Fade to Maria walking through a crowd at the party] Maria: Rayna! Where are you?! [Pan to Leonardo standing up from a chair and making his way to Maria with a concerned look, fade out] [Fade in to the following morning, camera just on Maria, she sits up urgently and clutches her head from what may be a hangover, she turns and gasps at what is next to her. Pan out to see Leonardo resting beside her.] Maria: Oh my god, what did I do last night? [Fade out] [Fade back in to Leonardo racing down a set of marble stairs] Leonardo: Maria... Maria! Where are you?! [Fade to Maria on a plane with tears running down her cheeks.] [Fade again to black with Leonardo saying: Why did you leave?] [Flash: ~Bittersweet Silence~ in silver on the black screen. Flash date of release after]
I totally LOVE this idea. It's funny because I often think about this while I'm writing--if this were a movie, what would happen now?? I think I'm going to write up a fake trailer right now. :)
My novel is basically a coming-of-age drama in which four recent high school graduates go on a road trip from Virginia to San Francisco. I don't have a clear idea yet of the exact scenes that would be in the trailer because I'm still not quite sure how my novel is going to end up, but I know that it would have little (if any) talking. It would mostly be a montage of various images and scenes set to music. Right now, I think the song would be Arcade Fire's "Neighborhood #1 (Tunnels)". In short, it will all be very indie (hopefully not in a pretentious way).
The movie would be rated R, mostly for language, though maybe with a little violence and sexuality thrown in there.
"It starts out in the perspective of seventeen year old Isabella Swan, "Bella" who has a normal boring life, until she moves to Forks, Washington with her father Charlie. She doesn't expect anything to change because what could happen in a small town where it never stops raining? But she was wrong! As soon as she laid her eyes on Edward Cullen, her life changed completely. He and his brothers and sisters were so beautiful, and she couldn't help staring. At first she tries to avoid Edward, and acts as if he is annoying, but really she is burning inside to get to know him. She later finds out that he is different that he is a vampire! Even though Edward tells her to stay away, she still tries to talk to him in school, and finds any excuse she can to be near him. Their relationship strenghtens, and she finally begins to realize that her life is in danger because of her hanging out with the Cullens. Just one simple game of baseball, (well, it is vampire baseball) She encounters a tracker (James). James instantly becomes obsessed with Bella, and decides to track her. The Cullens try to keep her safe, but since Bella is so stubborn, she decides she will go after him herself. She will do anything to try and save her mother. She meets James in a ballet studio where he attacks her. In the end Edward and the Cullens save her, and Edward and Bella promise to be together forever."
I'm thinking about adding a sparkly and pasty white homosexual as the vampire, and some woman who couldn't act to save her life as the human girl. Any ideas?
I don't know what the movie would be like, It's kind of like a cross between Max Ride and X men, with a bit of Witch&wizard thrown in. I guess the trailer would kind of be like this
"My name is Lupine" (Lupine lying on ground with eyes closed) "I don't know were I am" (Lupine eyes Open, reviling pure silver Irises) "I can change what I look like" (scene of Lupine shape shifting to a wolf made of metal in front of a bear with blood over it's muzzle, behind her is a girl bleeding on the floor) "I was Kidnapped by scientists when I was ten" (scene with lupine as a ten year old, being dragged away from a house, a dog runs up and bites one of the captors. Woman screams SCREEN GOES BLACK Bullet firing noises) "I haven't seen my family since" (still black as she says this) {scene of lupine running through a forest several kids are behind her, A bullet is fired and a kid falls, some change their shape and fight others keep running} "And I'm not alone" then in big letters the words 'Crystal Dagger, coming soon to a theater near you'.
My story is a story of Faith, Love, and Loyalty. Rated PG.
Country song, "Walking in High Cotton" plays as you see a five year old boy (Jay) and a four year old girl (Sarah) just having fun; jumping in a pile of leaves, building a snowman, wrestling on the floor of a living room. Jay sitting on a couch in front of a Christmas tree, staring in wonder at the guitar in his lap. Music fades... in front of a house the father of the children faces their mother who's sobbing. The two little one's stand by their mother, their faces solemn. Father: I love you. (folds Mother in an embrace then pulls away.) Mother: We'll be praying for you. Father: I know you will. Cheer up. I'll send for you soon. Car pulls away with a chorus of "Bye daddy!" following after it. Scene fades and the words TEN YEARS LATER... appear on the screen. Flash a photograph of Jay and Sarah as teens, standing with their mother on a basketball court. Sarah is in a jersey and has a red ribbon in her hair. Cut. Tires squeal. Car hits light post. Cut. Group gathered in front of a grave. Pastor stands before them with his Bible open. Pastor: She loved the Lord Jesus Christ with all her heart. Cut. Jay and Sarah trudging across an open field. Narrating, you hear Jay's voice say, "I need to find my dad." Cut. Jay plays "Mamas, don't let your babies grow up to be cowboys" on his guitar with a crowd gathered around. behind him lies the still water of the Florida keys. A pail lies in front of him. Cut. Ship sails into the distance. Words on screen HIS FAITH IS TRIED. Cut. Cold, dimly lit communist cell is shown. Jay, tired and dirty, sits in front of a table. A stern government official sits on the other side. Officer: I hear you Christians obey ten commandments. What are they? Jay: You shall serve only the Lord God. You shall not bow down to any graven image. Honor your Father and your Mother - Light comes on in corner of room. A man is huddled with his legs and ankles tied. He is beaten and bruised. Officer: Honor your father. Deny Jesus and we let him go. Continue to proclaim your God and we kill him. Father: If you deny Jesus you are not my son. Words appear on screen WHAT WOULD YOU DO? Cut. Sarah lifts her head slowly; her face astonished and perplexed. Sarah: My family or my God? COMING TO THEATRES IN A TOWN NEAR YOU.
Opening Helicopter Nature shot, a group of walkers are trekking over a set of hills, one trailing far behind the others. {Calm music is playing, setting the scene} (Scottish)Professors Voiceover: On the eleventh of August, 2007, in the ranges of the Lake District, three Gold Duke of Edinburgh teams were roaming. [Fade to Black] Heather sitting on a bus reading a book, Frieda sits next her, Freida: What you up to? {Music starts to rise} Professors Voiceover: What none of them knew, what none of their minders knew was that recently in the area there had been a few incidents in which walkers had gone missing. [Fade to black] Heather sits back in chiar Will:Finished your essay? Heather turns in her chair in the library to see Will Professors Voiceover: The pattern wasn’t noticed as they seemed too insignificant to mention. [Fade to Black] Following Heather as she treks up hill, a distance behind her group. A dishevelled walker pauses as he passes to mutter. Bobby:Stragglers used to be shot yeh know. Heather laughs: I was actually thinking something along those lines Professors Voiceover:With hindsight and a large map, had one pinpointed each of the disappearances over the country, they would have noticed that that the string crossed the hills, moving from range to range. [Fade to Black] Heather comes down some stairs dressed to go to a formal dance, she smiles at Will, who awaits her in a smart suit. Professors Voiceover: As it was, no one knew there was such a thing to look for- {Music reaches Crecendo} [Fade to black] Heathers team has stopped to wait, a bang echoes through the air. {Music Stops} Professors Voiceover: -so there was little to warning for the events of that day. Screen goes black.
The trailer of my story would be a mix of suspense, mystery, and romance. It begins with a dark-haired man (John) in medieval farmer's clothes running towards a burning cottage shouting his wife's name (Katherine). He reaches her body and catches a glimpse of a silhouette by the window that flashes flaming gold eyes at him. [Fade to Black] You see John before a group of men dressed in priest's clothing and he kneels before them. [Fade to Black] You see John, now dressed in priests robes, scoop up a baby boy from a burning house. [Flash of Light] You see a handsome young man next to an older John fighting off a possessed woman. [Fade to Black] John: I've found a lead. Another man's voice: My boy and I will take you. You see John and Peter shaking hands with another older man and a young man. Peter and the young man lock eyes for a moment, and the young man smiles. "Sam," he says. [Flash of Light] You see Sam and the other man leading John and Peter across rugged, difficult terrain. [Fade to Black] You see Sam and Peter standing very close, as Sam reaches up to touch Peter's face gently. [Fade to Black] You see John and Peter fighting a pack of zombie-like canines with Sam and his father between them. [Flash of Light] A male profile appears out of darkness, and a flash of yellow eyes is seen. Demon: "Hello, Peter."
Ah, it would titled WAYWARD SON, and rated . . . I would say PG-13 to R, depending on how it goes. The music would be low and quick with violins, and a drumbeat between each scene.
My trailer starts off with a black screen that starts turning into water (like going from the bottom of the ocean to the top) as my MFC is narrating: "Nothing is more powerful than one's heart..."
Then the screen shows Ezmeralda (Ez) on a TINY island with a heart-shaped ruby in her hand as it zooms in on it and she adds; "Especially mine." And she looks straight at the camera and we see her emerald eyes.
Music starts as the screen cuts to various swordfights/battles throughout the book. A male's voice says "you have no idea how important you are." while you see Antony (MMC) and Ez running, then a man grabbs Ez and it cuts off with another man's voice shouting "Give me the Heart!"
Then it changes to Antony about to kiss Ez as he is narrating; "The more I loved you...the more I began to hate you." and as he finishes the line it shifts to Antony pointing a pistol towards (not at) the camera and fires as the screen goes black. As it immediantly comes back we see something dark blue swim fast against lighted water and then another ship battle between 3 ships and different scenes. "Who am I?" Ez shouts at someone off screen, and adds "what am i?"
Lastly the scene is Ez and a man at the head of a galleon ship and he turns to her with a grin as she looks at the horizon and he says. "You're a pirate." then i want the screen to cut to black and the words come up in a blue fading into green that reads the title "Without Names or Guilt"
end. i think i want it to be rate pg-13...as most of my novels are. But generally i don't think books or movies should have age limits...i was exposed to many horror movies at a young age and im fine (relatively;) ) So...yeah.
So, I see all of y'all's awesome trailers for these action packed novels and my romance begins to look blah compared to y'all's action-adventure novels, but here we go, I guess. BTW, if you don't know what Jason Michael Carroll looks like, take a look at my profile picture next to the comment. That's him. You'll need to know that for this.
*The screen starts out black with hot pink lettering that says 'What happens when you take a country singer' -Flash to Jason Michael Carroll dancing around the stage energetically, singing and having a good time *The screen goes back to the black and more lettering appears- 'and a 25 year old who has lived with the FBI since she was 11 who is thrown into an emotional situation' -Flash to a tall, brunette 25 year old woman in an empty auditorium, slumped against a wall, crying and clutching her cell phone. Only she and Jason Michael Carroll remain in the room. *The screen once again goes to the black screen that says this time 'and put them in a house together, and they fall in love?' -Flash to the two talking, then to the two walking into a house, Jason throwing his keys onto a small table by the door and showing her the house. -Flash to the two running around, laughing. -Flash to the two in the hospital, she is holding a newborn and he is by her side. Then, he says 'she's so beautiful. I wish she was mine.' -Flash to the two to the two kissing atop the staircase. -Flash to her standing in another house, and a tall, muscular, black man hits her in the face, and she is once again pregnant. -Flash to her standing on a scale, and in bright red, it says '69 pounds' and Jason says '69 pounds at two months pregnant is more than a diet. What's happening? -Flash to the two standing in the bedroom in each other's arms. She is wearing a tank top and there are bruises all over her arms and her face. -Flash to her baby in a car, dead and covered in blood -Flash to the two holding each other, crying -Flash to the beach. They are lying on their backs, side by side, and he reveals a ring. He says something that we can't hear, because there is music playing. The song is 'living' our love song' by Jason Michael Carroll. -Flash to her walking down the aisle in a wedding dress. -Flash to her in the hospital once again and she is this time holding his baby. He says 'I can't believe this is my daughter. She's just too beautiful.' *Flash back to the black screen and see the words 'And then she is diagnosed with cancer 6 years later...' appear -Flash to the two in the hospital, a 6 year old and two 5 year old twins right beside the bed that he is standing by and she is lying in. The doctor walks in and says 'Ms. Carroll, you have cancer. You have 3 months at most. I suggest you go and enjoy it while you can, 'cause it won't last long.' *The black screen appears and this time it says '... and he is shot.' -Flash to the two and their kids in a coffee shop and then a gunshot is heard and she screams. Blood covers them all as Jason collapses to the ground. -Flash to the two in the hospital, and this time, he's in the bed. He whispers in her ear, puts something in the palm of her hand and curls her fingers closed around it and he flat-lines. -Flash to the funeral. *The black screen appears one final time and the screen says 'Then, he shows up at her doorstep. -Flash to their house, she is standing in the doorway, the door open, and he walks up to her and begins to talk to her and his kids. -Flash to them walking outside together and towards 4 ambulances, all of which are screaming. -Flash to the inside of the first ambulance and see their first kid flat-lining. -Flash to the second one and see the twins flat-lining. -Flash to the third one and see the man we saw hitting her earlier flat-lining with marks all over his face. -Flash to the last ambulance and see her with a light pulse. She whispers 'I'm coming, Jason, calm down kids,' and then she flat lines and we see the two and their kids walking off together disappear. *Flash to a Bright White screen and red words, Huge and one at a time flash 'Obsessions of a Federal Drama Queen, Coming to theaters near you this fall, Rated PG-13' *The screen fades to black and we hear her scream 'You will never hurt me or my kids again! You killed Jason, This is just too far!' We hear five gunshots, two from different guns at the same time, the last shot, and hear five people collapse.
Kinda got way carried away. This outlines my whole story! Thanks for reading!
I've actually never imagined the movie trailer for my novel. Which I kind of strange really, as I have imagined how the movie’s poster would look like, and the experience of walking down the red carpet at the premier. I think my next staring into nothing session will be about think up the trailer!
Opening fade in to a man sitting on a white horse in plate armor, a large sword in his right hand. He is sitting in silence, unmoving. His sword is dripping with blood, and his horse and armor are both splattered with a mix of mud and blood. Beyond him, a large army is running up a hill in the distance. Scene fades out. A woman's voice begins singing a celtic dirge. Scene fades in to Raphael standing at the prow of a boat. Gabriel's voice: Why did you choose to leave the continent? Scene fades out. A drum begins to beat in time with the woman singing, slowly. Word's in white appear on the screen: Seven men Image shows Raphael and Gabriel standing together. Words: Brought together by fate Flash showing Michael and Lucifer riding together, their hair wet with rain. Words: To a new land Flash showing Remiel and Raguel holding halberds and standing by a wooden door. Words: To fight Flash of Samael turning, holding his bow drawn and a grim smile on his face. Words: His wars. Flash of Arthur sitting on a throne, a golden circlet on his head, Yvain standing by his side. Drum picks up beat as singing stops. Montage flashes by. A saxon man roaring. Samael and Lilith kissing passionately in bed, naked. A rush of horsemen crashing into a line of spears. Raphael galloping on a muddy road, sword raised high. Arthur striking a kneeling man with blonde hair. Raphael leaning over Guinevere in a rich bed. Gawain and Mordred drawing swords together from horseback. Raguel standing over Michael, his halberd in his face. Drums and music stop suddenly as the image of an axe rising over a kneeling Samael, Lilith kneeling next to him. Thump of an axe hitting a block, flash of Guinevere wincing as Arthur looks on in a grimace. Darkness. Lucifer's voice: There can be no kingdom without justice. Michael's voice: Yes, but what is justice? Quick image of Lucifer and Michael's swords striking, both men snarling on a muddy field covered in bodies, rain falling. Large black words reading "The King's Guard" with a white citadel on a beautiful, blue sky day, flags blowing in the wind. Fade in again to man on horse, other man gathering around him shouting "Pendragon!" repeatedly. Michael and Raphael walk up to stand beside the horse, both covered in blood, Michael holding a hammer, Raphael a shield and sword.
Hey that is how i started writing...i had these trailers running in my head..dialogues n all...then i thought the trailers make no sense w/o the story...so i started weaving the story
A black screen is shown, a drum beat is the only thing that is heard. The screen flashes. A red-haired, teenaged girl wakes up in a dark cell. Five others, three boys and two girls, are standing around her. The scene flashes for a second and disappears. The next thing that is seen is the six looking around in another room. The beat gets faster as a black silhouette is shown. "Trust me," his voice is comforting. The beat breaks into an intense song while the scenes flash of running through woods, swimming through rivers and the six kids fighting. "You have a gift, use it," the same man's voice says. "We have to find them," A tall, dark haired boy and the red headed girl argue next to a flickering flame. "Someone already got hurt, we don't need another!" The girl screams. "They're part of who we are!" "We haven't even met them!" It flashes to a scene of the red-head tossing and turning in hersleep. Screams are heard overhead and she sits up, suddenly awake.
"We can't fail" the boy's voice is overhead as the camera slowly moves across a grassy plain and ends looking on a white warehouse in the middle of the plain. It's followed by the name (still to be determined) and the release date.
My trailer would be scifi and grungey. This is what I'm picturing in my sleep-deprived mind:
[pan over a dystopian-ish brick city with dark clouds hovering above it, then zoom in on the nicer buildings nearby, finally on a glass skyscraper. Zoom to the top window, and to the brunette (Sakasa) before it. Then pan quickly back to the brick city, zooming to watch a black-haired girl (Tori) slip down a dark alley] TORI: I'm risking my life for a party. [Cut to a large gathering of masked people, and a single unmasked man (Jakob) in front of it. He holds out his hand] JAKOB: But it's not just any party. Welcome... to the Masquerade. [Cut to Tori running after Jakob, down a painted brick tunnel] TORI: What are you? [Quick jump cut to a masked, light-haired girl (Cara) fighting three guards at once, then to an unmasked girl (Nefertari) holding a gun on a blond-haired man (Crow), then to Jakob standing on a stage in front of a masked crowd] JAKOB: We're the future. [cut back to Sakasa in the window, she looks back over her shoulder] SAKASA: You cannot be unknown. It's impossible. [sharp jump cut to a underground tunnel, its walls painted with various murals, a crowd of masked people filling the streets of the brick city, then to Tori holding a device with a flashing blue light up to her face] [Cut back to the glass tower, this time to Jakob nearby the wall, surrounded by guards] JAKOB: I've never let impossible stop me. [Jump cut through several more action scenes, and then finally to an image of Tori, masked. Fade to black, text 'Masquerade' appears on the screen]
Matthew and Arya are in a forest. Matthew leans casually against a tree, waiting for whatever it is Arya is about to say.
Arya: How old are you?
-scene change-
Matthew casually walks down the school's hallway, flipping his hair back as he winks at a group of girls [who all swoon]
-back to forest-
Matthew: 19
Arya: How long have you been 19?
-scene changes-
Matthew charges at another man, tackling him to the ground as he snarls and tries to rip the man apart.
-back to forest-
Matthew: -shrugs- a few hundred years.
Arya: -stares at him- Okay, I'm gone. Goodbye. -begins to walk away-
-screen goes black, blue words appear on the screen-
If you can live forever...
-flashes-
José: -stares at Matthew incredulously- You're in love with a human?
Matthew: W-well I wouldn't say it's love or anyth---
José: Is she hot?
Matthew: ...
José: -nods understandably- Don't worry, bro, I got your back.
-flash-
Genevieve: -glares- If you're really going to sacrifice the safety of this entire goddamn family just to save your little girlfriend that you've been dating for a day, you're a stupider than I thought - and that's saying something, because I thought you were dropped on your head multiple times as a human baby. She's a waste of your time and frankly, I'd rather not get killed because of her.
Arya: ...I'm right here.
Genevieve: I'm well aware of that.
Arya: ...
-flash-
Arya and Matthew lean in to kiss; Arya is overcome by a fit of giggles.
-flashes words appear on screen again-
Why are you wasting your time like this?
-flash-
A van is speeding towards Arya. She looks up and screams, raising her arms for to brace herself for the impact. It never comes. She opens her eyes and comes face to face with Matthew.
Arya: OH MY GOD HOW DID YOU DO; THAT YOU JUST SAVED ME!
Matthew: -turns and runs off-
Arya: WAIT COME BACK - HOW DID YOU DO THIS WHY ARE YOU LEAVING HOLY CRAP YOU JUST PUSHED A VAN OFF OF ME---Great, now people are staring at me. They must think I'm insane. I HOPE YOU'RE HAPPY, MATTHEW - YOU GODDAMN PSYCHOPATH! -pouts angrily to self-
-words-
From a not very well known nanowrimo fic...
Arya and Matthew stare at each other.
Arya: I'm not scared of you. What's to be scared of?
Matthew: -smirks- You really shouldn't have said that.
Arya: Why not? What are you gonna do? Tickle me---really. Really? You're going to tickle me? You're actually going to tickle me? -Matthew moves forward, wiggling his fingers- Jesus Christ, Matthew, you're freakin' 200 years old, why hasn't your brain grown - don't you dare come closer. -backs away as Matthew advances closer- Tickle me, and I swear, I'll find a way to kill you. Or rip your hands off - whatever's easier. Matthew,stay away. No - no - urgh! -turns and begins to run, Matthew gleefully chasing her- Why am I dating a child? This is so stupid pedophilic; you're dating someone at least two centuries younger than you and I'm dating someone with the mental capacity of FIVE YEAR OLD. -runs off screen, Matthew still chasing her- GODDAMN MATTHEW, STOP CHASING ME - I CAN'T RUN FASTER THAN A VAMPIRE!
-cut to black-
-words-
Afternoon.
