RSS

Critiques on plots

Display mode:
skymessenger
5157 words so far

I didn't see any other posts offering. And I thought that this would help some people, cut down on # of posts, etc.

Basically you post the plot of your story here. Not the entire novel of course but a basic summary of whats going on. Then other people, of course, review it and give some advice & such.
Here's something to make it a bit easier.

Title:
Plot: (I'd suggest not to go past 4 paragraphs, for times sake)
Concerns: (questions and what you want the reader to know before critiquing)

CountryGirl13
1100 words so far

Title: North

Setting: 1860 North Carolina

Plot:
Lina, an eighteen-year-old plantation owner's wife, is unhappily married and miserably pregnant. Her husband is tyrannica whn it comes to treating his slaves; he hired the strictest overseer in Wake County and lets him whip whoever he pleases, whenever he wants.
But one day, he goes too far.
Mattie and Sarah, sisters, Lina's best friends, are both punished for an unsatisfactory tobacco picking job. Lina is shocked, and once she knows what it's like in the world outside her door, she can't stand by any longer.
With the help of Jeb Eastwood and Lina, Sarah, Mattie, and her husband Jacob attempt to escape to Washington, DC. But with two pregnant women running off, guided by a young man in the heat of a Southern summer, will they make it?

next.companion
0 words so far

While your story is wonderful, a couple of thoughts from a historical perspective. I worked as a docent at a plantation museum in North Carolina, so this is near and dear to my heart. :)

First off, very few plantation owners would have let their overseers whip anyone at any time. Unfortunately, slaves truly were valuable property, and just like you would not go out and beat your car, because you need it to take you to work, masters wouldn't allow their slaves to be beaten so frequently or so severely that they couldn't do their work, and do it well. So the kind of all-out torturous whippings that are popular in many books and films are exaggerated, from a historical perspective. THAT BEING SAID, there were sadistic overseers, and you could easily portray that without having him whip slaves to excess.

Secondly, the wife of a plantation owner would not be best friends with slaves, especially tobacco pickers. Ever, ever, ever. It is unfortunate, but very true. There were strict class boundaries. However, if you wanted Lina to be dependent, and somewhat friendly with a household slave, that would have been possible, especially if she was young/lonely/pregnant. Through this slave, she could see the world outside her door.

This story could be fantastic as long as the social balance was understood. For a wonderful story close to your time period that shows an upper-class young woman learn about a world outside her own social circle (and take it on beautifully), read Cold Mountain. It is an intense but honest look at Civil-War era North Carolina, and is wonderfully inspiring from a writer's perspective, too. Good luck!

Golightly
0 words so far

Well, this is my first post here, and I've been reading through this thread to get the hang of it, but it seems that some people are giving rather long, in-depth synopses, while others are only giving a brief overview. I think I'll stick to the (very) brief overview:

It's 1918, and in New York, Thomas Kohler finds himself responsible for two children during the flu epidemic. Their mother has died. Eventually, he finds that one of the children, the little girl named Justine, might posses an ability to heal those around her. His goal was to try to track down and return them to their father, until he discovers that the father, who's a doctor, wants to use the girl for his own selfish gain, and is actually in the process of pursuing them.


First impressions?

MoonPhaseChick
0 words so far

This sounds interesting actually, will wait to read some

skymessenger
5157 words so far

I should have probably added as a rule: Do NOT steal ANYONES plot. EVER.

Kimberly Dawn
50019 words so far Winner!

No one thinks your plot is as good as you do. Newbie mistake to think that anyone wants to steal yours.

MoonPhaseChick
0 words so far

Good idea, it should already been known but not everyone will actually think not to do it

skymessenger
5157 words so far

MoonPhaseChick wrote:
Good idea, it should already been known but not everyone will actually think not to do it


thx!!!

natedog123

I was actually thinking last night this should be a thread!

So, I'm kind of self-conscious about my plot. I like it in my opinion, but I'm really worried that it actually is terrible. Please be honest, but not incredibly brutal.

Title: Embers:

Plot: Avadora is the messiah, a human sent from the Gods with an aura to protect the Northmanni from their advanced rival tribe, the Catatonse who were slaughtering the Northmanni before Avadora came. . The Northmanni haven't evolved like we have, they don't experience love or passion, and their ultimate desire is for survival. Avadora is human and has evolved like we have, and experiences these feelings and ultimately never really fits in with the Northmanni. While they worship her, they treat her like some sort of object only to be used for their gain, and as a result of this she becomes incredibly depressed. He subconscious transports her to Earth, our world where she awakes from a coma as someone else. She still has her memories from her previous world, and knows that she needs to get back because without her aura, her whole home would be destroyed. But she has no idea how, and while learning the ways of this world, she learns a terrible truth about the destiny of her world and Earth. Getting back is now more important than ever, but what will she find when she does manage to return home? Will her home be destroyed to nothing but a city of embers, destroyed by the Catatones? And can she return to her Earth in time to save it too?

J_S_C
100145 words so far Winner!

The formatting of this makes it a little difficult to read. But, I think I get the gist of what is going on.