...if it isn't obvious yet, my fic's supposed to be a Twilight parody of sorts. The story itself is a little seriouser than this fake trailer but yet, aren't the movie versions always slightly different?
my movie would have lots of action, speaking, describing. maybe chris (MC) on the phone, speaking to the man and a fade out then a scene where she's running through the forest. it'd be very suspenseful, with rock music. the kind of feelings it'd want to evoke is the sense of fear the main character is feeling as she's running from these guys following her.
The trailer of "Catherine's Journal" would be sort of like the one for "P.S. I Love You". Starts out with snippets of scenes and conversations. It would start with Catherine (MC, clearly) and Oliver ('gay best friend') sitting on beanbag chairs, mentioning Riley. "Riley Wilks," "You're not the type for love at first sight." It would be playing something like "Romeo and Juliet" (Killers Cover) in the background. Then it would flash back to the crowded club where she met him, just a quick introduction scene; "Riley Wilks", "Catherine Stevenson." Romeo and Juliet would still be playing softly as an undertone, but something a little harder/faster would play for the club feel. The whole thing would have a sort of soft, muted appearance, to invoke the tenderness and romance. Then there would be a few other clips; first, Catherine looking at a piano, slowly taking a seat and playing a single note. Reagan (Catherine's older sister) arguing with their stepfather. Reagan walking up behind Catherine at the piano and joining her in playing a song. Amber telling Catherine to "go for it!" with Riley. Beth putting her arms around Reagan at the piano. Riley and Catherine walking together, and Riley telling her, "That boy loves you." Then, Oliver sitting next to Catherine and Reagan and Beth at the piano. The whole thing would have lots of piano and soft lighting that accentuated eyes especially, and it would try to emphasize the 'music brings them together' aspect, as well as highlight the relationships: close friendships and family. The piano song they were playing would have to be something classic and well-known, but not too difficult. Some sort of sonata.
Mine would start off dark with a young boy hiding in a cupboard when soldiers from the Inquisition burst through the door and drag away a man, woman, and little girl. That boy would race through dark alleys with a toddler in his arms.
Then BAM! Scene switch
On a boat, a scene, fighting to overtake a Spanish ship, a twelve year old boy dressed in girl's clothing disgusted as he watches the scene before him.
Then BAM! Scene switch
Clandestine meeting with a man who needs a fresh start. The captain of the Vengeance gives him orders and a lecture on revenge being more important than fortune.
BAM! Scene switch
Starving on the ship-- tensions making men ready to rise up against the captain-- a new ship on the horizon.
BAM! Scene switch
Young man sitting around on deck telling stories of the Spanish Inquisition and the death of a family, a rescued toddler, and the heir to the throne of Valencia to an enthralled crew-- particularly a 12 year old boy who is visibly engrossed in it.
Slow Scene switch
Calm waters, parched and near frantic crew... the day is dawning and one man spies a ship-- Spanish.
BAM! Coming soon to a theater near you.
Music switches from ominous and almost holy sounding to energized, powerful music that sounds like men charging and swords clashing and then at the end to violins and flutes before a big kettle drum BAM for the end.
Oh YEAH! And the music SO makes it pop! Let me know when the movie come out. Finish the book first. I always like to read the book before seeing the movie.
An earth-tone shot of a girl riding her bike on the beach, laughing. [Voice over.] Chole: "I remember little things. Things that don't make any sense."
An earth-tone shot of the same girl, sitting at the end of a dock, feet in the water. Chole: "But I swear they're real."
An earth-tone shot of the girl looking over her shoulder, to see troops marching in. Her expression turns horrified. Chole: "You believe me... right?"
Cut to a high-tech building, with clean tiles and walls. A girl [Chole] and a guy [Pascal] are sitting. The girl is picking at her food; the guy doesn't even have any food to pick at. [No longer a voice over.] Pascal: I'd have to be crazy to. Chole: Are you crazy? Pascal: What do you think?
Cut to a high-tech, obviously high-security room. A man in fancy robes [Chancellor Dillion] is addressing a room of The Council, consisting of about eight people. Dillion: She's our biggest threat. We need to get her on our side. Pascal: Perhaps I could be of help? Dillion: I was hoping you'd say that, Pascal.
Cut to the Batch 46 Dormitory. Boone: You seriously think that Pascal's on /your/ side? Chole: Why wouldn't he be? Boone: He's the Council's lapdog. Everything you tell him, will go right back to the ears of the Chancellor.
Cut to a shot of Chole bowing to the Chancellor in his chambers. He reaches for her, placing his thumb and forefinger under her chin to draw her up to look him in the eye... and he smirks.
Cut back to the Batch 46 Dormitory. Chole: Chancellor Dillion is a wonderful man.
Cut to an image of the Harvesting. Nothing graphic-- the art comes from what you don't see.
Finally, cut back to the lunch table. Chole: I don't think you're crazy. Pascal: Well, I'm talking to you, so I must be. Chole: *tries to kick him under the table. ends up kicking him, but also hitting her shin on the table.* Pascal and Chole: *various groans of agony*
I love the sound of it! I would totally go see that. I love how you go from the scene in the cafeteria with the "What do you think?" just hanging there and then you bring that back in the very end. Awesome!!
I imagine the trailer would be somewhat dark and slow. It would be simple -- no dialogue or anything, merely a teaser of what the movie's about.
A moody/creepy piano piece is what you hear:
First shot, my FMC arriving in front of her new home, the camera panning up the entirety of her Hitchcock-esque home. Slow fade to black.
Next shot, my FMC finding things amiss in her home -- say, a door creaking open while she watches. Slow fade to black.
Next shot, my FMC lying in bed at night and hearing loud noises coming from the attic. Slow fade to black.
Silence -- no more piano music. My FMC standing on the porch at night, looking out towards the woods that surround her house. She hears what sounds like a baby crying somewhere in the distance. The sound abruptly cuts off, followed by a twig snapping. Then the camera switches POV, and we're watching her from behind a tree -- the POV that you'd have if you were hiding in the woods and spying on her.
Slow fade to black, the title, "The Shadow in the Trees," slowly forms in thin, wispy letters. Then the release date.
A soft piano would play in the beginning. My two MCs Satoru and Kitty would be standing back to back, weapons in hand, staring at nothing in particular with carnage all around them. Blood spilled across their clothing and all over the ground they stand on. Broken bodies in piles, hacked up or blown away. As heavier riffs come into the music, snippets of the two MCs fighting each other and everything else around them would flash, but always come back to that same scene. "Can you take me away?" Satoru would ask, looking over his shoulder. "Where do you want to go?" Kitty would respond with a playful shrug. The scene would change and Satoru would be at a bar setting with more characters that he knows as his family, laughing and having a decent time. The scene would shift to night with Satoru looking at family photos behind the bar counter, hanging on the wall. His hair would be drenched in blood, his favorite silver and black sword in hand and stained red. "You know I'm not human right? I'm not what you want me to be. I'll always have this curse over my shoulders no matter what I want." Another woman character, Nak, would be with him, watching, hand placed on her stomach protectively. "It doesn't have to be this way." "You don't understand." The trailer would end with a strobe light effect of several different scenes between Satoru and Nak sharing a seemingly romantic relationship, IV dripping in a hospital, bloody fighting and Satoru trying to catch up to Kitty who was running away as the music fading away saying in a sing-song voice, "I'll never tell."
Okay, reading this over, it looks better in my head. It's all in CG of course and it would be rated R for violence, alcohol, sexual scenes, and language. Hahaha!
My novel movie trailer would begin with a bunch of fast changing images about what brought the end to society as we know it. Pollution. Deforestation. Mass consumism. War. As these images run by there's a musical score that invokes stress and need to survive, the music is classical meets electronic --kinda like the TRON score-- and you can also hear tidbits of media reports, guns being fired, children crying, people fighting each other, static. Then you can see the famous mushroom cloud and the screen goes dark. The screen now shows the Earth, rotten and arid. The camera moves until it shows the Biospheres, white domes with artificial environments where people live. My female lead speaks off camera "There's only one way you can live here." The camera now shows my female lead and her family watching intently a computer screen, their faces only illuminated by the bluish light of the computer. The camera shows an email with the title "SUMMONNING ROMANO, LYVREA ISABEL", "What does it mean?" my female lead's brother asks. The camera now shows a man in his early fifties. Black hair and eyes, olive skin, black suit. He speaks before a mass of people of all ages and races who are all dressed in khaki and have a chain with a metal id hanged on their neck. "Welcome, Gifted." As he speaks there are images of my main characters doing what the man narrates. "In the next couple days you will be tested mentally," my male lead is working against the clock to solve a calculus problem on a holographic screen in order to save a little girl from being crushed with a weight. "Genetically," my other male main character is plugged to various machines as someone is drawing blood from him with a syringe. "Physically," my female lead is set in an artificial environment simulating a jungle where she's trying to outrun armed men. "And emotionally," the three of my MC along with other 5 people ranging from age 13 to age 65 are all wearing a silver crown-like thing that only covers their eyes and they are all screaming. "Your mission:" The camera goes black again and the music halts. "Retriving resources."The images pick up their speed and the music is a lot more stressing and rapid-paced, a lot of violins and drums. My three MCs running across a desert, evading bullets, old jeeps racing each other, the three MCs being surrounded by an urban tribe in the ruins of a city, my female lead running from someone in a dense rainforest and then she stumbles across a large water spring. She can't believe her eyes. My female lead talks again: "You survive." Tragic sounding music, my MCs armed, fighting against an unknown enemy. One of my male characters screams "COME ON!" A bunch of images again race by only letting a glimpse, water, war, a desert, my MCs tightly hugged, the urban tribe, the Biospheres, then my male lead is chained, sitting in a chair, looking up with an angry look. "Tell me where it is." Someone says. "Never." Images again and the music goes in crescendo. Black screen:"This November", Image of the fighting, "How fast can you think?" Image of MC fixing something, like he doesn't have much time, "How long can you run?" the 3 MCs racing up to reach somewhere in the jungle, "How much can you endure?" One of the males is being tortured while the female is screaming "No! Leave him, leave him alone! I'll tell you where the water is!". Images race again and then you hear a gun being fired. The title appears "THE GIFTED" then the motto appears under it "Survival is for the fittest." Then the credits. This film is rated PG-13 :D
I know what the song would be, it would definitely fade in and out through the trailer. Back when I first came up with the idea for my novel, I had written a song that I called, "Chinese Suicide" that was incredibly relevant to my MC, Nem's feelings throughout the book. Her escape, her doubts, all of that. So it definitely would be the theme I would want to use. Not sure who would sing it though, or if I would just do it myself.
But anyways, I would want it to open with Nem and Chandler (character later introduced and holds a major role in the story) sitting on the beach that lies on the outskirts of Erno, and it would switch between a monologue of Nem, and Chandler and her having a conversation as well as flash backs to her past.
Nem (Inner Monologue): "Strange, isn’t it? I never expected at such a youthful age, I would actually discover how terrible a thing like war could actually be. " Chandler: "Hey, Rookie?" Nem(speaking): "Why do you have to call me that?" Nem (Inner Monologue): "Sometimes I question why I am here, why I actually agreed to this. Perhaps back when I was sitting in a classroom, reading about all the wars that have taken place, it never bothered to cross my mind just how terrible they truly were." -flashback to her looking down at Lucas, screaming "I'm sorry" right before she left- Chandler: "Did you know I always wanted to do something amazing?" Nem(speaking): "What are you trying to be? A hero or something?" Chandler: "Maybe." Nem(Inner Monologue): "Lucas told me we could be heroes together. And I believed him. But there is nothing heroic about this." Nem(speaking): "You should never try and be a hero when there is nothing to be heroic about." Then Chandler would look at her and be quiet, then it would more than likely proceed to several flashbacks, possibly going over Nem's experiences as the music over powers the scene. Then it would fade back when it returned to the two on the beach. Chander(standing): "Hey, they called you one of those "strong minds", right?" Nem(speaking): "Yeah, so?" Chandler(holds out his hand to her): "Then let's do something amazing for the world you don't yet understand." Then it would pan to Chandler, offering her the half smile he does, and then back to her, who would smile up at him. Nem(Inner monologue): "We are not suited for war. We are just kids. We are children, not adults. We aren’t ready to fight these battles. " Then it would go to a title screen or something. c: What do you guys think?
Opens with a close up shot of a Missing Person poster of a Bethany Andrews. Switches to a shot of the main character, Ethan, sitting at a table, sharpening a silver dagger. Voice over from another character: "You've been alive for a long time now." Ethan - "One hundred and forty-nine years." Shot of a completely deserted city road in New York, the only people seen are Ethan and a homeless looking man further down the street, smoking a cigarette. Shot of the inside of an abandoned factory. Shot of Bethany tied up and gagged, trying to scream. Shot of a grey skinned djinn, sticking to a wall, upside down, with its hands and feet, a sick grin spread across its face. Other character's voice again: "Fate has been freed from a very long imprisonment. She wants war." Cut back to the deserted street, Ethan walking up to the man. "There will be grievous injuries." Shot of a Detective William Terry looking distressed, holding a bloody rag to his neck. "There will be pain." Shot to a little boy named Daniel, crying. "But if you don't stop her, she will eradicate free will." Ethan: "Who are you?" The voice is revealed to belong to the mystery man, who smiles: "I'm God." Flashing shots of a vampire feeding on a cop, an old man named Michael in a duster and a bowler hat casting a spell, another detective Katherine Chambers pointing a gun and yelling at something in the shadows, Ethan punching God in the face, Bethany with a tear streaked face holding a bloody bat, the djinn stabbing Ethan in the stomach with the dagger. The flashing stops, the instrumental beginning to Hell by Disturbed begins playing and a woman with strikingly green eyes and blazing red hair is shown, "Ethan Price, you're the old fool's last chess piece; a pawn against a queen. You can't dream of winning." Shot of Ethan, bloody and beaten. Holding the dagger in one hand and a gun in the other. "Well I've already died once, the second time can't be too much worse." The title "After Death" is shown, with the last line of the chorus for Hell playing, "Burning, now I bring you Hell."
- Some ghosts - Stuff showing the King being a moron - Sword fight - An explosion, for no reason - People making out even though that's a really minor part of the plot - People running wearing capes - Army massing - Something to make people jump, like turning round and a bad guy is right behind them in the dark with a knife
In other words, it would be the same as pretty much all fantasy moive trailers.
A young woman sitting on the edge of the bed with a frail, clearly sick woman, not old but badly aged by a disease that is killing her. The dying woman speaks in a sweet, plain voice:
"You were my bird. You saved me."
Cut. Flash to a young woman standing over a fresh grave, with a casket being lowered into it, somber music playing. Everyone else is crying, but she's simply angry. The music is something akin to Sarah McLachlan, very melancholy.
Cut. Now it's an image of the same young woman trying to wrangle kids into the car in the parking lot of a small country store, with a voice-over of nosy women in the background: "I heard she's taking care of all of them herself now." "Mm mm, what a shame, and her father..."
Cut. The girl making breakfast for her family, all of them sitting around a small table, the father looking exhausted but lovingly at her.
Cut. The girl covering her younger sister's ears and pushing her face away as their father storms around outside their trailer, drunk, staggering and waving a gun.
Cut to black, music stops, the sound of a gunshot.
Now flashes of scenes as the music becomes intense and fast, increasing in tempo as each scene passes by: the young woman and her boyfriend passionate together; the father explaining to his daughter how he simply can't anymore; the boyfriend asking her, "Are you gonna keep it?"; her white face in the bathroom mirror, the floor covered in blood; the words "BABY KILLER" spray-painted across the side of the trailer; suitcases and items being thrown haphazardly; a previously-unseen house going up in flames; a bus station, faces passing in a blur; breaking through a window; a man in a priest's collar asking a young woman, "Are you sure you don't believe in God, or are you just angry with Him? You can't be angry with someone you don't believe in."; an adult woman yelling, "I never quit on you, I quit for you. I thought one day you'd see the difference."
Cut. Music comes to an abrupt halt. The scene is hazy and dark, like the beginning of dawn, and looks as if your eyes are just opening, then closing again. Darkness. Now the sound of swings creaking, and somewhere more distant, birds.
Thanks! I'm glad I took part in this thread, because now when I need some inspiration I see this movie trailer running in my head and it gets me pumped up to write some more. :)
I know how you feel! I saved mine so I could re-read it whenever I need that extra boost of motivation. I don't know why I never thought to write a trailer before -- it was both fun and inspiring.
It begins with a scene of James (my MC) and Richard (my MC's eventual lover) in the drawing room of Richard's home. Richard is sitting, head bowed, while James stands across from him looking expectant. Richard raises his head slowly and asks, "Have you ever had a secret...that you would do anything to keep?"
CUT to Catherine (the FMC) approaching a handsome young man (David) in a dimly lit room. She puts a hand on his shoulder and draws him closer. Cut to Sarah (Catherine's sister) in the doorway, eyes wide with shock.
CUT to a huddled figure sitting in a dugout, looking shaken. CUT to a close-up of a hand laying limp by someone's side. Another hand, belonging to someone who seems to be in uniform, reaches out and holds the other one.
CUT to James and Randolph (James' brother) in a room, Randolph looking confrontational. He asks, "Where is it?"
CUT to a shot of James standing at a desk, slowly picking up an envelope, and pocketing it as his voiceover says, "Where is what, exactly?"
CUT abruptly between several scenes: Sarah running down the hallway in a nurse's uniform; Catherine being shoved and stumbling against a wall; Sarah in her bedroom, on the verge of tears; James and Richard, standing out in the snow, James looking at Richard with a mix of shock and confusion.
Cut back to the first scene of the trailer, with James and Richard together in the drawing room. James gazes down at Richard, his expression softer and slightly conflicted.
"Yes," he says, "I think I have."
The title screen, simple white text against a black background, appears: THE DARKNESS AND THE NIGHTINGALE.
*violin music* It starts, the interior of a palace with an King gazing into space. Rapid FLASH to scenes of War and riots, death on the streets. "sir? It's time." says a young 20-something year old woman, entering the room. The King looks back.to see a little girl asleep in the woman's arms. The king nods, and gives the child a kiss on the forehead. Fade to black,King speaks "Until I know you can be safe... Lucy" Cut to an apartment , with a teenage girl having her hair done up in an elaborate bun in silence by the woman who was carrying the little girl. "The people will be pleased to see you." "They have seen me Nicolette, but to them, I've just been another girl on the street." Music kicks in again, now an epic orchestra barrage. Cut to Lucy arguing with the King "I'm not ready!" Brief flash of a ballroom, talking, laughter, Cut back to argument. "My hands are tied, the people demand it!" Back to the ballroom, the crowd looks up to someone just arrived on the balcony. It's the princess, wearing a silver mask. Flash to her dancing with some important nobles. Flash to the sight of a young man leaving the throng. In the background, Lucy talks to someone else over the scene of the dance. "Who is he?" "The Prince of Gaul." "Gaul?" Now her yelling at the prince as they stand in the rain. "It's your country's fault that I don't know what the hell I'm doing! Do you think that I wanted to go away?" "When will you understand that you are in something much more complex than our two countries wanting to go to war?" A flash of Lucy meeting with an elder man "Prime Minster, I can order you to stand down." "Oh Princess, you haven't had that power for a long time." Her frustrated at the woman we saw before "I can't eat, I can't sleep, I can't do anything without someone telling me I'm wrong. I can't go anywhere without someone following me. I'm told I have all the power in the world and yet I have none. Why Nicolette? Why won't anyone tell me what is really going on?" Black, Slowly the image of Lucy being grabbed from behind, a knife at her throat. "Did you honestly think that running away would let you escape your death Princess?" "No, but it certainly will delay it for a while." Fade out, to golden letters painted on the screen. "A Princess's Lament."
LocationEast of the Emerald City, North of Warehouse 13
JoinedJuly 3, 2009
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Mine would start out like a lot of horror movie trailers do. We see our main character pull up the house, with a voice over explaining about her grandfather's sudden passing. We then cut to the reading of the will where we learn she is now the owner of his house. We then cut to her and her g/f in the house, quick montage like with shots of them cleaning it out. We then cut to her venturing out into the woods where she discovers the cottage. We have a montage of her writing with flashes of strange images playing through. Someone voices over, "you're losing your mind!" Lots of scary flashes, like any good scary montage of our heroes in trouble, a man with an axe runnning through the woods, then a scream and fades to black with the text appearing in white. The song that would be playing over would be some sort of instrumental thing, something Inception trailer esque.
It starts off looking sort of sepia tone, like you are in an old world, than you would see this blimp type thing, but it's more mechanical looking than a normal blimp, and there's a carrier underneath, and a person is driving it. It's from far away. Looks a little strange.
Then music would begin Florence and The Machine "Breaking Down" during that part.
CUTS to the main character, Louisa walking going to her urban house.
CUTS to her at an outside market, when a aircraft comes falling down near her, and everything breaks, and produce is thrown all around.
CUTS To her looking down at a man, who is dressed like a pilot, and he looks at her.
CUTS to her with her hands on a metal fence, looking up at something.
CUTS quickly to half robots/half human people, they are doing cruel things
CUTS To a light shining over a man, looks like the pilot, but you really can't tell for sure.
CUTS to her in a strange room, with thousands of clocks, and machines, and she's looking over everything.
CUTS quickly to her looking at a man in a suit, their standing close to each other.
CUTS to her and the pilot running, as different types of warships are above.
CUTS to the man in the suit, working on a machine. He looks like a scientist, slightly weird.
CUTS to Louisa and the pilot in an airglider, and things are calm.
It ends with the title "On The Edge of Time"
I thought way too much about it, basically, it would be really choppy, and fast paced, compared to the song that would play. In the backgrounds you could see the setting, with the big industrial plants, and the airships, and the strange cars.
Oh, and after showing the blimp in the beginning, it would lower, and show the city, and people. Then cut to the rest.
I think after it shows the title of the movie, I would have a clip of dialogue between two of the characters, but I haven't written enough to think of what it would be.
First of all: think period drama, specifically 1780 at the start.
Open with a scene of MC and daughter in carriage, driving up to MC's estate. Pretty scenery, but with vaguely sad/foreboding music. Some applicable voice over is heard. Cut to scene of rain and lightning flashing, MC standing out in it. Cut to her British soldier husband returning; he clearly looks ill and has a gunshot wound. Cut to husband on death bed; he says something to MC about their daughter. Fade to black with MC's gentle crying heard.
Cut to MC and mother arriving in Paris at MC's brother's house; brother and wife are seen with young children. Cut to shorter glimpses of a several dinner parties, a masqued ball, and maybe a scene at Versailles. Cut to a nighttime garden scene, with MC and a French dandy; he looks at her intently and says "We are the same, [MC's name]." MC looks somewhat frightened and confused (but prettily, of course).
Cut to MC and brother (seen more aged than before) in his office; he says "MC, look at yourself." Cut to MC looking at her reflection while brother is heard to say pointedly, "You are not altered." Cut to MC cutting her arm down the veins with a letter opener, dripping blood is visible, then shorter glimpses of her grimly understanding face and her brother's shocked one. MC voice over: "You must not speak of it, to anyone."
Cut to another party in Versailles or a noble's house. Cut to MC and some other young and halfways handsome French lord, smiling and mild flirting on both sides. Cut to general scenes of unrest (circa French Revolution) and some other noble is shown quickly and heard saying something I haven't written yet. MC is shown with her aged friends and her maid, looking very concerned in some parlor. Cut to some guns and blood or something revolutionary.
That's as far as I have thought. General plot direction includes some more romantic tension between the MC and this French man, as well as more death. Lots more death. They are nobility in the French revolution era, but the focus isn't really going to be the Revolution so much as it will be that the MC wants her love interest to leave, but he gets himself more and more involved in stuff that eventually leads to his execution via that wonderful instrument of decapitation, the guillotine. MC is devastated and must continue her life. I think I could write about this character for several books let alone movies. I know it's just a good old romantic period drama so far, but oh well.
Anway, there are some thematic ideas I want to include that aren't expressed in this semi-trailer, but I think the main premise is revealed enough.
A teenage girl sits in a graveyard. Two ravens fly down from a nearby tree and land on gravestones next to her. Scene change. The girl is running through a thick mist. Strange shapes and sounds come from every direction. Something vast is hinted at in the mist before her, you hear the beat of giant wings. Scene change. The girl is now standing on the edge of a cliff looking out on a futuristic city below, all tall spires and glittering lights. A male voice speaks "Welcome to Elysium." Scene change. A narrator speaks over the next few clips. "If you found out the fate of two worlds lay in your hands," Earth spins through space around the Sun, the Moon around the Earth. Suddenly the picture jumps and now there are two Earths, two Suns and two Moons. One Earth darkens, seems to decay, black clouds cover it's skies. The other stays green, shines, lights sparkle in the night. Narrator: "Could you rise to the challenge" Montage to some uplifting orchestral beat Girl jumps out of way from giant robotic fist smashing into the ground. Girl leaps from roof of building two ravens at flying at her side and then there are three ravens. Girl stands in city street surrounded by shimmering field of energy as laser beams bounce off it. Narrator: "Could you fight for a world that wasn't your own" Montage to Adagio for Strings Scenes of black uniformed soldiers marching down burning streets. Special forces types jumping from flying gravity barges. Women and children running as manshaped wolves pull them down. A tall figure, twice the height of a man with great deer antlers on his brow shouting "Kill them all" Explosions running through a city. Narrator: In the face of the ultimate dark a good soul must burn all the brighter" Scene change. Girl standing infront of large mirror watching scene play on it like a tv, ranks of huddled figures being shot in the head as they kneel in the mud. Girl speaks "This isn't right, this isn't right!" She stretches her arm out to the mirror and a coiling ribbon of light stretches out into the mirror. Lightning bolts crash down out of the sky killing the executioners. FILM NAME HERE flashes up on the screen Montage to Lux Aeterna from Requiem from a dream Big ass explosion as gravity barge falls from sky crashing into tower. Dragons soar into combat their riders firing missiles and lasers, the dead fall spiralling. A tall man stands cloaked on a hill, a wide brimmed hat on his head and an eyepatch, behind him rears a six legged horse. Knights gallop across a field their shields reflecting energy blasts from the giant warmechs they charge against, horses cartwheel to the ground. The aurora shine across the sky above a shinning city, suddenly a beam of light shoots down from the heavens, fade to white. Scene Change. From behind: Girl strides out of a doorway hair blowing in a halo around her head, a gnarled wooden staff in one hand glowing at the end. Crash of thunder. Two ravens fly out of the screen as the film release date shows.
I think mine would open with a flash over the Saddleworth Moors and then skeletons uncovered in the mud. A flash to an unknown man standing over a crying girl, a blade pressed to her neck. Flashes and fragments of conversations between my two protagonists mixed with images from the past. A race against time to save a life and stop a monster who will otherwise never be stopped at all. All filmed in a slightly dark, depressing setting to emphasise the loss. Faces of the dead girls every so often flash by. And rain. A lot of rain. Some sexual tension between the two main protagosits as well as a snippet of their fight,.
The description reminds me of the trailers for The Body Farn and I quite like that idea.
IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This isn't just about casting actors for the characters in your novel-- this is MORE. *DUN DUN*
You're sitting in a darkened movie theatre, wondering if you have enough time to go to the bathroom one more time before the feature starts, when a new trailer comes on.
It's the preview for YOUR NOVEL: THE MOVIE.
What does it look like? What kind of theme does it have-- what emotions does it envoke? What songs are playing in the background and, most importantly, what scenes will it depict?
Think about what kind of movie you want the audience to THINK the trailer's for. If the preview is before a romantic movie, you might choose more romantic scenes and a softer tone. If you want it to seem like an adventure movie, show the main character jumping a subway turnstile, looking deadly serious as his coat flares out behind him.
Optional: what would your movie be rated?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The trailer for my movie would be ominous. It an older man(Meagan) eating dinner with his wife (Torah).
Torah: So what did you do today, Meagan?
[Fade to Black]
You see the man dragging bodies from a pickup truck into the woods outside his home. He opens a hole in the ground and drags the body deep within the earth.
[Flash of Light]
We see a room full of cages, in which people are held.
Woman: What the hell are you doing you sadistic prick?
[Man ties her down to a table and begins to sew her mouth shut. She is then thrown into a cell which is strewn with dead bodies.]
[Fade to black. We hear other people screaming and see flashes of actions that are too gruesome to tell. We later see him with an empty room, cleaning up blood.]
Fades to dining room again.
Meagan: Oh, nothing.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
this sounds amazing, just saying.
Why DO this?
It is an awesome inspiration to contact the writer and make them more inspired to write...
Good Idea NANOWRIMO.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That's awesome, dude. I'd watch that.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow, me too!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow that sounded really amazing, i could picture every scene in my head and it sounded really really good
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds like a really good movie! I would watch it!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Woah.... O_O That'd be one awesome trailer. But I probably wouldn't watch it being only 14. XD Still, that's amazing.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I want to read that!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds epic enough for me to have to cover my eyes during the trailer and decide not to see the movie XD only because I'm not into that sorta stuff, but I think that is just another indication of it being awesome!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Since when is Meagan a guys name? (Just asking 'cause my name is Megan without the extra A)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The Fiend is European.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
AMAZING! I totally wanna watch that... O.o and read it! :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
pretty cool. bad ass and funny :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I love books and movies like that! I really want to read your story now XD
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I really wanna see it too!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Nice amount of words, but i hope others will have alot more, a nice competition would be nice
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
R U SERIOUS!!?!?!?!?! Your word count is like... supernatural! YEESH! Do you write in your sleep too? Or do you just not sleep and write 24/7?!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Dude that is EPIC! It sounds like something dark and twisted like I would write... And it should totally be a movie! I'm telling you, a trailer like that would have me hooked in an instant. XD
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Idk how this happened, but I was posting as a response to jhanneanderson's trailer idea up at the top... Somehow it ended up down here. Well that's annoying.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Whooaah, I really want to read this book/see this movie. We may have the next Stephen King on our hands, people.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
THAT IS SOOOOOOOO CREEPY! I imagine that's where you with it right? Creepy horror?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh my gosh, I got chills. Can't wait to read your book!!!!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
WOW!! i wish it was a real movie.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I would watch that movie! Gory but I would watch it.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wonderful avatar :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thank you! I like yours to! Draco is so awesomely evil lol!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Honestly, that sounds terrifying.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
umm AMAZING!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
CREEPY! SOunds great - I would watch that movie!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
OMG that sounds amazing!!!!!!!!! I would totally watch (and read this)! Somebody on one of these comments said that you could be theh next Stephen King. I agree!!!!!!!!!!!! It. sounds. awesome. =)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Um, can this be legit? I would so see that. And READ that :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
where can i get tickets?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
OMG!! That sound so freaking awesome!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I would soooo watch that! No joke!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Holy crapoly. That's scary stuff. I'm not sure if I would actually watch it or opt to change my underpants instead . . . . =] It sounds incredibly interesting though.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
OMG this book must become a movie!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Best. Trailer. Ever.
I'd watch it, if horror flicks didn't mess me up so much. The 'what did you do today' thing - brilliant!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow, I would totally watch this movie! :D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Eh, sounds good, but I think its been done before.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
what's the name of it? sounds cool
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Whoa, I just got shivers reading that.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds epic. :O I can totally picture that as a trailer.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That is intense. Sounds epic, can totally picture that as a trailer :O
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Agh sorry I can't delete the double post
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Abila staring off across hills
Cut to Coy scuffing the dirt
Cut to Liber scrambling up the hill
Fade to Abila crying, curled up in cell. Over the top- Liber: Do you want to get shot?
Fade to Liber holding a locket with a picture of two five year old girls. Over the top- Abila: I can't feel her anymore, Lee!
Fade to Liber appearing behind Coy. Over the top- Coy: We have to believe in her!
[Fade to black. white writing - 'the story of three teenagers]
Coy scrambling to get to Liber, who is covered in blood, Abila holding him back
Coy: LIBER!
[Fade to black. white writing - who's lives were undone]
Abila reaching through bars or a cage to a thinner, weaker girl who looks like her.
Corday: Abi... I-I'm sorry
[Fade to black: white writing - who's special abilities are brilliant]
fade to Coy slamming an SUV door shut
fade to Liber appearing inside a closed shop
fade to a wound on Abila's head healing
[Fade to black: white writing - and terrible]
Estrid throwing Liber and Abila across the room with Coy and Corday unconscious by her side
[Fade to black: white writing - they have new things to discover]
A falcon landing on Coy's cousin's, Falkner's, arm.
A fox scrambling through the undergrowth, dog's barking heard.
A wolf attacking Liber's dad, Marcus
[Fade to black: white writing - but more questions to seek]
Coy and Falkner sat on a log
Coy: What's happening to us?
Falkner: I wish I knew... I really did
[Flash scenes]
- Abila throwing herself at Estrid
- Corday pulling Liber from a wreckage
- Liber pulling out a knife, his eyes trained on Estrid
- Corday holding her mother, Bellona, over a cliff face
- Abila and Coy kissing
[speeding up]
- Estrid slapping Abila round the face
- Marcus throwing himself in front of Liber
- Coy causing a building to fall
- Corday holding Liber's brother, Milo, close to her chest
- Liber turning the knife round so it points at himself
[Fade to pale red background. At bottom, Abila on right looking to her left; Coy left, looking to his right; Liber centre, looking straight on. At top, above Abila, a wolf; above Coy, a fox; above Liber, a falcon. Inbetween animal and human, in bold, black letters made of broken stained glass, the word HUNTED]
Fade to Coy and Abila facing each other in a field
Abila: Don't leave me.
Coy: Never.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
well, that's long... I think I got carried away...
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Sounds amazing, like no joke! :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
came on here and there's tonnes of responces! Eeek! Just to warn you guys, I've had to give up on NaNoWriMo - everything got on top of me - but I'm continuing in my own time...
And thank you, you're too sweet :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I want to read it!!!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Me too! Adn I loved Ice. Terrific read.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That. Looks (Sounds?). AWESOME!!!!!!!!!!!!!!! Please write it and make it famous and then make that movie have that trailer!!!!! :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thank you, thank you, thank you!!!!!!!!! I'll try - promise!!!!! And then, if it somehow becomes a movie, I'll 'convince' the producers to use that movie - I saved it in my documents!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I saw every single bit of that trailer. I could tell what was happening when you were describing it hell id pay to read that..
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Your icon just crushed my dreams.
I was sort of hoping my letter got lost...x_x
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Grr, 'Edit' button much? That was @Saffieee
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
XD
I'm glad you could tell - that's the idea!
Loving the icon, and the best thing is, we can't be in rival houses! I'm a Hufflepuff!!!!!!!! (And a proud one at that)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I'm a Ravenclaw. Or maybe Gryffindor.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds pretty awesome :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds incredible! It sounds like something I'd read and something I'd be counting down the days until it appears in theaters.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That was so amazingly AMAZING!!! Ahhh please write this so i can read it!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Kinda sounds like Maximum Ride series! Or perhaps the Breaking Dawn commericial. I really liked it. I'd be pretty intrigued. Definitely look it up. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Maximum ride? O_o woah... awesome! Though they don't have wings! But, bit of insider, Asilia was original gonna be for a Supernatural fanfic, as an angel! So technically, she DID have wings ;)
XD
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
so cool! i could imagine this dramatic music with a frantic drumbeat underneath it all.. epiccc
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That is amazing! I saw the entire thing play out in my head, heard what the characters sound like, and felt chills go down my spine. I can not wait to read this! Publish plz!!! :D
(@ Silath1996, btw.)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
XDXDXDXDXDXDXDXDXDXDXDXDXDXD
-That's the limit I can react! Thank you!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow.
That sounds EPIC.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
And wow was for Silath 1996 :-D
Why'd I end up all the way down here?!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thank you XD The replies get really confusing :/ I'm glad you like it so!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My kind of movie. When is it coming out? Keep writing. Things come up, but this sounds really fun so don't let it slide too long.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
XD I'll try not too - looking a sixth forms at the moment, and GCSE's, mocks, blah blah blah... but I'm getting back asap, if it kills me. I, myself, want to know what happens - though I know some, my characters write most of the story themselves...
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Opening shot: a man is lying in a hospital bed, in a sterile white room. There's an IV in his arm and in his neck, and an EEG cap on his head. He lies beneath a white sheet. He is pale and emaciated, with several fresh red and raised scars on his wrists and throat.
Close up on the man's face as he says, breath rattling in his throat: "I saw him -- he was in my mind --"
CUT -- flash scenes:
A hallway, torquing out like an optical illusion, stretching too long
A glimpse of a young man's face, sharp and beautiful, flitting into shadow
The sound of a man's soft laughter
CUT to two men in a government office, one in a suit, the other dressed like a professor. (Background music begins, a reinterpretation of a Wagner piece by the Trans-Siberian Orchestra.) The suited man says: "We're bringing in some outside help. His record's perfect. He's never missed a shot."
The professor, frowning: "A mercenary."
The suited man, correcting him: "A hitman."
CUT to a man in a black coat on a roof, gazing through the scope of a sniper rifle. He's wearing fingerless gloves; close-up of his finger tightening on a trigger. CUT to this same man quickly dissembling his rifle, grabbing a black duffel and darting into a stairwell.
Voiceover of the suited man's voice (as we watch the professor sit down opposite the hitman at a table in a bar, his gaze bright and focusing in quick succession on the sunglasses tucked into the collar of the hitman's shirt, then his fingers curled around the stem of a martini glass, then the way he's seated with one foot drawn back as if prepared to stand at a moment's notice): "This is the most important – and the most potentially dangerous – situation we’ve had to face since the end of the war.”
The hitman: I know an agent when I see one. You're too obvious.
The professor: Who said I was trying to hide?
CUT to the hitman and the professor walking next to each other down a hall. The hitman raises an AK-47 with one arm.
CUT to a man's slender fingers turning the pages of complicated sheet music, touching it with a sense of reverence. Voiceover of the professor: "It's a genetic mutation. He can control you through your subconscious." Brief pause. "Have you ever gotten bored in a lecture and started to let your mind wander? Have you ever listened to a piece of music so fantastic that you stopped thinking about anything else but how it made you feel? That's how he gets in."
The same hands lifting a conductor's baton, a brief flash of the same young man's face we saw before, smiling.
CUT to a girl in her 20s, hair tangled and matted, face pale and streaked with dirt. She is trembling and hugging her arms to her body, rocking slightly as she says: "I see him in my dreams. He's always there. I try to stay awake but I can't /help/ it, he--." She breaks off abruptly and glances up toward the camera. "He's going to make me kill you. He's going to make me kill /all/ of you."
CUT to the hitman, sitting with the professor. He says: "It's the music, it has to be. He writes a song, and somehow, it possesses you. Drives you insane, makes you want to kill yourself. Or kill someone else."
Flash of the professor plugging headphones into an iPod, putting the earbuds in his ears, pressing 'play.'
Flash back to the hitman and professor sitting together. The hitman says: "And I don't know if we can stop him."
CUT -- flash scenes:
The hitman raising a gun, his eyes fluttering as if he is about to fall asleep, and the lights flicker out. A second later, a bat comes flapping out of nowhere toward the camera/the hitman's face, screeching.
A city street, covered in ice, the sky grey: nuclear winter
Those slender fingers spreading wide on the keys of an organ, blood stains beneath the nails
Someone else's gloved hands shaking as they use a razor to draw out three thin lines of cocaine
The professor sitting in an empty room in a ratty armchair in what looks like an abandoned apartment, an IV bag hanging from a stand next to him, his head tilted back against the chair and his eyes shut, lips parted, looking pale and ill
The hitman pressing the girl from before (who looks much cleaner now) against a wall, his hand sliding up her forearm to grasp her wrist, pressing her hand against the wall next to her head, their faces nearly close enough to kiss
A full orchestra playing
The young man, conducting, raises his arms as if to indicate a crescendo
CUT back to the office with the suited man and the professor.
Suited man: "Staying under the radar is your best defense. Because once he realizes you're on to him, the moment you fall asleep..."
Professor: "...it's over."
Quick flash of the professor kneeling opposite the hitman on the bed, slapping him in the face with both hands, yelling, "Stay with me, /stay with me,/ you have to stay awake --" --and then back to the office.
Professor, completing his sentence: "I know."
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Title: Revelations.
Rating: R
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds amazing. I so would go and buy the book and see the movie. Sorry for sounding like some pathetic fan, but that is all I can think to say.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh my god I've been out of commission for a few days and I come back and there are all these responses! :D You guys are too kind. Thank you so much.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I agree with previous comments. I want to read this book. And when the movie comes out it had better actually come to theaters here in sweden, otherwise I will probably end up doing something illegal to get my hands on it.
I love this trailer. <3 It had me on the edge of my seat, literally. You really managed to keep up the pace in it.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Haha I will send you an advance copy. :P I'm so glad you liked the trailer. Hopefully starting tomorrow night I'll have time to sit down and pound out the rest of the book!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
No fare, that's my title! lol (really, it is...)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Ahahaha *high five* most epic title ever, amirite?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Excuse me... How much are the tickets for this? And where can I buy your novel when it's finished? Because truly? I cannot even find words to describe how much this appeals to every aspect of myself. (This is my fourth attempt.)
First of all, your plot sounds absolutely incredible. Exciting, confusing, gripping, fast-paced — in other words, everything I look for.
Second of all, you did a wonderful job translating it into a script. Just saying.
Right. That was my two cents' worth.
Cheers!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thank you so, so much! <3 This is incredibly encouraging to hear. I need to get the rest of my life organized asap so I can get something further finished and put up some excerpts!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That was amazing. You literally had me on the edge of my seat. About two-thirds of the way through, I realized that I was leaning far forward, my face inches from the computer screen. You completely mesmerized me in less than a thousand words, and I know I exclaimed aloud over a few favorite lines.
I echo everything the above poster said: I would watch the movie; I would buy the book. (Yeah, when are you publishing? xP) The plot sounds amazing. You translated the plot to script very well: I could see it clearly, hear it, feel the intensity.
Thanks for sharing. Now I want to go make my novel as brilliant as yours.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh wow, thank you! :D This is amazingly flattering, it really is. I've been having trouble balancing out my schoolwork and thesis with writing this novel, and now I'm half inclined to say forget everything else and just do this. >.> Haha.
Thanks again! <3
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh wow. Okay. I would buy ALL the tickets. I would hoard them in my house and trade them for special favors. Goddamn. This is awesome. I just. Words? This sounds like the kind of novel/film that would create such an intense fanbase. People would talk about it for years. Cults would form. From just these few words, I'm hooked, and now I really, really want to read your novel, like, yesterday.
I cannot even. This sounds like the kind of plot I would actually spend money on.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Hahahaha that is amazing. :D Thank you so much! To be honest I feel like my novel is driving me insane bit by bit, itself (just like the Composer's music, if I dare reference my own story). I need to sit down this weekend and just bang it out. Too much schoolwork's been getting in the way lately. :/
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Ohhhhh, yes. I want to read this.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I'm glad you like it! :D Thanks!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
So, when's this coming into theaters? ^_^
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Hahaha I'm so glad you liked the 'trailer.' :D Now to bang the rest of the words out and actually make my first two chapters into something longer and more resembling a novel....