I think that all of this should be in the present tense. There are redundancies that need to be removed.

The Northmanni haven't evolved like we have, they don't experience love or passion, and their ultimate desire is for survival.
This can be eliminated, and summed up with the addition of a single word in the first sentence "primitive."

Avadora is human and has evolved like we have, and experiences these feelings and ultimately never really fits in with the Northmanni.

You tell us that Avadora is human in the first sentence.

He subconscious transports her to Earth, our world where she awakes from a coma as someone else.
I think that he=her. No need to tell us that Earth is our world. I think that we all know that.

The rest is not bad, but I think you can do better by giving me more details about what is going on. The plot can be a little longer and still have the appearance of a summary.

--JSC




Kimberly Dawn
50019 words so far Winner!

Primitive is often looked down upon as a word--it suggests that the author thinks that one culture of people can be more superior to another because their subsistence level is different. I would challenge YOU to grow sweet potatoes the size of an arm and then tell me how primitive you feel.

I also think that using an evolution argument is flimsy from a science POV too. You have to know a bit about evolution to argue "primitive" because I think for the niche that each species fills, even the extinct ones, they did live for a long time and with a good evolution for their area. I mean, can you run as fast as a cheetah? You may able to catch it with snares, but I doubt you can clock the same speeds. You may be able to think about abstract things like art, but I doubt you can hold your breath like a dolphin. Be careful of wording.

I doubt you could take a beating like the Neanderthal did. (The Homo sapiens of the time weren't that much smarter either.)

This shows lack of research... look up Anthropology. (also to the replier too)

J_S_C
100145 words so far Winner!

So here is a rough plot.

Plot:

Mystery Clarke, at the age of sixteen learns that she has the sex chromosomes of a boy.

When she is in her late thirties, Mystery is in an adulterous relationship with her married lover, Heather. Heather tells Mystery that she is leaving her husband to be with her. Against her better judgment, and with the knowledge that Heather has a past filled with impulsive and rash decisions, Mystery tells Heather, that it isn’t a good idea. Feeling that her feelings are unrequited by Mystery, Heather leaves, and severs contact with the woman that she loves more than anything in the world.

While contemplating how to get Heather back, Mystery learns that her mother is getting married to man that is unlike the father that abandoned her when he learned of her condition. The future husband has a son named Brandon, the namesake of Mystery’s brother who died of a heart condition in high school. The confused feelings of Mystery and the recent death of Brandon’s wife, lead the two of them to have a drunken tryst. Mystery immediately feels guilty about her supposed infidelity with Brandon, and Brandon is convinced that he is in love with Mystery. It’s only made worse when Heather returns to see the wedding. Heather tells Mystery that she has left her husband, and Mystery wasn’t the reason for the divorce. Heather’s husband had been cheating on her as well, and she got tired of living a lie.
At the wedding, Brandon learns that Mystery and Heather have reconciled and are an item. He is filled with the need to steal Mystery from Heather. Unable to confront Brandon, Heather takes it upon herself to rectify the mistake that Mystery made with Brandon, but in doing so, Mystery thinks that Heather is cheating on her with the man in which she cheated on Heather.

While Mystery is trying to discover if her suspicions about Heather and Brandon are true, she learns that her father is dying and is making an attempt to contact her. She refuses to see him, but learns from him in a letter that her mother is hiding a secret from her that makes her question her father’s reasons for leaving, the cold way he treated her in the past, and the motivation for the decisions through her life.

Concerns: Wordiness. I'd like to get it under three hundred words, and eliminate the excess, but I'm conflicted about what is needed for the plot, vs. what is important for the plot.

--JSC

beanza3
33337 words so far

Sorry for it being so long!!! :D
______________

Mystery Clarke, at the age of sixteen[,] learns that she has the sex chromosomes of a boy.

[Why the time skip? It’s a great opening line, but if the sex chromosomes have no significant character impact or plot point, don’t even mention it.]

When she is in her late thirties, Mystery is in an adulterous relationship with her married lover, Heather.
[Say adulterous or married. One makes the other redundant. ]

Heather tells Mystery that she is leaving her husband to be with her. Against her better judgment, and with the knowledge that Heather has a past filled with impulsive and rash decisions, Mystery tells Heather, that it isn’t a good idea. Feeling that her feelings are unrequited by Mystery, Heather leaves, and severs contact with the woman that she loves more than anything in the world.

[“feeling that her feelings” is redundant in such a short space. Maybe feeling that her love for Mystery, or something more exact. Fearing her love is unrequited? And why would she just sever contact? Does she feel that she’s been played or used? If so, feel free to make note, that’s important.]

While contemplating how to get Heather back,

[Why is this so hard? Did Heather move? Is Mystery terrified of phones and computers? Because this makes it sound like she’s just sitting around going, “Hey, how do I get Heather back? BRANDON!” Which, I’m pretty sure isn’t what you want…]

Mystery learns that her mother is getting married to man that is unlike the father that abandoned her when he learned of her condition.