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This was incredible! All the CUTS and fast-action bits were awesome. I felt like I was really watching a trailer! xD I can see this story being published, most definitely being adapted. Kinda Inception-y. Sounds amazing! :D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Excellent! That's kind of the mood I'm going for. :D I'm glad you like it!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I would watch this!!! Kudos to you for thinking up this amazing idea and concept!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thanks! :D Double kudos to me if I end up having enough time this month to finish it, eh? >.>
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That gave me chills =) If you ever publish this, I will go buy the book the day it comes out, and if you get Hollywood rights and it turns into a movie, I'll go to the midnight premiere =) Amazing!!!!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Aww thank you so much. <3 I will be sure to get all of you free tickets, lol.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This sounds outstanding.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thanks! :D I like it quite a bit myself.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I want to see this. Or read this. Or anything. Right Now.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow this sounds spectacular! I want to read it and then see the movie so badly! Please once you are done this submit it to a publishing company! It needs to be published
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This also sounds like a cool movie. But a trailer that would make me feel a little creeped out.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Mine would start with this image of this huge ass city through the window of a car. It's really pretty and the sky is blue, and this little kid would voiceover: "People used to say that God created the world in seven days." During that, it would flick between a couple of scenes with pretty landscape, like one that involves a park and shit.
And then gunshots. It would go black, with shouting, and then it would flash up scenes of the same city, destroyed, with the kid's voiceover: "Now they’ve come to say that man destroyed it in less."
That would crossfade into the song "You're Gonna Go Far Kid" by The Offspring, and during that song it would montage all the really dramatic scenes. My MC Conner running from police, getting thrown dramatically out a window, and the big fight scene near the end with explosions and all that stuff. Interspersed with scenes that are less dramatic but still cool, like my secondary MC getting hit by his dad with Conner looking on, when the kids discover the guy in the sewers, etcetc.
The song would fade out to silence with this image of both MCs out in what looks like a desert, the first lying on his back with the other like lying on top of him, trying to wake him. The MC wakes up and you hear the second MC say "are we gonna be okay?" and then the first says "I promised you, we're gonna be alright."
and then it'd end with the title (Glass) hitting the screen and shattering it like glass. And then it'd be followed with "sometimes seeing isn't believing".
It'd probably be PG13 at least. If not R. :D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I love, love, LOVE those first two dialogue lines: the whole creating the world in seven days, and destroyed it in less thing. That's the kind of tagline I hate people for coming up for, because I wish they were MINE. :D
I'd watch that. I'd totally watch that. And get the book.
*Gonna go creep your novel stats once I'm finished with this.*
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Ahhhh, thankkkk you. Those are totally the first two lines of my book. :D
Heyheyhey friend me and whenever I finish this, I might poke you to proof read draft 3. :D (I need people I don't know so well reading my drafts, yay)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Love that song. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I love the first two dialogue lines! It caught my attention and made me want to read more. You know those first few lines in the Twilight movie? I pictured it kind of like that. A little kid looking out of a car window, looking at the
huge-err, butt city", and his voice saying them, kind of scared but matured by what he'd seen. =) I'd buy that book and movie ticket =D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thanks! Haha. I might eventually publish this as an ebook. :D I'm so glad so many people are interested. :D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My movie would be somewhat ominous, showing a tall man in pitch black robes with the wailing of souls in the back ground, sitting on a large throne made of solid Obsidian and bones of the dead.
[Fade to black]
Then it shows the same man (Hades) standing back to back with his two brothers (Poseidon and Zeus), with demons crowding them, with their weapons drawn.
[Scene change]
It shows Hades firing a bolt of black energy at an unknown target, yelling in fury.
[Scene change]
Orpheus: Who.... Who are you?
Hades: I am Hades! Welcome to my humble abode, and your final resting place.
[Scene change, with a flash of fire.]
HOUSE OF HADES: THE MOVIE. Coming soon to a theater near you!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds cool! No one ever takes his perspective.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I agree! Although, me, being Hades, is a she ;)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
actually, I have read a series of books that do take Hades' perspective, in a humorous way
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Mine would look a little something like this:
*Mads Langer's 'I'm Fact, She's Fiction' playing in the background*
Young man (Keane) dressed in medieval clothes working in fields seen from about a hundred metres away
Fade away, then fade in: him with a blonde man (Sebastian) talking and laughing (cannot hear what they're saying; only music in background)
Fade away, then fade in: Sebastian and Keane kissing beneath a giant oak tree, then Keane moving back, shocked look on his face. Sebastian reaches out and reassures him (still cannot hear what they're saying)
Fade away, then fade in: An older man, looks a lot like Keane, standing over Keane and yelling at him. Keane's on the ground, holding a hand to his face as if he's been hit, looking betrayed.
fade away, then fade in: Sebastian leaving, walking away, Keane crouched against a stone wall with his head in his hands, tears on his face
Fade away, then fade in: Keane waking up a pale man (Caspar) sleeping in a haystack, world around them freezes, music goes into an instrumental part here
Fade away, then fade in: Keane's father (the older man from before) yelling at them both, Keane protecting a shaking Caspar
Fade away, then fade in: Keane and Caspar, travelling across plains and fields and towns (you know, doing that thing where the camera moves back and flies away and shows the whole landscape)
Camera moves up and watches the sky, sky turns to dusk
Title of novel (still undecided!!) and my name appear on the screen in white
fade to black.
Rating: PG-13, I s'pose.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh my gosh that sounds so cute!! I love the idea and really want to know everything that's happening with them and around them.
I'd love to read your story once it's done! (or at least what you have by the end of the month). Please?!
Soooo captivated!!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I'd totally read that. Then stay up all night in front of the theaters to get a ticket. <3
(Nice to know there's another slash author on this site, too.)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Hmm... I should be writing, but I'll do this instead...
Music: The Greatest Story Never Told (Murray Gold)
A busy London street. My MC, Ciel, is hurrying through the crowds with my other MC, Carrie, behind her. Then cut- the street at night. Carrie is talking to CIel.
Ciel: I've found them.
Cut: A bar. My MMC, Jester, is talking to a minor character, Pierrot. Ciel is in the corner, listening.
Jester: Tonight?
Cut back to Ciel and Carrie.
Ciel: We're going hunting.
Shot of a museum at night. Ciel and Carrie creep down a dark corridor, cautious and quiet. They hide in a room just off the corridor.
Outside the museum:
Pierrot: Just... be careful.
Jester: ...Yeah.
Inside a room with a diamond, Jester and Pierrot are carefully reaching into the case when...
BAM. Music changes to something much bigger and more dramatic.
The wall explodes. Fade through to a man shading framed in the gap. Fade cut to Ciel and Carrie rushing in. Fade cut to a gunshot and a figure falling.
Then a fast montage:
Jester flying though a window as it breaks
Ciel and Jester fighting
The three of them sitting together and talking
Jester leans on a bar and says :I want to know about Shadow.
The city at night, from above
Ciel and Carrie running down a corridor, covering their heads from gunfire
Ciel throwing a knife
Carrie pointing a gun
A knife flashing in the dark
The fade through to Jester, sitting on a roof at night looking over the city. Ciel sits beside him.
Ciel: I'm sorry.
Jester: ... Me too.
Ciel: It's my fault...
Jester: I had to watch him die because I made the wrong choice.
Then BAM:
Jester jumping off of the roof and flipping
Carrie screaming as she flys backwards
Ciel splattered in blood, falling away from the camera
Then fade to Ciel and Jester and Carrie sitting around a table.
Ciel: We're going to catch him.
Jester: I'm coming with you.
Carrie: Are you sure?
Jester: I need to avenge him.
Ciel: Very well.
Fade to title: LEGAL CRIME
Date ect
That's not very good; I just made it up...
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Title: Everything Else
Rating: PG-13
Open with Bang Your Head (Metal Health) by Quiet Riot. Main character drives along the highway, finds his way to school. Saunters in, slow-mo, looking suave in black leather (the ever so untouchable bad boy). Switch to pretty girl standing by a tree, reading a novel. Looks up as she notices boy walking towards her. She puts the novel in her bag and as he approaches, they kiss.
Cut to classroom, where pretty girl and bad boy sit in class. Teacher walks in, starts writing on the board: Mr. Jones. "Welcome to First Period Physics. I'm your long-term sub, Mr. Jones." One student, a young girl, looks at him admiringly. He subtly does the same for her.
Cut to lunch. Bad boy and pretty girl are eating lunch. Happy. Listening to music.
Cut to a cold, winter, neighborhood setting. A house is on fire, and bad boy drives up, seeing the ambulance and firetrucks. EMTs lift pretty girl out of the house on a gurney. Screen cuts to black.
Narration: "High school. It's filled with stress, love, loss, and a whole lot of hell. For me, it was just the tipping point."
From the director of A Beautiful Belly
Based Upon the Bestselling Novel
Candlefish Pictures Presents
Everything Else: The Movie.
In theaters October 2015.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The Trailer of my movie would be the strangest creative fiction on screen ever written in English by an Asian writer.It would definitely be a wonder to watch with an opening 'song and dance scene 'a setting like a fairy tale plus reality, a world of the written word, with an emotion of joy happiness , depression, jealousy and forgiveness.The Theme is 'Good deeds have a good ending, fears are always baseless, one should face the truth bravely'
its full of excitement
entertainment
suspense
magic
innovation
creativity
The main character is being followed by a colleague, as she vanishes and appears in strange places.Followed by chants and songs and meeting strange characters on the way, this is a wonderland of all wonders,
It will be I believe a box office hit and will break many records.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The opening
A large Yellow pencil appears , apparently in a hurry, frightened anxious , walking with short hurried steps, looking back again and again as if suspecting someone following-music is 'tap tap tap-crash- a rocking rhythm
The pencil appears on a road ,made up of pencils fitted in rows, all multi colored, the houses on the sides are also made of pencils, soon she reaches a huge blackboard, and stops in front of it...she writes 'O P E N ' on it and the board splits open like a door in the center, pencil walks through and the board closes behind her.
Pencil Redhood is following and takes notes...
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
EXT GRAVEYARD
Rain is coming down out of the Texas summer sky and onto the three men standing before a grave, one wearing an army uniform, one wearing a leather biker jacket and jeans, one wearing a suit jacket and black slacks. The camera pans around as the we begin to hear VOs of teenagers talking.
JOE: Hey! Here's one for immortality. Says that anyone can become immortal if they are willing to make certain sacrifices.
(Camera continues around, beginning to focus on the headstone.)
DON: Oh, yeah? What kind of sacrifices?
(Camera shoes the headstone's words: Donald Thomas Henderson, Oct. 31, 1976 - July 4, 1995. "Forever Eighteen".
JOE: Kill a friend....
All but the words "Forever Eighteen" fade to black. Then the letters dissolve.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds amazing. I am hooked!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The song in the background would be Micro Cuts by Muse. It would start as Irene is giving a weather report.
Then flash to an image from space of a giant hurricane in the tropics with a voiceover of Irene saying "Hurricane Piper will most likely avoid all land completely . . ."
Then flash to Anna and Levi dancing in the living room, when thunder startles them apart and Anna walks dramatically over to the window.
Flash to Chapman diving through the rain,
flash to Anna and Levi in the car with hurricane elements outside,
flash to a giant tree smashing a house while Chapman watches -
And finally a scene of devastation - destroyed houses, tress, etc with a voiceover of Irene:
"stay tuned to channel nine for all of your Hurricane Piper updates."
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Hurricane Piper...? Could you possibly be alluding to Billie Piper? lol nice picture
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Certainly am! And Piper Perabo as well. c:
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I like how the person giving the hurricane updates is named Irene, when Hurricane Irene hit recently xD
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Did I totally just respond to the wrong post? Wow I don't even know how that happened. That failed. Sorry. :S
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That's alright! Yep, I did it on purpose - I started planning this story while my power was out during Irene.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Rated PG-13 for language and violence
Opens up on Elliot, Selene, and Thomas standing on top of a building, staring down at a pitiful man who is scared sh*t less.
Selene: You have been charged with the crimes of killing 33 humans, and aiding in the creation of a natural demon.
Thomas: The Jury finds you guilty as charged.
Selene: *nods" Elliot, go ahead.
Elliot stands up straight, releases his scythe (the man is shown transforming in a demon) Elliot jumps off of the two story building and charges at the demon. *screen flashes*
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Opens with picture of a jungle
Voice: It was a green world, where people lived in harmony with the nature
Cut - fingers lighting a match and dropping to the ground
Voice: It took courage to destroy paradise
Cut- A young man, face scarred, eyes covered with bandana, smiling
Cut- Second young man, back turned, revealing a tattoo covering his whole back, depicting a fish
Cut - Third young man, holding a machete, slashing a tree that drips red blood-looking liquid
Cut - Young woman, standing in a room, looking at a hologram of a huge city, covering her whole view, touching it, tears in her eyes
Cut - Planet, surrounded by black space, with the title text: "Green World"
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
scene opens on a girl in a Victorian age dress. Turquoise wings stretch form her back. She is in front of an older woman sitting on a golden throne who has on a shimmering dress in a similar style. Golden wings stretch from her back. The girl(Stephanie) has a small circlet on her head and the woman(Akia) has an elaborate crown oh her head.
Stephanie: Mother, You can't be serious!
Akia: I'm sorry, Steph. It was not my choice.
Akia fades away, replaced by a young girl with wings made of dark purple fire now sits on the throne. She leans back and laughs.
girl: You thought you could wing because of that stupid prophecy, didn't you? Well you can't, that prophecy will never be realized! I will kill you and that dragon of yours.
Stephanie: The future has already been predicted. You cannot change what has been set in stone.
girl: That stone can be weathered away and reshaped.
scene fades to a meadow filled with strange animals. a young boy and Stephanie stand in it.
Stephanie: The world is about to change.
boy: For better or worse?
scenes of fighting flash on the screen
Stephanie: I don't know.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
when the girl first speaks she was supposed to say win not wing. sorry
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I would read that book and see the movie!!!!! Sounds really awesome!!!!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow, That sounds cool!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
[Screen: black, fades to closeup of a marble fountain, pans to show finely-dressed woman(Farren) leaning on her arm and sitting in a trophy garden]
{Music: soft woodwinds}
(Voice-over Farren: "They say that we should learn from the past.")
[CUT to closeup of Farren with someone walking up behind her. She glances to the side but doesn't turn around.]
Man: "You are Lady Tanner?"
Farren: "That would be me."
Man: "I have something I would like to discuss with you."
[CUT to view from behind Farren, where she turns around and looks up at the man. FADE to black.]
(Voice-over Farren: "I think they're right.")
[FLASH SCENES]
{Music: drum-beat at every cut}
-[Shocked men(Joven and Kirjane) in hallway looking over their shoulders.]
-[Robed figures around a magic circle in a cave.]
-[Overhead view of Dusklorn's central palace.]
[CUT to glyph on the floor of underground ruins, pan out to show Farren and black-haired elf woman(Butler) looking at it and each other with puzzled expressions, then look away from camera as wind makes an odd sound down the tunnel. CUT to black.]
(Voice-over Farren: "But they've never actually seen their past, have they?")
[FLASH SCENES]
{Music: dramatic choir}
-[View of large room with magic circles on each floor.]
-[Joven preparing to cast a wind spell - gathering whirlwind between his hands.]
-[Giant owl smirks at someone beside the camera in an ornate study room.]
-[Kirjane surrounded by human guards.]
-[Farren goes to kiss Joven.]
-[A man who looks like Joven(Ryvere) shooting a bandit between the eyes.]
-[Butler holding fire in both hands and looking at something behind the camera.]
-[Farren raising her battle-axe to attack a large, stone snake.]
-[Magic circle in cave glowing red.]
{Music: none}
[CUT to black. CUT to dragon made of fire rising out of a crater and roaring.]
{Music: dramatic drums}
[CUT to black with title: Blight and Holocaust]
[CUT to Joven standing by the fire at night.]
{Music: none}
Joven: "We could always try running away. It's not that hard."
[CUT to Farren raising an eyebrow. CUT back to Joven.]
Joven: "What?"
[roll credits and stuff]
((That was longer than I thought it'd be.))
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Possible rating: PG-13 (maybe R)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow! It sounds really cool. I'd see it.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Everything is black.
Music starts to play and we see a girl lying in the middle of the field.
Girl VO: In the early fall, thoughts of the Rebirth were completely off most people's minds.
Fade to black.
The girl that was in the field is standing with a boy and a girl. The boy is looking down at his feet, obviously upset
Girl: What's wrong?
Other girl: His brother was Removed
Fade to black
Text on screen: They thought they were trying to make things better...
Other girl is sitting with first girl
OG: I have an idea
Black. Text on screen: But then only made things worse
Girl: What?
OG: I'm going to stop the Rebirth.
Rapid images of people crying, a man sitting on a couch motionless holding a photograph of a woman, a crowd of people wearing the same clothes and looking grey and miserable.
Fades to black once again, text fades on screen: The Rebirth: Removal
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This intrigues me.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Hmm... mine is definitely R-rated.
[upbeat sounds of someone clapping and drum beats in rhythm a.k.a. Dead Man's Bones's Lose Your Self]
[overhead view of Kuala Lumpur at night, the slow night traffic near LDP, flashes of screams, and sounds of hissing and skin and blood bubbling through]
Anya (fingers drags through her hair, her eyes were sunken and shadowed): I missed something before.
[flashes of sharp metallic equipments, vials of liquid injected into bloodstream, dilated pupils, blood red tears, sounds of heavy object fell into a lake in a loud splash]
Anya : I-I cant let it happen again. Not with him like this. (her voice breaks with Anya crying against the palm of a man who was lying on a bed in dead coma)
[flashes of sounds of siren blaring through the streets and a car slammed hard to the side of the road. beakers and thin glasses utensils breaking on the floor. Anya's face covered in blood, breathing hard in exertion with her gun cocked to the side of her head. Her eyes were darting side while sounds of footsteps nearing]
[fade out]
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
*Tragic music plays quietly*
Black screen. Then there are flames, distorted and warped. Distant screams.
A whisper; "They are all gone."
More flames. Distorted slow motion of a horse and rider, and somebody on foot. Flash of steel, and red.
"Dead, killed when I was a child."
The flames flicker out. Black screen again
"I am the last one."
A flash of a sword, a woman screams.
"I am..."
Music begins playing; not tragic, but with beating as scenes fade in and out (like the Star Wars trailers with the Darth Vader breathing)
Someone appears; a teenage boy, 17, walking forward on a field at twilight, sword drawn. Fades out, switches; a woman, 26, a Queen, on the same field, slamming a staff down as the screen fades again. Switches; a man, 23, close up of drawing the bow back. Fades out, switches; a Princess and a Prince, back to back, surrounded by soldiers, each holding weapons and preparing to fight the soldiers. Fades out.
Flames light up the background. A silhouette appears in the flames, hair and cloak blowing.
The voice again; "I am the Last Shadow."
The flames leap higher and the screen goes white for a brief second, before turning black again. Music fades in; one single note, played long and slow. The title, flickering with flames, appears;
T H E L A S T S H A D O W
Last sounds fade away.
Rated PG-13 for violence.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
aww darn, my title got goofed :(
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I am intrigued :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
MY NOVEL: THE MOVIE
dun dun dun...
The trailer for my movie would show many numbers... Think, Numb3rs... Like, lots of flashing numbers going everywhere across the screen. And then there would be a scene of a little girl, crying desperately and on her own. Teenagers running, and then the general, dramatic turn as they see something coming from behind them. The narration: IN A WORLD WHERE ORDER IS MAINTAINED TO THE LETTER... SIX TEENAGERS ARE TRYING TO MAKE A STAND...
Then suddenly, a change of scene. Two boys, holding hands underneath a large tree. Another boy lifting the little girl onto his shoulder and smiling at her mother. Two girls, staring into each others. ALL FOR THE DESPERATION CREATED BY LOVE.
In the background would be a classical score, with really hell-like music, think Dies Irae... And then as the scene changes, it moves into something gentle...
My novel would probably be rated M in australian ratings... I think that's R.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Trailer for a movie of my book? I'll give it a shot I guess.
[black screen with Kristen's voice] “You ever feel like you're being tortured, because your parents won't let you buy some crap or go somewhere? Ever been grounded and wanted to run away to be free? Ever hated your parents so much you wanted to die? Have you ever felt sorry for yourself? Suck it up."
Kristen jumps out of a manhole and slams the metal disk into the side of a guy’s head. She rolls under another guy’s legs and snaps up to kick a third guy into a pole across the street. Before guy number two can move, she stares at him and he falls to the ground screaming.
[Black screen] “That’s right, I can make powers look scary, but I’m not the only one.”
A woman’s dreaming of running through a field to her fiancé and Lea pops up in her way. Everything turns dark and the woman wakes up screaming. Kristen grins cheerfully, “Enjoying your stay?”
Skips to Ben running past a guy, up a wall, and kicks a guy off the side of a building. He leaps off, raises his arms, and shoots energy out at the man, who is slammed into the ground one hundred feet below. Nick teleports to Ben, grabs his shoulder, and teleports to the top of the building.
Kristen walks over to the edge and spits off the building, “This time, it isn’t a battle. This time, it’s war.”
Nick grinning, “Whatever, as long as there’s good food.”
Skips to the ‘Coming Soon in Whenever’
Ben smacking Nick in the head, "What would you know about good food?"
[Fades to black screen with white words] “Prepare yourself.”
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Opens with a close-up of a blue eye with makeup, then slowly zooms out as a young female voice narrates:
"Hi, I'm Wendy. I'm incredibly lucky. I'm normal. I wear makeup, admire models in magazines, hang out with friends, and fight with my little brother. I'm just like you." The camera zooms out enough to reveal her entire face, blonde wavy hair in low pigtails, clear skin, and a large scar over her left eye with it glazed over.
Wendy: (speaking aloud) But something bad always happens my birthday.
[Screen suddenly turns to black]
[Happy lullaby music plays, no other audio] scenes of a little blonde girl with pigtails playing with a ball, a pre-teen Wendy laughing with friends at a sleepover, [music transitions to strings version of lullaby] the little blonde girl in a hospital bed with a bandage over her left eye, a pre-teen boy with dark hair hanging by his ankle high on a flagpole, a car crashing into a tree, a teenage Wendy sobbing in a hospital hallway, an unknown pregnant woman stroking her belly with a single lock of wavy blonde hair going down to her elbow, a black limo pulling up to a house and a man with dark hair stepping out.
[Screen suddenly turns to black]
[Fading from black, a close-up of Wendy again] Always.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That seems intense and awesome! I would read it then see it.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Mine would be kinda of similar to Jhanneanderson's, somewhat I should say but not quite. I say that because ours are both about someone killing others.
Older teenage girl with long blond hair(Claressa) walks the dark streets of the city with a dark hooded cape on. -Mysterious actionish music- The scene is very dark, and the screen keeps flashing from the scene to black, every time zooming in a little bit on her face and then her eyes, which start turning a crimson red. (If you have seen Naruto, thing of the akatsuki's sharingan, crimson red). Then imagine an older guy smoking while leaning on a brick wall in a dead end alleyway. He looks very sober and he mumbles under his breath. Claressa suddenly appears in the exit of the alley way, looking parinoid. (Camera zooms in on the mans mouth, which smirks up in happyness)
Man: I knew you'd come.
Claressa: Yeah, sure. But I'm not here for small talk.
(Claressa dashes forward and pulls her hands out of her cape, where you can see her hands are balled up. The man and Claressa have an epic battle scene, where there are alot of flips of the walls. After a flash of white light, you see the man thrown against the wall, where you can hear his spine break and fall lifeless to the ground. Claressa falls dizzyily to the ground, and then looks across the way at the man. She quickly gets up and leaves, her cape wooshing and fading the screen to black. then you hear her say, " That is where my life began, and so the world came to hunt me down."
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Imagining my novel as a movie is seriously one of the things that inspired and motivated me to start in the first place. Writing a novel is only half of my dream, having it become a movie is the other half.
It would begin by fading in from a black screen, while the Shayne(The main character) reads off the first paragraph of the novel. As the screen lightens a montage of the day to day live of the communities Raider's begins to play, the audience sees the main characters in good light, and a few average citizens whom their close with.
And then it freezes on one scene.
Shayne: Andrew's....dead?
Allen: He was killed on last night's raid.
[flash of light]
We see a green stretch of land and a shed, in which we can see what appears to be the nose of a fighter jet.
Kayte: What is this plan exactly?
Allen: To remove the Marks family from power and start setting the world straight again. We can't do this without you girls, without both of you.
Shayne: I'm in.
[flash of light]
The camera is sprayed with the mist from a waterfall as Allen take's Shayne's hand
Allen: So you'll jump with me?
[fade to black]
We seen a wasteland with cracked dirt and dying plants, a few towns in the distance, and the camera pans around to find our leads standing in their Raider gear.
Kayte: Is this what the Surface is really like?
Allen: Lets get going, we're not coming back this time.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
that is right so close some lights,grab some popcorn and start your movie trailor now!!!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I'll try a stab at this...
(Scene opens with the Harlands at the dinner table)
Nat: Look... (shows ring on hand)
Mrs Harland: Oh my goodness, congratulations! (Rich is staring wide-eyed at the ring on hand as she says this)
(Fade to black)
(Scene of plane flying through sky while Mine [Taylor Swift] is playing in background)
Rich's Voice: I never thought about the day my sister will get married that much. I doubted that it'll roll around so soon. Much less around my birthday, in Disney World, and to such a big family.
(Fade to airport, where Harlands are meeting Carlsons. Mr Carlson outstretches his hand and introduces his family while camera flashes to their faces while he's saying their names)
Mr Carlson: Jonathan Carlson, and this is my wife Evelyn, and my kids Whitney, Zachary, and Haley.
Mr Harland: (takes Mr Carlson's hand and shakes it) Gabe Harland. (flash to Haley, who is staring at Rich's friend Nick. Nick smiles a bit and Haley looks away) Nice to meet you
(Montage of time at Disney World in which both Haley and Rich are sulking through it)
Rich's Voice: Every moment I spent with this family, I just wanted to scream and get the heck out of there. It didn't help that I had to be grouped in the same group as Haley Carlson
(Flash to Haley and Rich arguing in hotel hallway)
Haley: I hate you and this whole place! I wish Kyle never had to marry your sister!
Rich: Well I wish Nat doesn't have to marry your brother!
(Pause as the two realize, flash to Haley and Rich talking. Hey Soul Sister is the music now)
Haley: Wait, so you don't want this wedding as much as I do?
Rich: I think so
Haley: Do you know what this means?
Rich: That we can ruin this wedding together?
Haley: Uh-huh, you betcha
(Flash to Rich talking with Nick)
Nick: Uh-uh, no way am I getting into this insane idea
Rich: Please?
(Nick looks at Rich, who is practically pleading, and gives in)
(Cue montage of Haley, Nick, and Rich doing various things: spying on Nat and Kyle while they plan the wedding, Haley "falling" down right into the cake, Haley and Rich on the phone, Haley and Nick kissing on the balcony only to be interrupted by Rich, etc.)
Rich's Voice: I never really thought I could get along with Haley, but it seemed like we were more alike than we thought. I'm not really sure if we could pull it off, but all I know, that we're on the Most Magical Place on Earth, so anything's possible.
(Cue Title--A Disney Wedding--with a little sparkle around it)
Rating? Definitely at least PG
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh my goodness, that is GENIUS. I'd totally want to see it; it sounds hilarious.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
[[The trailer opens up with a shot of a decaying Earth rotating in space.]]
Female Narrator: It never occurred to the Humans that they would have to one day leave their Earth. It made them laugh when they heard the first Human scientist tell them the atmosphere was no longer stable enough to hold in oxygen or keep dangerous UV rays from entering their normally safe area of living. [[The moon blocks the picture for a moment as it passes, the whole right side is covered in trash and abandoned cities.]] No, they thought that scientist was insane.
[[Suddenly, large, white cruise liner/space ship-like transporters with "BETA" stamped on the sides shoot out into space in all directions then converge on the camera. A flash of white brings a scene of another planet. One side is desert while the other is covered in massive mountains blanketed with pure white snow. Along border between these two halves is a lush, green forest.]]
Female Narrator: Unlike the small and disobedient Humans of Earth, we, the ones you so eloquently call "Demons," do what is necessary to make sure we survive as well as all plant and life forms that we interact with.
[[The scene shifts to two crouching aliens on a sandy dune overlooking the horizon. One of them, a catish lizard-like male, turns his eyes to the sky and says something to the other larger, blood red life form. She looks up and her eyes widen in shock as the blue sky begins to turn red.]]
Female Narrator: When the Humans came down for the sky, we tried to make peace. [[The red alien and her catish companion rush to a scene of carnage and chaos. The BETA ships are littered across the whole desert. Fire and smoke engulf their view as they dive into the nearest ship.]] We tried to help them leave. [[The humans and all kinds of aliens are working together.]] However, everything changed when that... thing entered power. [[A man in his mid-forties sits at his desk in a small room. The red alien and her companion stand before them, calmly speaking to him. Black flashes across the screen.]]
Female Narrator: The way of my people is a rather simple one: you survive as long as you are willing to learn from your mistakes and make something good out of them. [[The red alien drags her companion out of a lopsided building, covered in Human blood. She turns around and roars in anger, exposing her rows upon rows of razor-sharp teeth.]] If we tripped, we caught ourselves and made sure to remember why we tripped and how to avoid doing it again. If we got cut during a physical exercise... [[She raises her empty, clawed hand up and screams a spell.]] ... we made sure to cut the one who cut us. [[The building she escaped from implodes and the screen turns back.]]
[[A young girl (Xander) sits in a chair in a small ten by ten room with a man dress in military garb (Cravings). She leans forward in her seat.]]
Cravings: So, you want to be in the Black Ops program, huh? And at Timberlake, no less! Aiming high enough?
Xander: [[smiles sweetly]] Someone has to kill those murderous Demons, right?
[[The scene fades to black and comes back in a wild flash of light from three suns over the desert. The camera turns from the sky to the sandy ground where an army of humans armed with sharp objects. They're all dressed in heavy tan cloaks and thick shirts. The camera flies over the length of the army and turns toward a massive fortress-like school. "Timberlake" flashes along the bottom of the screen. The speed of the camera picks up and zooms in to Xander.
Xander: (raises her gun) Bring it on, ya jerks.
Female Narrator: Would you be amazed if I told you that Human was actually the hero of my people?
[[The screen flashes with images of Xander and an older male (Damien) running through the woods, digging holes in the sand, walking on a sea of glass, jumping off of dragon aliens and diving into the water below them, casting fire and darkness magic at a sea of military officers, and standing on a pile of black bones.]]
Damien: (smirking at Xander) Not too much.
Xander: (frowning) that's because you're stupid.
Damien: Whatever.
[[The screen fades to black.]]
Humanity
Rated R
Coming Soon to a Theater Near You
[[End of Trailer]]
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I would love to both read this book and watch this move, it sounds amazing!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I would love to both see this movie and read this book, it sounds absolutely amazing!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My trailer would have the song Tears by Aly and AJ playing in the background.
(Here's a link to hear it: http://www.youtube.com/watch?v=n2f3flaHoV8&feature=related)
I want it to be very mysterious, and it won't explain anything and it won't give anything away.
At first you would see the title, The Life of Lucy, fading onto the screen with a black background.
Then you'll see a 16-year-old girl looking out of a car window as the car drives past a sign that says Welcome to the town of Mystery then the car stops and arrives at a creepy old house. She'll get out from the backseat and then look back at the house to see a boy her age staring at her from the attic window with significant emerald eyes.
Then the screen will flash white to show Lucy looking down from a staircase at her parents having a private conversation.
Her mom says: "Do you think she's seen him?"
Her dad responds: "“I’m not sure.”
Then her mom says: "My mother tried to protect us from all of this a long time ago… Do you think it is safe here David?”
Her dad responds: “Everything is going to be fine Charlotte. This isn’t like when you were a child and lived here, this time will be different.”
The screen goes white again and you see Lucy talking to Oliver (the boy in the window).
Lucy says: “Why are you here?”
Oliver says: "It's complicated."
The screen goes white again and then reveals Lucy sitting at a lunch table with her friend Nissa.
Nissa says: "Well, according to legend this town of Mystery was founded on a paranormal rift of energy.”
Lucy: "What does that mean?”
Nissa: “It means that creatures were drawn to this area by some kind of unseen magic.”
The screen goes to white one last time to show Lucy and Oliver together again.
Oliver says: "What do you want to know?"
Lucy says: "Everything."
You see Oliver smile and then respond: "We have a long night ahead of us Lucy Fey."
And then the screen goes black and it says when the theoretical movie comes out.
So what do you guys think?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Male MC, Ralph, voiceover: “Destiny is a hard thing to escape.”
Female MC, Anima, dressed in ragged clothing and covered in dirt and dried blood. She’s standing on a mountain, looking down at a town below.
Cut to a newspaper with a headline that reads: Victim # 13, Will This Killer Ever Stop?
Cut to a beautiful woman, dressed in a Victorian-style dress, sitting in a chair, smiling, with a fan held just in front of her chin.
Cut to identical little boys, smiling. Zoom out to show them standing in a room covered in blood, with dismembered body parts everywhere.
Cut to a large ghostly wolf (male voice): “Even when I tell you you’re an idiot, you still don’t listen.”
Ralph voiceover: “Oh, you may think you’ve escaped it, but something’ll eventually come along and prove you wrong.”
Cut to another large ghostly wolf, this one with a silver muzzle (female voice): “He will not stop, you know. Not until you confront him.”
Cut to a man wearing a mask like one you’d wear to a masquerade ball (Axel): “No matter how many times you change your name, your appearance, your country. No matter how many times you change, it will find you. It will always find you.”
Cut to Nana, looking angry: “What do you mean you don’t know what to do? You’re a guardian. Guard!”
Cut to the main villain (no name yet), holding Anima up by her throat. Ralph tackles him.
Cut to a woman, Clarette, casting a spell while the man beside her, Kevin, shoots a gun.
Ralph voiceover: “Believe me. I’ve spent centuries running. And the bitch still finds me. Every. Time.”
Cut to a bouquet of black roses on a bright red background. The title (still undecided) forms in wispy gray letters.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The woman in the Victorian-style dress is Nana =P
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Okay, my posts are on the completely wrong places. The other one was supposed to go with my trailer.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I've never thought of this and I always run my scenes through in my head like a movie but this? Well, this is genius. I love the idea. I'm going to start thinking about it right now : ) Thanks!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
[A girl about 17 wearing dull clothing is walking around the rainy streets of an unknown place, You can't tell the time period, just that it's somewhat recent.]
Alice [narrating]: It was an ordinary day.
[Close up on her, she has longish brown hair and brown eyes. You could call her plain.]
Alice: I am an ordinary.
[A man around 19 or 10 appeared in front of her, smiling. He is vibrant in contrast to her and everything else. He has black hair and bright green eyes like a cat's.]
Alice: So why did he pick me?
[Flashes of Chess hugging her and the people around them literally freezing, then her following a black cat and screaming as she falls down a dark hole. ]
Chess [bowing]: Welcome to Underland.
[Flashes of giant mushrooms and bizarre animals. Alice is stunned and looks overwhelmed.]
Alice: No, there're no way....
[Another boy with blonde hair and a wide top hat is dragged in front of her by Chess. You see Chess's mouth move as he says his name, but you don't hear anything.]
Alice: Wait, Matt? Chess. [Alice gasps.] You are from the book! You're the Cheshire Cat. [Chess smiles widely.] And you're the Mad Hatter! [Matt glares at her so fiercely she stops talking entirely.]
Alice [narrating while you see flashes of Matt shooting a gun at Chess and Chess roaring, throwing what looks like balls of lighting at a stone wall] Things are not as the appear in Wonderland.
[Goes back to Alice, she is holding a pair of scissors and cutting off most of her hair.]
Alice: I'm not going to ignore it. I'll figure them out.....[Fades to black as you hear another scream, this time male]...even if it kills me.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Music… quiet, shrill, sort of tinkly. Heavy thudding like a heartbeat as the darkness of the screen flushes with sunlight. You are looking at a hallway. A girl laughs. Glass marbles skill out of a box and roll in slow motions across the floor. As the sunlight catches them, they light up with tiny pictures inside—a castle, a waterfall, lithe female figures dancing in a ring.
Scene change: music swells into more of a piano and violin based fugue over the thin, shrill sound from the beginning. A fish’s skeleton wriggles out of the open pages of a biology textbook and begins swimming in the air.
Scene change: (fugue continues) a giant tree full of all different colors of leaves, layered one after the other, stretches into the blue sky.
Scene change: close-up of a boy’s pale blue eyes. Young male voice: “I just want somebody else to see what’s inside of me.”
Scene change: a boat shaped like a giant leaf drifts through the air. Snow falls around a blonde boy, and a dark-haired girl who is huddled into a white blanket. Some of the snow drifts together into a woman’s figure, and she glides into position behind the boy, and places her hands on his shoulders.
Boy’s voice continues: “Someone who won’t think I’m losing my mind.”
Then he is facing the brown-haired girl in the sunshine, standing on the ground, with blurred green leaves swaying behind them. She smiles nervously.
Girl: “I don’t know what to think.”
Fade to dimly lit forest with bare, claw-like branches over head.
Boy’s voice whispers angrily: “This is my world. Don’t you dare tell me it isn’t real.”
Change: blue eyes in an ivory-pale face, catlike pupils, dark eyebrows.
A man’s voice, tenor, almost amused. “Why did you have to bring that human here?”
Music and visuals cut. A trickle of shiny silver liquid traces across the screen.
“Dreambuilder
(insert date here)”
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
*glass marbles spill, not skill. -.-
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Title: Fairytale Chronicles- Red
Rating: PG-13
Music starts playing. I imagine it to be an original score with a slightly ominous albeit whimsical feel to it.
INT. OLD ORPHANAGE. EARLY EVENING.
The scene fades in to reveal an extremely dusty and condemned orphanage. Dusty orange light streams in through the windows. The camera pans slowly across the large main room, to show all of the wear and dishevelment the building has amassed over the years. There should be obvious signs of recent activity in the main room.
The music continues to play, only more softly.
Annabelle (V.O.): So... what’s the plan?
Ella (V.O.): Movie night and pizza?
Annabelle (V.O.): But that’s pretty much how we celebrate every birthday; don’t you ever get sick of it?
Topaz (V.O.): It’s not like there’s much else to do around here...
Annabelle (V.O.): There has to be something other than movies and pizza though. Right Bianca?
Bianca (V.O.): That’s be nice...
CUT TO: EXT. EMPTY PARK. AFTERNOON.
Five girls (Rose, Annabelle, Topaz, Ella, and Bianca) walk slowly up towards a long tent. A sign on the tent reads: MR. N.’S TRAVELLING SHOP OF CURIOSITIES.
CUT TO: INT. MR. N.’S TRAVELLING SHOP OF CURIOSITIES.
Rose is standing in front of a podium which has a large antiquated leather bound book resting on top of it opened to the story of Little Red Riding Hood. The Camera closes in on the book.
A tall, thin old man appears on the other side of the podium when the camera zooms back out.
Mr. N.: This is no ordinary book. ... What might I ask brings you lovely ladies to my shop?
Bianca: It’s our birthday.
Mr. N.: All of you birthday?
Rose: Supposedly.
Mr. N: Supposedly?
CUT TO: INT. OLD ORPHANAGE. EVENING.
This time the girls are all huddled together in the center of the main room. Rose is holding the book to the title page, and all the girls are staring down at a hand written note.
Rose (V.O.): Twenty years ago today we were all found on the front steps of a local orphanage. No birth records. No documents of any kind really... Just a card in each of our baskets with our first names on them.
Mr. N. (V.O.): This book, is a collection of all fairy tales, and it is yours.... After all, I was only keeping it safe for you girls.
The music plays a little louder and mutes out the rest of the noise.
Rose (mutedly reading the scribble on the first page): From once upon a fairytale, where adventure lies in wait, came swiftly on a magic gale, that which would seal fate. Those pure and brave of heart, speak loudly and speak true, on your journey you shall depart, these words were made for you.
Rose should be barely audible over the music.
CUT TO: Montage of clips.
The music is as loud as it was in the beginning.
Misshapen and drastically unsymmetrical black and white creatures with hollows for eyes, a stitched up mouth and mismatched triangle designs around its eyes (Nightmares) rise from a puddle of a black ink-like puddle on an ash grey ground.
Ella –now in blue fairy-tale style clothing- slashes through a Nightmare. It implodes into the same black ink-like liquid.
Annabelle–now in yellow fairy-tale style clothing- aims one of two blunderbusses at a pair of nightmares. She shoots one bullet, and both implode into a black puddle.
Topaz –now in aqua fairy-tale style clothing- uses a whip to pull a Nightmare to the ground. Bianca –now in pink fairy-tale style clothing- lodges one of two hunting knives into the Nightmare. It implodes into a black puddle.
Rose –now in red fairy-tale style clothing- is facing the camera and has an arrow readied in a bow. She shoots. The screen cuts to black.
FAIRYTALE CHRONICLES appears on the screen.
Mr. N. (V.O.): And so the five Heroines arrived at long last into the Enchanted Forest.
The words on the screen are replaced by the word RED.
Rose (V.O.): Come on now girls. It could be an adventure.
RED fades away, and is replaced by the date the movie would come out.
Fade to black. End music.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Damn... that was long. :P
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The trailer for my novel would be mythical, with a bit of classical, new age music playing in the background, depicting the beauty behind the story.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I'd make mine really cool.
It would start off with a bunch of cuts of different things mentioned in the book.
An abandoned mirror underwater, a empty room with bookcases lining the wall, a girl playing the piano, a burnt pier, a lighthouse on a windy day.
It would stick on a field of poppies and sunflowers. Then close up on the girl from before and a raggedy boy.
They're laughing, but then the boy stops and asks her, "Eliza, what are you?"
The girl pauses, but stands up and runs away, the back ground changes a couple times, until it stops at a rainy promenade by a burnt pier.
as this is happening, the girl has a voiceover,
"My world is corrupted. I found out one day, and my life has never been the same since," the screen changes to show the girl crying over a dead body. "So I ran. I ran through the mirrors, into other worlds." it shows the girl going through the mirrors, meeting the boy, and running. "But my worlds catching up with me. And one day i'll have to go back." The girl stops running and sees elements of her world drifting into the world she's in. A piano stuck in a tree. A bunch of masked bird men (like plague doctors). Smashed fob watches. A tear runs down her cheek, "not yet" she whispers
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
[A forest at night. A three-year-old girl, Fairy, is standing in front of large bush, picking off berries and dropping them in her basket, humming happily. Camera pans up to show a full moon glowing above the tree tops. Fade to black.]
[A snowy town square. A woman, Calleigh, sits cross-legged on the ground in front of a large building. A large crowd surrounds her.]
Calleigh: Once upon a time...
[Camera pans to the side to show Fairy, now seven, standing next to another building, half-hidden in shadows. Fade to black.]
[The forest. A half-starved wolf lies on the snow-covered ground, a rabbit in its claws as it hungrily tears off strips of meat. A young man, Talon, walks up to the clearing. The wolf stands and growls. Talon just smiles.]
Talon: Peace, brother. Enjoy your meal; I won't bother you.
[Fade to black. A wolf howls. Cut to Talon standing in the town with a drunkard, looking furious. He grabs the man's throat]
Talon: GONE? Gone where?
Drunkard: Don't know, do I? She's jest gone.
[Talon swings at the man. Cut to Calleigh sitting by a fire in the forest, Fairy asleep at her side. The girl rolls over in her sleep, revealing large scars on her neck. Calleigh gasps.]
Calleigh: Werewolf...
[Cut to Talon stand over the drunkard's body. He starts to turn away.]
Rina's voice (offscreen): He was telling the truth.
[Talon turns to look at her. Fade to black]
[Fairy and Calleigh walking down a road toward another village]
Calleigh: I'm taking you back to your own village after this, girl-child. Remember what I told you. Don't try to hide, but do try to be invisible, won't you?
[Fairy nods. Fade to Talon stumbling through a snow storm]
Talon: FAIRY! Fairy...
[Fade to black as he collapses]
[Quick montage of scenes]
[Talon holding a tiny girl in his arms]
[Calleigh with her forehead pressed against a tree trunk as she cries]
[Fairy laughing silently]
[Talon and a young man walking]
[Calleigh sitting on the ground telling a story]
[Talon staring at his hand, which is missing two fingers]
[Fairy spinning in circles with her arms sticking out]
[Calleigh building a fire in a small hut]
[Talon punching the young man he was walking with]
[Talon running through the forest, holding Fairy, who is crying]
[Fade to black]
[Silhouettes of Talon, Fairy, and Calleigh. Calleigh and Talon are standing twenty feet apart, Fairy in the middle looking from one to the other. Fade to black]
[Shot of Fairy's eyes. Fade to black]
[TITLE]
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I guess the trailer would be typical Hollywood.
(Action scenes, Running, Prison, etc.)
(John) : It's not real- it's just a trap!
(Charlotte) (Fighting, Looking awesome in general): Thanks for pointing it out.
(Fade to shot of antagonist watching a grainy video of them as they run and smirking)
(Fade to title page)
P.S. jhanneadreson's looks awesomely gory.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Title: The Babysitter's Secrets
Rated: R(ish?)
A girl running through a field, holding a gun, mounted with black cloth armor. 2 men, dressed similar to her, run out, and spry her up and down with paint balls.
"Out!" She yells, and the match is called.
Narrator (N): This is Sarah.
(School field, girls playing hockey)
Friend: What happened to your arms?
Sarah: Oh, nothing.. (Flashes back to paintball)
*Cuts to a house in the country*
Sarah: I'm home, Dad
Dad: I got you a job, sweetie.
Sarah, questionably: A job? (laughs) What kind of job?
Dad: Babysitting
Sarah: Easy.
N: But not as easy as she thought
(Flashes quickly through various gore scenes *DUN DUN DUN DUN DUN DUN DUN!*: A zombie being stabbed with a corkscrew, a little girl waking up screaming, a grill surrounded by zombies exploding, a golf cart being chased by zombies)
*heartbeat,* (in normal speed) Sarah breathing heavily, a bloody hand clasps over her mouth, and she screams
Flashes to black, Shows title, then release date and all that other stuff *Starring Abigail breslin*
DUN!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Mine would start out in a science lab with a huge machine that you could lay inside. President Jason Coulton (Jason Harder) is in the room with several scientists. (PG).
JASON: What, are you going to turn me into a super soldier so i can't die or something?
SCIENTIST 1#: No, not exactly. We've been researching a way to transplant coded brain tissue into another body.
(NEW SCENE) Still in lab.
JASON: What is that thing?
SCIENTIST 2#: The BDRD.
JASON: The what?
SCENTIST 2#: The Brain De-stabilizer/Re-Stabilizer Device.
(NEW SCENE)Still in lab.
JASON (LOOKING IN MIRROR): OMG. This is weird. I’m a kid again.
(NEW SCENE) On a playground in a schoolyard.
SADIE: There's something.... different about you. i just can't put my finger on it.
(NEW SCENE) Camp half-blood
PERCY JACKSON: Welcome to camp half-blood. Here you will be doing all of your training. Oh, and we’ll have to call you Jason
HARRY POTTER: ‘ello everybody.
PERCY JACKSON: Oh, have you met Harry? He’s new here too. He used to go to a wizarding school…Before he found out he was actually a half-blood, not a wizard.
(NEW SCENE) Battle.
BATTLE WARRIOR: We will fight! For…our freedom!
Fight scenes flash by.
JASON: This is my life now, I’m not going back.
(BUM BUM) THE PRESIDENT’S BRAIN.
Coming 12/12/12.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
EPIC MUSIC WOULD BE PLAYING
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My novel who be a PG-13/15 or R rated.
Lots of swearing, lot of violence.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Narrator (text on screen): Mary thought she's living a normal life...
You see Mary working in a cubicle and answering a call. 'Hello, Mary speaking.'
Narrator: Until one day...
(blurry focus) Mary is trying to open her eyes, 'Where... Where am I?'
Suddenly a big monster jumped in front of Mary, you hear a scream.
*Fade to black*
You see Mary in a corner of a dark room, crying, 'I just want to get out of here'
*Fade to black*
You see monsters holding hand in hand and they sing and dance to a musical number.
*Fade to black*
Back to Mary in her dark room, she looks desperate, 'Please! I just want to get out of here!'
*Fade to black*
You see a monster sitting next to Mary on a bench.
Monster: This is very exciting. They told me to wear a blue shirt, but I'm wearing a red shirt!
*Zoom to Mary*
Mary looks at the camera, 'Please?'
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Ohhhhh! Nice. :D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Hah thank you :-)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
[Fade in from black. Soft violin music in the background]
Ellis walking through the forest silently.
Kate peeking out from inside the cave.
Connor looking intently just past the camera.
[a scream. the music speeds up and gets louder]
Each of the outcast's faces flash on the screen.
Overtop, Ellis speaking: I couldn't stand watching the people kill each other and steal from each other and cry for each other.
Shot of the jewelry store being shot up.
Overtop: It is hard enough to watch it for one lifetime, but forever?
[music gets slightly faster]
Shot of Ellis running through the forest, her clothes streaked with stains.
Overtop: Forever would be agony.
[Quick flashes of scenes]
Kate stabbing a guard in the back.
Ellis reading a list of names.
Daren shooting at something off screen.
Ellis and Daren kissing.
Ellis pushing Daren away.
Connor stabbing his side.
Kate leaping down from a tree.
[Cut to black. Pause. Silence.]
Close up of Ellis speaking.
"He controls everything"
Shot of Daren speaking to her.
"He doesn't have to."
[Sharp, swift, final note on violin. Cut to black.]
It would move pretty fast in the actual trailer.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
rating: PG13
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Mine would be this:
(Man running from cops)
{Fade away}
(Man running from grizzly bear)
{Fade away}
(Explosion)
{Fade away}
(Title of movie with dramatic background music)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Epic
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My two lead characters would likely have to be drawn from the ranks of young actors, unknown, yet (hopefully) talented, and with no sense of self-respect whatsoever. The score would include Loreena McKennitt, Mike Pinder, and probably some head-banging garage band for the youthful demographic. Look for superhuman martial moves, a looming old stone mansion on a high cliff overlooking the stormy Pacific, and freaks! Freaks are always good to grab the attention. So is sex. Which there is some of. In the movie, not in real life. :(
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Tilte: The Black Squad
Rating: PG
Overhead shot of McGill university in Montreal
Shot of girl (Vice) running out of classroom door and then a man in a mock riot police uniform rushes her and pulls her to the ground'
Choppy shots of Vice struggling against the man on the floor -low camera angle-
[Vice screams]
[black]
Cityline of Toronto shown in a fastforward shot from sunrising to sunset. (instrumental and spoken beginning of Survivor's Guilt by Rise Against playing in the background)
On the word 'Forever' Toronto night shot pauses and music stops, then white flares start appearing in different sections of the city.
[sudden black]
[explosion sound]
Vice bolts up in bed as a flare fills the screen and wooden shards are shown flying around the room
Vice reaction shot
Guy's (Ronan's) voice shouting: "Vice!"
Shot of Vice's back with blood staining the left shoulder of her white wifebeater. She has a gun raised, there are three bodies just visable in far background. Burning buildings along leftside of screen. Single streetlamp left is the only light in the shot.
Ronan's voice, softer, cautious: "Vice..."
Overhead shot of Vice lying on bed between long blonde haired guy right (Ronan) who has an arm over her waist and blonde girl (Nadia) on Vice's left. Vice staring up at ceiling, just above where camera is, a tear rolls down her cheek.
[slowly fades to black]
Shot of seven people in a living room, afternoon light coming in from front windows. Vice is standing in the middle of a living room. Nadia sitting on arm of couch to her right with Ronan beside her, brown haired boy (Jonah) beside him, asian girl (Rachel) sitting on the floor in front of Jonah. A redheaded girl (Maeve) is facing Vice, arms crossed.
Vice: "Simon's dead! Tara killed herself last week! How many more are we going to lose!?"
Maeve: "You know as well as I do that Toronto is gone, there's nothing we lower units can do about it.""
Vice: "Monreal's gone too but that doesn't stop the other gangs from fighting back!"
Twin of Ronan with short blonde hair (Conan) steps between them.
Conan: "Vice is right. We need to fight back and we need to do it now."
Maeve narrows eyes, then looks away.
Maeve: "We're all going to die."
Different cut scenes of gang fights with different people from the main group of seven involved (ie: back alley, warehouse, the hallway leading to elevators in a large office) (1:28-1:37 intrumental from Suvivor's Guilt playing in background)
[cut to black]
[heavy breathing]
Female voice: No...
Cut to shot, camera angled upwards, where Vice is on a blood and dirt covered floor; she's perched on her knees. Very dim light from a single lightbulb. A figure is standing just in front of her but you can't determine who it is. A man is standing in front of the standing figure, gun raised.The figure you can't determine turns its head a little bit.
Ronan: "You're a shamful opprotunist! What you don't understand is that it's better to die on your feet than to live on your knees."
Maeve: "You have it backwards, it's better to live on your feet than to die on your knees."
[gunshot]
Shot of cemetary. Vice kneeling in front of a simple gravestone with 'Simon Reglin' written across it. Green grass around the gravestone. A bouquet of flowers rests on the raised dirt in front of the stone. Vice stands and turns to face the others dressed in black behind her (group of seven including a girl with black/blue hair (Alexis)).
Vice: Let's go kick some ass.
[fade to black]
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The atmosphere of the trailer would be dark with the feeling of losing time, everything's really hetic. It would be a crime movie so the trailer would have blood and guns and such in it.
Survivor's Guilt by Rise Against would be a staple soundtrack song.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
After the scene with the undetermined figure...)
[fade to black]
(voiceover with Ronan and Maeve)
[fade to black]
(continue with cemetary)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
[Camera pans down on an apartment building in New York]
Maria: I've been accepted for the exchange program at school!
[Fade out, then back in on her mother]
Catherine(Mom): When are you leaving?
Maria: Um... tomorrow night actually.
[Camera pans over the landscape of Norwich, England]
Marias voice as the landscape goes by: I know it's short notice.
[Fade onto Marias face]
Maria: But don't worry, I'll be fine.
[Fade to the face of a handsome young man (Leonardo)]
Leonardo (British accent): I hope you don't mind me asking your name?
Maria: It's Maria... Maria Valencio.
[Fade out on them staring at each other across her room]
[Fade in on Maria and her friend (Rayna) walking across the school campus]
Rayna: [Hands her friend an invitation] Here, I'm having a party this weekend.
[Flash scenes of a wild party, then back to Marias face pondering over the invitation.]
Rayna: Trust me it'll be a blast!
[Fade to Maria walking through a crowd at the party]
Maria: Rayna! Where are you?!
[Pan to Leonardo standing up from a chair and making his way to Maria with a concerned look, fade out]
[Fade in to the following morning, camera just on Maria, she sits up urgently and clutches her head from what may be a hangover, she turns and gasps at what is next to her. Pan out to see Leonardo resting beside her.]
Maria: Oh my god, what did I do last night?
[Fade out]
[Fade back in to Leonardo racing down a set of marble stairs]
Leonardo: Maria... Maria! Where are you?!
[Fade to Maria on a plane with tears running down her cheeks.]
[Fade again to black with Leonardo saying: Why did you leave?]
[Flash: ~Bittersweet Silence~ in silver on the black screen. Flash date of release after]
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I totally LOVE this idea. It's funny because I often think about this while I'm writing--if this were a movie, what would happen now?? I think I'm going to write up a fake trailer right now. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My novel is basically a coming-of-age drama in which four recent high school graduates go on a road trip from Virginia to San Francisco. I don't have a clear idea yet of the exact scenes that would be in the trailer because I'm still not quite sure how my novel is going to end up, but I know that it would have little (if any) talking. It would mostly be a montage of various images and scenes set to music. Right now, I think the song would be Arcade Fire's "Neighborhood #1 (Tunnels)". In short, it will all be very indie (hopefully not in a pretentious way).
The movie would be rated R, mostly for language, though maybe with a little violence and sexuality thrown in there.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Here's a brief summary:
"It starts out in the perspective of seventeen year old Isabella Swan, "Bella" who has a normal boring life, until she moves to Forks, Washington with her father Charlie. She doesn't expect anything to change because what could happen in a small town where it never stops raining? But she was wrong! As soon as she laid her eyes on Edward Cullen, her life changed completely. He and his brothers and sisters were so beautiful, and she couldn't help staring. At first she tries to avoid Edward, and acts as if he is annoying, but really she is burning inside to get to know him. She later finds out that he is different that he is a vampire! Even though Edward tells her to stay away, she still tries to talk to him in school, and finds any excuse she can to be near him. Their relationship strenghtens, and she finally begins to realize that her life is in danger because of her hanging out with the Cullens. Just one simple game of baseball, (well, it is vampire baseball) She encounters a tracker (James). James instantly becomes obsessed with Bella, and decides to track her. The Cullens try to keep her safe, but since Bella is so stubborn, she decides she will go after him herself. She will do anything to try and save her mother. She meets James in a ballet studio where he attacks her. In the end Edward and the Cullens save her, and Edward and Bella promise to be together forever."
I'm thinking about adding a sparkly and pasty white homosexual as the vampire, and some woman who couldn't act to save her life as the human girl. Any ideas?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds really epic.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I don't know what the movie would be like, It's kind of like a cross between Max Ride and X men, with a bit of Witch&wizard thrown in. I guess the trailer would kind of be like this
"My name is Lupine" (Lupine lying on ground with eyes closed) "I don't know were I am" (Lupine eyes Open, reviling pure silver Irises) "I can change what I look like" (scene of Lupine shape shifting to a wolf made of metal in front of a bear with blood over it's muzzle, behind her is a girl bleeding on the floor) "I was Kidnapped by scientists when I was ten" (scene with lupine as a ten year old, being dragged away from a house, a dog runs up and bites one of the captors. Woman screams SCREEN GOES BLACK Bullet firing noises) "I haven't seen my family since" (still black as she says this) {scene of lupine running through a forest several kids are behind her, A bullet is fired and a kid falls, some change their shape and fight others keep running} "And I'm not alone" then in big letters the words 'Crystal Dagger, coming soon to a theater near you'.
Do you like it? -Lupus Amans
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh and it would be PG-13, mostly for violence, one sort of swear word, and a bit of kissing.
Wow that was exciting. -Lupus Amans
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My story is a story of Faith, Love, and Loyalty. Rated PG.
Country song, "Walking in High Cotton" plays as you see a five year old boy (Jay) and a four year old girl (Sarah) just having fun; jumping in a pile of leaves, building a snowman, wrestling on the floor of a living room. Jay sitting on a couch in front of a Christmas tree, staring in wonder at the guitar in his lap.
Music fades... in front of a house the father of the children faces their mother who's sobbing. The two little one's stand by their mother, their faces solemn.
Father: I love you. (folds Mother in an embrace then pulls away.)
Mother: We'll be praying for you.
Father: I know you will. Cheer up. I'll send for you soon.
Car pulls away with a chorus of "Bye daddy!" following after it.
Scene fades and the words TEN YEARS LATER... appear on the screen. Flash a photograph of Jay and Sarah as teens, standing with their mother on a basketball court. Sarah is in a jersey and has a red ribbon in her hair.
Cut. Tires squeal. Car hits light post.
Cut. Group gathered in front of a grave. Pastor stands before them with his Bible open.
Pastor: She loved the Lord Jesus Christ with all her heart.
Cut. Jay and Sarah trudging across an open field. Narrating, you hear Jay's voice say, "I need to find my dad."
Cut. Jay plays "Mamas, don't let your babies grow up to be cowboys" on his guitar with a crowd gathered around. behind him lies the still water of the Florida keys. A pail lies in front of him.
Cut. Ship sails into the distance.
Words on screen HIS FAITH IS TRIED.
Cut. Cold, dimly lit communist cell is shown. Jay, tired and dirty, sits in front of a table. A stern government official sits on the other side.
Officer: I hear you Christians obey ten commandments. What are they?
Jay: You shall serve only the Lord God. You shall not bow down to any graven image. Honor your Father and your Mother -
Light comes on in corner of room. A man is huddled with his legs and ankles tied. He is beaten and bruised.
Officer: Honor your father. Deny Jesus and we let him go. Continue to proclaim your God and we kill him.
Father: If you deny Jesus you are not my son.
Words appear on screen WHAT WOULD YOU DO?
Cut. Sarah lifts her head slowly; her face astonished and perplexed.
Sarah: My family or my God?
COMING TO THEATRES IN A TOWN NEAR YOU.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Opening Helicopter Nature shot, a group of walkers are trekking over a set of hills, one trailing far behind the others.
{Calm music is playing, setting the scene}
(Scottish)Professors Voiceover: On the eleventh of August, 2007, in the ranges of the Lake District, three Gold Duke of Edinburgh teams were roaming.
[Fade to Black]
Heather sitting on a bus reading a book, Frieda sits next her,
Freida: What you up to?
{Music starts to rise}
Professors Voiceover: What none of them knew, what none of their minders knew was that recently in the area there had been a few incidents in which walkers had gone missing.
[Fade to black]
Heather sits back in chiar
Will:Finished your essay?
Heather turns in her chair in the library to see Will
Professors Voiceover: The pattern wasn’t noticed as they seemed too insignificant to mention.
[Fade to Black]
Following Heather as she treks up hill, a distance behind her group. A dishevelled walker pauses as he passes to mutter.
Bobby:Stragglers used to be shot yeh know.
Heather laughs: I was actually thinking something along those lines
Professors Voiceover:With hindsight and a large map, had one pinpointed each of the disappearances over the country, they would have noticed that that the string crossed the hills, moving from range to range.
[Fade to Black]
Heather comes down some stairs dressed to go to a formal dance, she smiles at Will, who awaits her in a smart suit.
Professors Voiceover: As it was, no one knew there was such a thing to look for-
{Music reaches Crecendo}
[Fade to black]
Heathers team has stopped to wait, a bang echoes through the air.
{Music Stops}
Professors Voiceover: -so there was little to warning for the events of that day.
Screen goes black.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
It would be really cool to have a small vision become a widely known movie
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The trailer of my story would be a mix of suspense, mystery, and romance. It begins with a dark-haired man (John) in medieval farmer's clothes running towards a burning cottage shouting his wife's name (Katherine). He reaches her body and catches a glimpse of a silhouette by the window that flashes flaming gold eyes at him.
[Fade to Black]
You see John before a group of men dressed in priest's clothing and he kneels before them.
[Fade to Black]
You see John, now dressed in priests robes, scoop up a baby boy from a burning house.
[Flash of Light]
You see a handsome young man next to an older John fighting off a possessed woman.
[Fade to Black]
John: I've found a lead.
Another man's voice: My boy and I will take you.
You see John and Peter shaking hands with another older man and a young man. Peter and the young man lock eyes for a moment, and the young man smiles. "Sam," he says.
[Flash of Light]
You see Sam and the other man leading John and Peter across rugged, difficult terrain.
[Fade to Black]
You see Sam and Peter standing very close, as Sam reaches up to touch Peter's face gently.
[Fade to Black]
You see John and Peter fighting a pack of zombie-like canines with Sam and his father between them.
[Flash of Light]
A male profile appears out of darkness, and a flash of yellow eyes is seen.
Demon: "Hello, Peter."
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Ah, it would titled WAYWARD SON, and rated . . . I would say PG-13 to R, depending on how it goes. The music would be low and quick with violins, and a drumbeat between each scene.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My trailer starts off with a black screen that starts turning into water (like going from the bottom of the ocean to the top) as my MFC is narrating: "Nothing is more powerful than one's heart..."
Then the screen shows Ezmeralda (Ez) on a TINY island with a heart-shaped ruby in her hand as it zooms in on it and she adds; "Especially mine." And she looks straight at the camera and we see her emerald eyes.
Music starts as the screen cuts to various swordfights/battles throughout the book. A male's voice says "you have no idea how important you are." while you see Antony (MMC) and Ez running, then a man grabbs Ez and it cuts off with another man's voice shouting "Give me the Heart!"
Then it changes to Antony about to kiss Ez as he is narrating; "The more I loved you...the more I began to hate you." and as he finishes the line it shifts to Antony pointing a pistol towards (not at) the camera and fires as the screen goes black. As it immediantly comes back we see something dark blue swim fast against lighted water and then another ship battle between 3 ships and different scenes. "Who am I?" Ez shouts at someone off screen, and adds "what am i?"
Lastly the scene is Ez and a man at the head of a galleon ship and he turns to her with a grin as she looks at the horizon and he says. "You're a pirate." then i want the screen to cut to black and the words come up in a blue fading into green that reads the title "Without Names or Guilt"
end. i think i want it to be rate pg-13...as most of my novels are. But generally i don't think books or movies should have age limits...i was exposed to many horror movies at a young age and im fine (relatively;) ) So...yeah.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
So, I see all of y'all's awesome trailers for these action packed novels and my romance begins to look blah compared to y'all's action-adventure novels, but here we go, I guess. BTW, if you don't know what Jason Michael Carroll looks like, take a look at my profile picture next to the comment. That's him. You'll need to know that for this.
*The screen starts out black with hot pink lettering that says 'What happens when you take a country singer'
-Flash to Jason Michael Carroll dancing around the stage energetically, singing and having a good time
*The screen goes back to the black and more lettering appears- 'and a 25 year old who has lived with the FBI since she was 11 who is thrown into an emotional situation'
-Flash to a tall, brunette 25 year old woman in an empty auditorium, slumped against a wall, crying and clutching her cell phone. Only she and Jason Michael Carroll remain in the room.
*The screen once again goes to the black screen that says this time 'and put them in a house together, and they fall in love?'
-Flash to the two talking, then to the two walking into a house, Jason throwing his keys onto a small table by the door and showing her the house.
-Flash to the two running around, laughing.
-Flash to the two in the hospital, she is holding a newborn and he is by her side. Then, he says 'she's so beautiful. I wish she was mine.'
-Flash to the two to the two kissing atop the staircase.
-Flash to her standing in another house, and a tall, muscular, black man hits her in the face, and she is once again pregnant.
-Flash to her standing on a scale, and in bright red, it says '69 pounds' and Jason says '69 pounds at two months pregnant is more than a diet. What's happening?
-Flash to the two standing in the bedroom in each other's arms. She is wearing a tank top and there are bruises all over her arms and her face.
-Flash to her baby in a car, dead and covered in blood
-Flash to the two holding each other, crying
-Flash to the beach. They are lying on their backs, side by side, and he reveals a ring. He says something that we can't hear, because there is music playing. The song is 'living' our love song' by Jason Michael Carroll.
-Flash to her walking down the aisle in a wedding dress.
-Flash to her in the hospital once again and she is this time holding his baby. He says 'I can't believe this is my daughter. She's just too beautiful.'
*Flash back to the black screen and see the words 'And then she is diagnosed with cancer 6 years later...' appear
-Flash to the two in the hospital, a 6 year old and two 5 year old twins right beside the bed that he is standing by and she is lying in. The doctor walks in and says 'Ms. Carroll, you have cancer. You have 3 months at most. I suggest you go and enjoy it while you can, 'cause it won't last long.'
*The black screen appears and this time it says '... and he is shot.'
-Flash to the two and their kids in a coffee shop and then a gunshot is heard and she screams. Blood covers them all as Jason collapses to the ground.
-Flash to the two in the hospital, and this time, he's in the bed. He whispers in her ear, puts something in the palm of her hand and curls her fingers closed around it and he flat-lines.
-Flash to the funeral.
*The black screen appears one final time and the screen says 'Then, he shows up at her doorstep.
-Flash to their house, she is standing in the doorway, the door open, and he walks up to her and begins to talk to her and his kids.
-Flash to them walking outside together and towards 4 ambulances, all of which are screaming.
-Flash to the inside of the first ambulance and see their first kid flat-lining.
-Flash to the second one and see the twins flat-lining.
-Flash to the third one and see the man we saw hitting her earlier flat-lining with marks all over his face.
-Flash to the last ambulance and see her with a light pulse. She whispers 'I'm coming, Jason, calm down kids,' and then she flat lines and we see the two and their kids walking off together disappear.
*Flash to a Bright White screen and red words, Huge and one at a time flash
'Obsessions of a Federal Drama Queen, Coming to theaters near you this fall, Rated PG-13'
*The screen fades to black and we hear her scream 'You will never hurt me or my kids again! You killed Jason, This is just too far!' We hear five gunshots, two from different guns at the same time, the last shot, and hear five people collapse.
Kinda got way carried away. This outlines my whole story! Thanks for reading!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I've actually never imagined the movie trailer for my novel. Which I kind of strange really, as I have imagined how the movie’s poster would look like, and the experience of walking down the red carpet at the premier. I think my next staring into nothing session will be about think up the trailer!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Opening fade in to a man sitting on a white horse in plate armor, a large sword in his right hand. He is sitting in silence, unmoving. His sword is dripping with blood, and his horse and armor are both splattered with a mix of mud and blood. Beyond him, a large army is running up a hill in the distance. Scene fades out.
A woman's voice begins singing a celtic dirge.
Scene fades in to Raphael standing at the prow of a boat. Gabriel's voice: Why did you choose to leave the continent?
Scene fades out.
A drum begins to beat in time with the woman singing, slowly. Word's in white appear on the screen: Seven men
Image shows Raphael and Gabriel standing together.
Words: Brought together by fate
Flash showing Michael and Lucifer riding together, their hair wet with rain.
Words: To a new land
Flash showing Remiel and Raguel holding halberds and standing by a wooden door.
Words: To fight
Flash of Samael turning, holding his bow drawn and a grim smile on his face.
Words: His wars.
Flash of Arthur sitting on a throne, a golden circlet on his head, Yvain standing by his side.
Drum picks up beat as singing stops. Montage flashes by.
A saxon man roaring.
Samael and Lilith kissing passionately in bed, naked.
A rush of horsemen crashing into a line of spears.
Raphael galloping on a muddy road, sword raised high.
Arthur striking a kneeling man with blonde hair.
Raphael leaning over Guinevere in a rich bed.
Gawain and Mordred drawing swords together from horseback.
Raguel standing over Michael, his halberd in his face.
Drums and music stop suddenly as the image of an axe rising over a kneeling Samael, Lilith kneeling next to him.
Thump of an axe hitting a block, flash of Guinevere wincing as Arthur looks on in a grimace.
Darkness. Lucifer's voice: There can be no kingdom without justice.
Michael's voice: Yes, but what is justice?
Quick image of Lucifer and Michael's swords striking, both men snarling on a muddy field covered in bodies, rain falling.
Large black words reading "The King's Guard" with a white citadel on a beautiful, blue sky day, flags blowing in the wind.
Fade in again to man on horse, other man gathering around him shouting "Pendragon!" repeatedly. Michael and Raphael walk up to stand beside the horse, both covered in blood, Michael holding a hammer, Raphael a shield and sword.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Hey that is how i started writing...i had these trailers running in my head..dialogues n all...then i thought the trailers make no sense w/o the story...so i started weaving the story
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
A black screen is shown, a drum beat is the only thing that is heard. The screen flashes. A red-haired, teenaged girl wakes up in a dark cell. Five others, three boys and two girls, are standing around her. The scene flashes for a second and disappears. The next thing that is seen is the six looking around in another room. The beat gets faster as a black silhouette is shown.
"Trust me," his voice is comforting. The beat breaks into an intense song while the scenes flash of running through woods, swimming through rivers and the six kids fighting.
"You have a gift, use it," the same man's voice says.
"We have to find them," A tall, dark haired boy and the red headed girl argue next to a flickering flame.
"Someone already got hurt, we don't need another!" The girl screams.
"They're part of who we are!"
"We haven't even met them!"
It flashes to a scene of the red-head tossing and turning in hersleep. Screams are heard overhead and she sits up, suddenly awake.
"We can't fail" the boy's voice is overhead as the camera slowly moves across a grassy plain and ends looking on a white warehouse in the middle of the plain. It's followed by the name (still to be determined) and the release date.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Squee.
My trailer would be scifi and grungey. This is what I'm picturing in my sleep-deprived mind:
[pan over a dystopian-ish brick city with dark clouds hovering above it, then zoom in on the nicer buildings nearby, finally on a glass skyscraper. Zoom to the top window, and to the brunette (Sakasa) before it. Then pan quickly back to the brick city, zooming to watch a black-haired girl (Tori) slip down a dark alley]
TORI: I'm risking my life for a party.
[Cut to a large gathering of masked people, and a single unmasked man (Jakob) in front of it. He holds out his hand]
JAKOB: But it's not just any party. Welcome... to the Masquerade.
[Cut to Tori running after Jakob, down a painted brick tunnel]
TORI: What are you?
[Quick jump cut to a masked, light-haired girl (Cara) fighting three guards at once, then to an unmasked girl (Nefertari) holding a gun on a blond-haired man (Crow), then to Jakob standing on a stage in front of a masked crowd]
JAKOB: We're the future.
[cut back to Sakasa in the window, she looks back over her shoulder]
SAKASA: You cannot be unknown. It's impossible.
[sharp jump cut to a underground tunnel, its walls painted with various murals, a crowd of masked people filling the streets of the brick city, then to Tori holding a device with a flashing blue light up to her face]
[Cut back to the glass tower, this time to Jakob nearby the wall, surrounded by guards]
JAKOB: I've never let impossible stop me.
[Jump cut through several more action scenes, and then finally to an image of Tori, masked. Fade to black, text 'Masquerade' appears on the screen]
So yeah, that's the best I could come up with. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Matthew and Arya are in a forest. Matthew leans casually against a tree, waiting for whatever it is Arya is about to say.
Arya: How old are you?
-scene change-
Matthew casually walks down the school's hallway, flipping his hair back as he winks at a group of girls [who all swoon]
-back to forest-
Matthew: 19
Arya: How long have you been 19?
-scene changes-
Matthew charges at another man, tackling him to the ground as he snarls and tries to rip the man apart.
-back to forest-
Matthew: -shrugs- a few hundred years.
Arya: -stares at him- Okay, I'm gone. Goodbye. -begins to walk away-
-screen goes black, blue words appear on the screen-
If you can live forever...
-flashes-
José: -stares at Matthew incredulously- You're in love with a human?
Matthew: W-well I wouldn't say it's love or anyth---
José: Is she hot?
Matthew: ...
José: -nods understandably- Don't worry, bro, I got your back.
-flash-
Genevieve: -glares- If you're really going to sacrifice the safety of this entire goddamn family just to save your little girlfriend that you've been dating for a day, you're a stupider than I thought - and that's saying something, because I thought you were dropped on your head multiple times as a human baby. She's a waste of your time and frankly, I'd rather not get killed because of her.
Arya: ...I'm right here.
Genevieve: I'm well aware of that.
Arya: ...
-flash-
Arya and Matthew lean in to kiss; Arya is overcome by a fit of giggles.
-flashes words appear on screen again-
Why are you wasting your time like this?
-flash-
A van is speeding towards Arya. She looks up and screams, raising her arms for to brace herself for the impact. It never comes. She opens her eyes and comes face to face with Matthew.
Arya: OH MY GOD HOW DID YOU DO; THAT YOU JUST SAVED ME!
Matthew: -turns and runs off-
Arya: WAIT COME BACK - HOW DID YOU DO THIS WHY ARE YOU LEAVING HOLY CRAP YOU JUST PUSHED A VAN OFF OF ME---Great, now people are staring at me. They must think I'm insane. I HOPE YOU'RE HAPPY, MATTHEW - YOU GODDAMN PSYCHOPATH! -pouts angrily to self-
-words-
From a not very well known nanowrimo fic...
Arya and Matthew stare at each other.
Arya: I'm not scared of you. What's to be scared of?
Matthew: -smirks- You really shouldn't have said that.
Arya: Why not? What are you gonna do? Tickle me---really. Really? You're going to tickle me? You're actually going to tickle me? -Matthew moves forward, wiggling his fingers- Jesus Christ, Matthew, you're freakin' 200 years old, why hasn't your brain grown - don't you dare come closer. -backs away as Matthew advances closer- Tickle me, and I swear, I'll find a way to kill you. Or rip your hands off - whatever's easier. Matthew,stay away. No - no - urgh! -turns and begins to run, Matthew gleefully chasing her- Why am I dating a child? This is so stupid pedophilic; you're dating someone at least two centuries younger than you and I'm dating someone with the mental capacity of FIVE YEAR OLD. -runs off screen, Matthew still chasing her- GODDAMN MATTHEW, STOP CHASING ME - I CAN'T RUN FASTER THAN A VAMPIRE!
-cut to black-
-words-
Afternoon.
...if it isn't obvious yet, my fic's supposed to be a Twilight parody of sorts. The story itself is a little seriouser than this fake trailer but yet, aren't the movie versions always slightly different?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
my movie would have lots of action, speaking, describing. maybe chris (MC) on the phone, speaking to the man and a fade out then a scene where she's running through the forest. it'd be very suspenseful, with rock music. the kind of feelings it'd want to evoke is the sense of fear the main character is feeling as she's running from these guys following her.
it'd likely to be rated either PG13 or R.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Do you have a song picked out? :3
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
The trailer of "Catherine's Journal" would be sort of like the one for "P.S. I Love You". Starts out with snippets of scenes and conversations. It would start with Catherine (MC, clearly) and Oliver ('gay best friend') sitting on beanbag chairs, mentioning Riley. "Riley Wilks," "You're not the type for love at first sight." It would be playing something like "Romeo and Juliet" (Killers Cover) in the background. Then it would flash back to the crowded club where she met him, just a quick introduction scene; "Riley Wilks", "Catherine Stevenson." Romeo and Juliet would still be playing softly as an undertone, but something a little harder/faster would play for the club feel. The whole thing would have a sort of soft, muted appearance, to invoke the tenderness and romance.
Then there would be a few other clips; first, Catherine looking at a piano, slowly taking a seat and playing a single note. Reagan (Catherine's older sister) arguing with their stepfather. Reagan walking up behind Catherine at the piano and joining her in playing a song. Amber telling Catherine to "go for it!" with Riley. Beth putting her arms around Reagan at the piano. Riley and Catherine walking together, and Riley telling her, "That boy loves you." Then, Oliver sitting next to Catherine and Reagan and Beth at the piano.
The whole thing would have lots of piano and soft lighting that accentuated eyes especially, and it would try to emphasize the 'music brings them together' aspect, as well as highlight the relationships: close friendships and family.
The piano song they were playing would have to be something classic and well-known, but not too difficult. Some sort of sonata.
I can see it now...!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Me too! It sounds adorable!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Mine would start off dark with a young boy hiding in a cupboard when soldiers from the Inquisition burst through the door and drag away a man, woman, and little girl. That boy would race through dark alleys with a toddler in his arms.
Then BAM! Scene switch
On a boat, a scene, fighting to overtake a Spanish ship, a twelve year old boy dressed in girl's clothing disgusted as he watches the scene before him.
Then BAM! Scene switch
Clandestine meeting with a man who needs a fresh start. The captain of the Vengeance gives him orders and a lecture on revenge being more important than fortune.
BAM! Scene switch
Starving on the ship-- tensions making men ready to rise up against the captain-- a new ship on the horizon.
BAM! Scene switch
Young man sitting around on deck telling stories of the Spanish Inquisition and the death of a family, a rescued toddler, and the heir to the throne of Valencia to an enthralled crew-- particularly a 12 year old boy who is visibly engrossed in it.
Slow Scene switch
Calm waters, parched and near frantic crew... the day is dawning and one man spies a ship-- Spanish.
BAM! Coming soon to a theater near you.
Music switches from ominous and almost holy sounding to energized, powerful music that sounds like men charging and swords clashing and then at the end to violins and flutes before a big kettle drum BAM for the end.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This sounds awesome! A trailer like this would definitely catch my interest. Your novel sounds great. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Enjoyed the
*BAM!s*
and scene descriptions equally : )
Novel sounds great.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thank you guys!
Bam wasn't really what I was going for... more of that ominous "DOM" you hear in trailers at switches like that. Dom... just sounded dumb.
I am really having fun with this one.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
...you don't know how much money I would pay to watch this film.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Sounds like something I'd read AND watch! Amazing!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh YEAH! And the music SO makes it pop! Let me know when the movie come out. Finish the book first. I always like to read the book before seeing the movie.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Book is going like gangbusters and so far it's working with this whole thing. Just got those poor sailors some food and water/wine. WOOT.
Thanks for the encouragement, guys!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
An earth-tone shot of a girl riding her bike on the beach, laughing.
[Voice over.]
Chole: "I remember little things. Things that don't make any sense."
An earth-tone shot of the same girl, sitting at the end of a dock, feet in the water.
Chole: "But I swear they're real."
An earth-tone shot of the girl looking over her shoulder, to see troops marching in. Her expression turns horrified.
Chole: "You believe me... right?"
Cut to a high-tech building, with clean tiles and walls. A girl [Chole] and a guy [Pascal] are sitting. The girl is picking at her food; the guy doesn't even have any food to pick at.
[No longer a voice over.]
Pascal: I'd have to be crazy to.
Chole: Are you crazy?
Pascal: What do you think?
Cut to a high-tech, obviously high-security room. A man in fancy robes [Chancellor Dillion] is addressing a room of The Council, consisting of about eight people.
Dillion: She's our biggest threat. We need to get her on our side.
Pascal: Perhaps I could be of help?
Dillion: I was hoping you'd say that, Pascal.
Cut to the Batch 46 Dormitory.
Boone: You seriously think that Pascal's on /your/ side?
Chole: Why wouldn't he be?
Boone: He's the Council's lapdog. Everything you tell him, will go right back to the ears of the Chancellor.
Cut to a shot of Chole bowing to the Chancellor in his chambers. He reaches for her, placing his thumb and forefinger under her chin to draw her up to look him in the eye... and he smirks.
Cut back to the Batch 46 Dormitory.
Chole: Chancellor Dillion is a wonderful man.
Cut to an image of the Harvesting. Nothing graphic-- the art comes from what you don't see.
Finally, cut back to the lunch table.
Chole: I don't think you're crazy.
Pascal: Well, I'm talking to you, so I must be.
Chole: *tries to kick him under the table. ends up kicking him, but also hitting her shin on the table.*
Pascal and Chole: *various groans of agony*
>>>ONWARDS TO RELEASE DATE AND SUCH
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I really really like your voice overs. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh, very well done! *claps*
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
very interesting! :)
i'd see that for sure if it ever was a movie
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I love the sound of it! I would totally go see that. I love how you go from the scene in the cafeteria with the "What do you think?" just hanging there and then you bring that back in the very end.
Awesome!!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I imagine the trailer would be somewhat dark and slow. It would be simple -- no dialogue or anything, merely a teaser of what the movie's about.
A moody/creepy piano piece is what you hear:
First shot, my FMC arriving in front of her new home, the camera panning up the entirety of her Hitchcock-esque home. Slow fade to black.
Next shot, my FMC finding things amiss in her home -- say, a door creaking open while she watches. Slow fade to black.
Next shot, my FMC lying in bed at night and hearing loud noises coming from the attic. Slow fade to black.
Silence -- no more piano music. My FMC standing on the porch at night, looking out towards the woods that surround her house. She hears what sounds like a baby crying somewhere in the distance. The sound abruptly cuts off, followed by a twig snapping. Then the camera switches POV, and we're watching her from behind a tree -- the POV that you'd have if you were hiding in the woods and spying on her.
Slow fade to black, the title, "The Shadow in the Trees," slowly forms in thin, wispy letters. Then the release date.
I don't know. I guess I like dramatics.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh, and I'd most likely want it rated R. I hate when horror movies are PG13 -- I feel like they have to cut out so much.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That sounds so creepy... I love it!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thank you!! ^__^
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
oooh nice, I love it. :D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thank you! :D
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
A soft piano would play in the beginning. My two MCs Satoru and Kitty would be standing back to back, weapons in hand, staring at nothing in particular with carnage all around them. Blood spilled across their clothing and all over the ground they stand on. Broken bodies in piles, hacked up or blown away.
As heavier riffs come into the music, snippets of the two MCs fighting each other and everything else around them would flash, but always come back to that same scene.
"Can you take me away?" Satoru would ask, looking over his shoulder.
"Where do you want to go?" Kitty would respond with a playful shrug.
The scene would change and Satoru would be at a bar setting with more characters that he knows as his family, laughing and having a decent time. The scene would shift to night with Satoru looking at family photos behind the bar counter, hanging on the wall. His hair would be drenched in blood, his favorite silver and black sword in hand and stained red.
"You know I'm not human right? I'm not what you want me to be. I'll always have this curse over my shoulders no matter what I want."
Another woman character, Nak, would be with him, watching, hand placed on her stomach protectively.
"It doesn't have to be this way."
"You don't understand."
The trailer would end with a strobe light effect of several different scenes between Satoru and Nak sharing a seemingly romantic relationship, IV dripping in a hospital, bloody fighting and Satoru trying to catch up to Kitty who was running away as the music fading away saying in a sing-song voice, "I'll never tell."
Okay, reading this over, it looks better in my head. It's all in CG of course and it would be rated R for violence, alcohol, sexual scenes, and language. Hahaha!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Ooh, went to read your synopsis after this.
Intriguing!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Actually, it sounds AWESOME! But I would cut the line about the curse hanging over her head. Otherwise, I would totally go and see that.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
My novel movie trailer would begin with a bunch of fast changing images about what brought the end to society as we know it. Pollution. Deforestation. Mass consumism. War. As these images run by there's a musical score that invokes stress and need to survive, the music is classical meets electronic --kinda like the TRON score-- and you can also hear tidbits of media reports, guns being fired, children crying, people fighting each other, static. Then you can see the famous mushroom cloud and the screen goes dark. The screen now shows the Earth, rotten and arid. The camera moves until it shows the Biospheres, white domes with artificial environments where people live. My female lead speaks off camera "There's only one way you can live here." The camera now shows my female lead and her family watching intently a computer screen, their faces only illuminated by the bluish light of the computer. The camera shows an email with the title "SUMMONNING ROMANO, LYVREA ISABEL", "What does it mean?" my female lead's brother asks.
The camera now shows a man in his early fifties. Black hair and eyes, olive skin, black suit. He speaks before a mass of people of all ages and races who are all dressed in khaki and have a chain with a metal id hanged on their neck. "Welcome, Gifted." As he speaks there are images of my main characters doing what the man narrates. "In the next couple days you will be tested mentally," my male lead is working against the clock to solve a calculus problem on a holographic screen in order to save a little girl from being crushed with a weight. "Genetically," my other male main character is plugged to various machines as someone is drawing blood from him with a syringe. "Physically," my female lead is set in an artificial environment simulating a jungle where she's trying to outrun armed men. "And emotionally," the three of my MC along with other 5 people ranging from age 13 to age 65 are all wearing a silver crown-like thing that only covers their eyes and they are all screaming. "Your mission:" The camera goes black again and the music halts. "Retriving resources."The images pick up their speed and the music is a lot more stressing and rapid-paced, a lot of violins and drums. My three MCs running across a desert, evading bullets, old jeeps racing each other, the three MCs being surrounded by an urban tribe in the ruins of a city, my female lead running from someone in a dense rainforest and then she stumbles across a large water spring. She can't believe her eyes.
My female lead talks again: "You survive."
Tragic sounding music, my MCs armed, fighting against an unknown enemy. One of my male characters screams "COME ON!" A bunch of images again race by only letting a glimpse, water, war, a desert, my MCs tightly hugged, the urban tribe, the Biospheres, then my male lead is chained, sitting in a chair, looking up with an angry look.
"Tell me where it is." Someone says.
"Never."
Images again and the music goes in crescendo. Black screen:"This November", Image of the fighting, "How fast can you think?" Image of MC fixing something, like he doesn't have much time, "How long can you run?" the 3 MCs racing up to reach somewhere in the jungle, "How much can you endure?" One of the males is being tortured while the female is screaming "No! Leave him, leave him alone! I'll tell you where the water is!". Images race again and then you hear a gun being fired. The title appears "THE GIFTED" then the motto appears under it "Survival is for the fittest." Then the credits. This film is rated PG-13 :D
Wow, that was very fun! C:
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
That's sound pretty epic!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh~ I like this a lot actually.
I know what the song would be, it would definitely fade in and out through the trailer. Back when I first came up with the idea for my novel, I had written a song that I called, "Chinese Suicide" that was incredibly relevant to my MC, Nem's feelings throughout the book. Her escape, her doubts, all of that. So it definitely would be the theme I would want to use. Not sure who would sing it though, or if I would just do it myself.
But anyways, I would want it to open with Nem and Chandler (character later introduced and holds a major role in the story) sitting on the beach that lies on the outskirts of Erno, and it would switch between a monologue of Nem, and Chandler and her having a conversation as well as flash backs to her past.
Nem (Inner Monologue): "Strange, isn’t it? I never expected at such a youthful age, I would actually discover how terrible a thing like war could actually be. "
Chandler: "Hey, Rookie?"
Nem(speaking): "Why do you have to call me that?"
Nem (Inner Monologue): "Sometimes I question why I am here, why I actually agreed to this. Perhaps back when I was sitting in a classroom, reading about all the wars that have taken place, it never bothered to cross my mind just how terrible they truly were."
-flashback to her looking down at Lucas, screaming "I'm sorry" right before she left-
Chandler: "Did you know I always wanted to do something amazing?"
Nem(speaking): "What are you trying to be? A hero or something?"
Chandler: "Maybe."
Nem(Inner Monologue): "Lucas told me we could be heroes together. And I believed him. But there is nothing heroic about this."
Nem(speaking): "You should never try and be a hero when there is nothing to be heroic about."
Then Chandler would look at her and be quiet, then it would more than likely proceed to several flashbacks, possibly going over Nem's experiences as the music over powers the scene. Then it would fade back when it returned to the two on the beach.
Chander(standing): "Hey, they called you one of those "strong minds", right?"
Nem(speaking): "Yeah, so?"
Chandler(holds out his hand to her): "Then let's do something amazing for the world you don't yet understand."
Then it would pan to Chandler, offering her the half smile he does, and then back to her, who would smile up at him.
Nem(Inner monologue): "We are not suited for war. We are just kids. We are children, not adults. We aren’t ready to fight these battles. "
Then it would go to a title screen or something. c:
What do you guys think?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Trailer for mine huh?
League Commander (Working on his name): "We've sensed something. Something has awakened. Something that can tip the balance of this war."
*Flash through scenes of battle*
League Commander: "I need your team to find it and bring it back here. Failing that, destroy it."
Marteau: "Yes my lord!"
*Scene moves to Summerrise, a town*
Able: "Come on!"
*Brief scene of Rickton and Able dueling with wooden swords*
Able: "We're the best swordsmen in Summerrise, right cousin?"
*Cut to alarm bells, goblin invasion, Rickton kneeling over Able's corpse*
Marteau: "You need to come with us."
*Cut to the League garrison*
Sanya: "Welcome to the league. The best of the best."
Dufren: "In here lad, you train, or you die."
*scene change*
Commander: "Something's rallied the demonspawn against us. Something powerful. I doubt even the League can stand against it if it marches against us."
*Clips of a seige. Dufren cutting down goblins, Sanya shooting magic arrows hanging from a tree, Marteau battling a large figure in white armor*
Commander: "You may very well be out last hope, Rickton."
*Cut to Rickton marching against a massive army alone*
Rickton: "I'll try not to disappoint."
*cut to a troll swinging a massive sword at the camera*
*Cut to title (Which I have not come up with yet. HELP!)*
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Can't help you on a title...but that sounds pretty epic.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Title....
"The League", maybe?
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh man, I love this.
Opens with a close up shot of a Missing Person poster of a Bethany Andrews.
Switches to a shot of the main character, Ethan, sitting at a table, sharpening a silver dagger.
Voice over from another character: "You've been alive for a long time now."
Ethan - "One hundred and forty-nine years."
Shot of a completely deserted city road in New York, the only people seen are Ethan and a homeless looking man further down the street, smoking a cigarette.
Shot of the inside of an abandoned factory.
Shot of Bethany tied up and gagged, trying to scream.
Shot of a grey skinned djinn, sticking to a wall, upside down, with its hands and feet, a sick grin spread across its face.
Other character's voice again: "Fate has been freed from a very long imprisonment. She wants war."
Cut back to the deserted street, Ethan walking up to the man.
"There will be grievous injuries."
Shot of a Detective William Terry looking distressed, holding a bloody rag to his neck.
"There will be pain."
Shot to a little boy named Daniel, crying.
"But if you don't stop her, she will eradicate free will."
Ethan: "Who are you?"
The voice is revealed to belong to the mystery man, who smiles: "I'm God."
Flashing shots of a vampire feeding on a cop, an old man named Michael in a duster and a bowler hat casting a spell, another detective Katherine Chambers pointing a gun and yelling at something in the shadows, Ethan punching God in the face, Bethany with a tear streaked face holding a bloody bat, the djinn stabbing Ethan in the stomach with the dagger.
The flashing stops, the instrumental beginning to Hell by Disturbed begins playing and a woman with strikingly green eyes and blazing red hair is shown, "Ethan Price, you're the old fool's last chess piece; a pawn against a queen. You can't dream of winning."
Shot of Ethan, bloody and beaten. Holding the dagger in one hand and a gun in the other. "Well I've already died once, the second time can't be too much worse."
The title "After Death" is shown, with the last line of the chorus for Hell playing, "Burning, now I bring you Hell."
It would be rated R, of course.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I really like the sound of this one! I would definitely be interested in more after a trailer like this. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
- Some ghosts
- Stuff showing the King being a moron
- Sword fight
- An explosion, for no reason
- People making out even though that's a really minor part of the plot
- People running wearing capes
- Army massing
- Something to make people jump, like turning round and a bad guy is right behind them in the dark with a knife
In other words, it would be the same as pretty much all fantasy moive trailers.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
A young woman sitting on the edge of the bed with a frail, clearly sick woman, not old but badly aged by a disease that is killing her. The dying woman speaks in a sweet, plain voice:
"You were my bird. You saved me."
Cut. Flash to a young woman standing over a fresh grave, with a casket being lowered into it, somber music playing. Everyone else is crying, but she's simply angry. The music is something akin to Sarah McLachlan, very melancholy.
Cut. Now it's an image of the same young woman trying to wrangle kids into the car in the parking lot of a small country store, with a voice-over of nosy women in the background: "I heard she's taking care of all of them herself now." "Mm mm, what a shame, and her father..."
Cut. The girl making breakfast for her family, all of them sitting around a small table, the father looking exhausted but lovingly at her.
Cut. The girl covering her younger sister's ears and pushing her face away as their father storms around outside their trailer, drunk, staggering and waving a gun.
Cut to black, music stops, the sound of a gunshot.
Now flashes of scenes as the music becomes intense and fast, increasing in tempo as each scene passes by: the young woman and her boyfriend passionate together; the father explaining to his daughter how he simply can't anymore; the boyfriend asking her, "Are you gonna keep it?"; her white face in the bathroom mirror, the floor covered in blood; the words "BABY KILLER" spray-painted across the side of the trailer; suitcases and items being thrown haphazardly; a previously-unseen house going up in flames; a bus station, faces passing in a blur; breaking through a window; a man in a priest's collar asking a young woman, "Are you sure you don't believe in God, or are you just angry with Him? You can't be angry with someone you don't believe in."; an adult woman yelling, "I never quit on you, I quit for you. I thought one day you'd see the difference."
Cut. Music comes to an abrupt halt. The scene is hazy and dark, like the beginning of dawn, and looks as if your eyes are just opening, then closing again. Darkness. Now the sound of swings creaking, and somewhere more distant, birds.
In lettering across the black screen:
"OUR SIDE OF THE SUN"
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This is wonderful! Very dramatic and hooking, I'd definitely be interested in more after a trailer like this. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Thanks! I'm glad I took part in this thread, because now when I need some inspiration I see this movie trailer running in my head and it gets me pumped up to write some more. :)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I know how you feel! I saved mine so I could re-read it whenever I need that extra boost of motivation. I don't know why I never thought to write a trailer before -- it was both fun and inspiring.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Fascinated... I'd want to know more for sure.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
....ho man. This sounds intense.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
It begins with a scene of James (my MC) and Richard (my MC's eventual lover) in the drawing room of Richard's home. Richard is sitting, head bowed, while James stands across from him looking expectant. Richard raises his head slowly and asks, "Have you ever had a secret...that you would do anything to keep?"
CUT to Catherine (the FMC) approaching a handsome young man (David) in a dimly lit room. She puts a hand on his shoulder and draws him closer. Cut to Sarah (Catherine's sister) in the doorway, eyes wide with shock.
CUT to a huddled figure sitting in a dugout, looking shaken. CUT to a close-up of a hand laying limp by someone's side. Another hand, belonging to someone who seems to be in uniform, reaches out and holds the other one.
CUT to James and Randolph (James' brother) in a room, Randolph looking confrontational. He asks, "Where is it?"
CUT to a shot of James standing at a desk, slowly picking up an envelope, and pocketing it as his voiceover says, "Where is what, exactly?"
CUT abruptly between several scenes: Sarah running down the hallway in a nurse's uniform; Catherine being shoved and stumbling against a wall; Sarah in her bedroom, on the verge of tears; James and Richard, standing out in the snow, James looking at Richard with a mix of shock and confusion.
Cut back to the first scene of the trailer, with James and Richard together in the drawing room. James gazes down at Richard, his expression softer and slightly conflicted.
"Yes," he says, "I think I have."
The title screen, simple white text against a black background, appears: THE DARKNESS AND THE NIGHTINGALE.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I'm loving the sound of this (and your synopsis). Very interesting!
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
*violin music*
It starts, the interior of a palace with an King gazing into space.
Rapid FLASH to scenes of War and riots, death on the streets.
"sir? It's time." says a young 20-something year old woman, entering the room. The King looks back.to see a little girl asleep in the woman's arms. The king nods, and gives the child a kiss on the forehead.
Fade to black,King speaks "Until I know you can be safe... Lucy"
Cut to an apartment , with a teenage girl having her hair done up in an elaborate bun in silence by the woman who was carrying the little girl. "The people will be pleased to see you."
"They have seen me Nicolette, but to them, I've just been another girl on the street."
Music kicks in again, now an epic orchestra barrage.
Cut to Lucy arguing with the King "I'm not ready!"
Brief flash of a ballroom, talking, laughter, Cut back to argument. "My hands are tied, the people demand it!"
Back to the ballroom, the crowd looks up to someone just arrived on the balcony. It's the princess, wearing a silver mask. Flash to her dancing with some important nobles. Flash to the sight of a young man leaving the throng.
In the background, Lucy talks to someone else over the scene of the dance.
"Who is he?" "The Prince of Gaul." "Gaul?"
Now her yelling at the prince as they stand in the rain. "It's your country's fault that I don't know what the hell I'm doing! Do you think that I wanted to go away?"
"When will you understand that you are in something much more complex than our two countries wanting to go to war?"
A flash of Lucy meeting with an elder man "Prime Minster, I can order you to stand down."
"Oh Princess, you haven't had that power for a long time."
Her frustrated at the woman we saw before "I can't eat, I can't sleep, I can't do anything without someone telling me I'm wrong. I can't go anywhere without someone following me. I'm told I have all the power in the world and yet I have none. Why Nicolette? Why won't anyone tell me what is really going on?"
Black, Slowly the image of Lucy being grabbed from behind, a knife at her throat. "Did you honestly think that running away would let you escape your death Princess?"
"No, but it certainly will delay it for a while."
Fade out, to golden letters painted on the screen. "A Princess's Lament."
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
This. sounds. EPIC!! :-)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Mine would start out like a lot of horror movie trailers do. We see our main character pull up the house, with a voice over explaining about her grandfather's sudden passing. We then cut to the reading of the will where we learn she is now the owner of his house. We then cut to her and her g/f in the house, quick montage like with shots of them cleaning it out. We then cut to her venturing out into the woods where she discovers the cottage. We have a montage of her writing with flashes of strange images playing through. Someone voices over, "you're losing your mind!"
Lots of scary flashes, like any good scary montage of our heroes in trouble, a man with an axe runnning through the woods, then a scream and fades to black with the text appearing in white. The song that would be playing over would be some sort of instrumental thing, something Inception trailer esque.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
It starts off looking sort of sepia tone, like you are in an old world, than you would see this blimp type thing, but it's more mechanical looking than a normal blimp, and there's a carrier underneath, and a person is driving it. It's from far away. Looks a little strange.
Then music would begin Florence and The Machine "Breaking Down" during that part.
CUTS to the main character, Louisa walking going to her urban house.
CUTS to her at an outside market, when a aircraft comes falling down near her, and everything breaks, and produce is thrown all around.
CUTS To her looking down at a man, who is dressed like a pilot, and he looks at her.
CUTS to her with her hands on a metal fence, looking up at something.
CUTS quickly to half robots/half human people, they are doing cruel things
CUTS To a light shining over a man, looks like the pilot, but you really can't tell for sure.
CUTS to her in a strange room, with thousands of clocks, and machines, and she's looking over everything.
CUTS quickly to her looking at a man in a suit, their standing close to each other.
CUTS to her and the pilot running, as different types of warships are above.
CUTS to the man in the suit, working on a machine. He looks like a scientist, slightly weird.
CUTS to Louisa and the pilot in an airglider, and things are calm.
It ends with the title "On The Edge of Time"
I thought way too much about it, basically, it would be really choppy, and fast paced, compared to the song that would play. In the backgrounds you could see the setting, with the big industrial plants, and the airships, and the strange cars.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh, and after showing the blimp in the beginning, it would lower, and show the city, and people. Then cut to the rest.
I think after it shows the title of the movie, I would have a clip of dialogue between two of the characters, but I haven't written enough to think of what it would be.
:)
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Oh this is indulgent but so much fun! Hehe.
First of all: think period drama, specifically 1780 at the start.
Open with a scene of MC and daughter in carriage, driving up to MC's estate. Pretty scenery, but with vaguely sad/foreboding music. Some applicable voice over is heard. Cut to scene of rain and lightning flashing, MC standing out in it. Cut to her British soldier husband returning; he clearly looks ill and has a gunshot wound. Cut to husband on death bed; he says something to MC about their daughter. Fade to black with MC's gentle crying heard.
Cut to MC and mother arriving in Paris at MC's brother's house; brother and wife are seen with young children. Cut to shorter glimpses of a several dinner parties, a masqued ball, and maybe a scene at Versailles. Cut to a nighttime garden scene, with MC and a French dandy; he looks at her intently and says "We are the same, [MC's name]." MC looks somewhat frightened and confused (but prettily, of course).
Cut to MC and brother (seen more aged than before) in his office; he says "MC, look at yourself." Cut to MC looking at her reflection while brother is heard to say pointedly, "You are not altered." Cut to MC cutting her arm down the veins with a letter opener, dripping blood is visible, then shorter glimpses of her grimly understanding face and her brother's shocked one. MC voice over: "You must not speak of it, to anyone."
Cut to another party in Versailles or a noble's house. Cut to MC and some other young and halfways handsome French lord, smiling and mild flirting on both sides. Cut to general scenes of unrest (circa French Revolution) and some other noble is shown quickly and heard saying something I haven't written yet. MC is shown with her aged friends and her maid, looking very concerned in some parlor. Cut to some guns and blood or something revolutionary.
That's as far as I have thought. General plot direction includes some more romantic tension between the MC and this French man, as well as more death. Lots more death. They are nobility in the French revolution era, but the focus isn't really going to be the Revolution so much as it will be that the MC wants her love interest to leave, but he gets himself more and more involved in stuff that eventually leads to his execution via that wonderful instrument of decapitation, the guillotine. MC is devastated and must continue her life. I think I could write about this character for several books let alone movies. I know it's just a good old romantic period drama so far, but oh well.
Anway, there are some thematic ideas I want to include that aren't expressed in this semi-trailer, but I think the main premise is revealed enough.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
Wow. A lot going on. Sounds intriguing.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
A teenage girl sits in a graveyard.
Two ravens fly down from a nearby tree and land on gravestones next to her.
Scene change.
The girl is running through a thick mist.
Strange shapes and sounds come from every direction.
Something vast is hinted at in the mist before her, you hear the beat of giant wings.
Scene change.
The girl is now standing on the edge of a cliff looking out on a futuristic city below, all tall spires and glittering lights.
A male voice speaks "Welcome to Elysium."
Scene change.
A narrator speaks over the next few clips.
"If you found out the fate of two worlds lay in your hands,"
Earth spins through space around the Sun, the Moon around the Earth.
Suddenly the picture jumps and now there are two Earths, two Suns and two Moons.
One Earth darkens, seems to decay, black clouds cover it's skies.
The other stays green, shines, lights sparkle in the night.
Narrator: "Could you rise to the challenge"
Montage to some uplifting orchestral beat
Girl jumps out of way from giant robotic fist smashing into the ground.
Girl leaps from roof of building two ravens at flying at her side and then there are three ravens.
Girl stands in city street surrounded by shimmering field of energy as laser beams bounce off it.
Narrator: "Could you fight for a world that wasn't your own"
Montage to Adagio for Strings
Scenes of black uniformed soldiers marching down burning streets.
Special forces types jumping from flying gravity barges.
Women and children running as manshaped wolves pull them down.
A tall figure, twice the height of a man with great deer antlers on his brow shouting "Kill them all"
Explosions running through a city.
Narrator: In the face of the ultimate dark a good soul must burn all the brighter"
Scene change.
Girl standing infront of large mirror watching scene play on it like a tv, ranks of huddled figures being shot in the head as they kneel in the mud.
Girl speaks "This isn't right, this isn't right!"
She stretches her arm out to the mirror and a coiling ribbon of light stretches out into the mirror.
Lightning bolts crash down out of the sky killing the executioners.
FILM NAME HERE flashes up on the screen
Montage to Lux Aeterna from Requiem from a dream
Big ass explosion as gravity barge falls from sky crashing into tower.
Dragons soar into combat their riders firing missiles and lasers, the dead fall spiralling.
A tall man stands cloaked on a hill, a wide brimmed hat on his head and an eyepatch, behind him rears a six legged horse.
Knights gallop across a field their shields reflecting energy blasts from the giant warmechs they charge against, horses cartwheel to the ground.
The aurora shine across the sky above a shinning city, suddenly a beam of light shoots down from the heavens, fade to white.
Scene Change.
From behind: Girl strides out of a doorway hair blowing in a halo around her head, a gnarled wooden staff in one hand glowing at the end.
Crash of thunder.
Two ravens fly out of the screen as the film release date shows.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
WOW. I'm spellbound. Special forces, Magic mirrors, and a dragon? You got me hooked.
Re: IN A WORLD... WHERE YOUR NOVEL BECOMES A MOVIE... what would your trailer look like?
I think mine would open with a flash over the Saddleworth Moors and then skeletons uncovered in the mud. A flash to an unknown man standing over a crying girl, a blade pressed to her neck. Flashes and fragments of conversations between my two protagonists mixed with images from the past. A race against time to save a life and stop a monster who will otherwise never be stopped at all. All filmed in a slightly dark, depressing setting to emphasise the loss. Faces of the dead girls every so often flash by. And rain. A lot of rain. Some sexual tension between the two main protagosits as well as a snippet of their fight,.
The description reminds me of the trailers for The Body Farn and I quite like that idea.