[Okay, break this up. Mystery learns her mother is getting married. How does this make her feel? Is she grateful? Worried? How did her father abandon her? Did he abandon the family as well, or was it just her? Explain! ]

[While contemplating how to get Heather back, Mystery learns about her mother’s engagement. While her future husband is unlike her father, this new development brings back the pain of her parents divorce and his abandonment of her following her diagnosis.

The future husband has a son named Brandon, the namesake of Mystery’s brother who died of a heart condition in high school. [Is this important to their relationship? If not… Don’t even mention it, it makes it wordier and harder to follow.]

The confused feelings of Mystery and the recent death of Brandon’s wife, lead the two of them to have a drunken tryst. Mystery immediately feels guilty about her supposed infidelity with Brandon, and Brandon is convinced that he is in love with Mystery. It’s only made worse when Heather returns to see the wedding.

[The wedding between Mystery’s mom + Fiancée? When do Brandon and Mystery meet for this tryst anyway? How long is this before the wedding?]

Heather tells Mystery that she has left her husband, and Mystery wasn’t the reason for the divorce. Heather’s husband had been cheating on her as well, and she got tired of living a lie.

At the wedding, Brandon learns that Mystery and Heather have reconciled and are an item.

[So… Heather says this before the actual wedding? Clear this whole part up, the chronology is confusing.]

He is filled with the need to steal Mystery from Heather.

[That’s awkward phrasing. Why does he want to? A guy that is dating a girl, (as you implied) may want to get her back because he loves her/she’s really good in bed/whatever, but this implies they were never in a relationship, so…]

Unable to confront Brandon, Heather takes it upon herself to rectify the mistake that Mystery made with Brandon, but in doing so, Mystery thinks that Heather is cheating on her with the man in which she cheated on Heather.

[So Heather is unable to confront Brandon, so she confronts Brandon making Mystery think she’s cheating on her with Brandon… That’s confusing. Why would Mystery think so? Why is this so important to Heather? Is Brandon stalking M? Is H overprotective? Mystery and Brandon were in fact dating? Poor guy. No wonder he went crazy….]

While Mystery is trying to discover if her suspicions about Heather and Brandon are true, she learns that her father is dying and is making an attempt to contact her.

[Hold the fort! Is this the true plot? Not the stalking or the cheating, but Mystery and her father? Really and truly! …Then why didn’t we hear about this 200 words ago?]

She refuses to see him, but learns from him in a letter that her mother is hiding a secret from her that makes her question her father’s reasons for leaving, the cold way he treated her in the past, and the motivation for the decisions through her life.

[And the book ends here. Because nothing gets solved right? My advice is, figure out your plot. Then, re-write this about the plot. Girl with weird mutation is estranged from her father, and learns about him and they bond on his deathbed. Hint clearly at the subplot with Heather, and how the chaos in her life affects the main plot. ]

[Because you spend way too much time writing about subplots. And these subplots don’t make any of your characters sympathetic. Then, write more about the motives. Why did her father get up and leave? Where her parents divorced before or after M was 16? Why was she named Mystery? You have to make the plot sound interesting enough for whoever you send this to to read. And right now, it’s a little messy. Best of luck, sorry if I sound mean, but, I have issues figuring that out! The story sounds interesting, you just need to spend more time on motivation. Good characters can do bad things, but motivation makes us okay with that! :D]

J_S_C
100145 words so far Winner!

I have no problem with length. I will admit that it is a sloppy post and I should never have posted it. The problem with my novel is that there are two simultaneous plots going on. One is not a subplot to the main plot.

The time skips because one plot is in the present, and the other in in the past. The thing is that the plot of the past influences the choices and rationality of decisions in the present. I cannot simply go from A to B without invoking A-prime to B-prime and sometimes, I have to talk about C-prime in order to get to C. It is a disjointed but linear (in two different periods) story.

I understand it perfectly in my head, but am facing the difficulty of simplification and brevity.

--JSC

J_S_C
100145 words so far Winner!

Secondly, stop apologizing for "sounding mean," I am a doctor. I have been yelled at, spit on and shit on actually. There is nothing much at all that anything anyone could say that would hurt my feelings.

beanza3
33337 words so far

You might need to downplay one plot to make it shorter. Maybe cut out some of the romance in the begining?

Or you might try to show that they parallel by doing a paragraph about "A" (father-daughter) then one about "B" (M-H) and then alternating. It might show that it's a duel plot better...

And I'm sorry for apologising? >.< I never know who's on the other end, it could be a 12 year old who can't take anything negative, or someone like you. I like to have all my bases covered.

If you re-post another, I'd be glad to look it over again! :D

MoonPhaseChick
0 words so far

May I ask, if this really the whole plot? I'm assuming this must be a romance novel, & you may tell me I am wrong if I am, but besides that, I see no plot, & I feel Mystery is the girl everyone falls for when in reality, with her disorder, you could go more in depth when the truth emerges, if it emerges. When I read your opening line, I was really whoa!, but nothing seems to come out of it. Alright, her dad left? Ummm...I fail to see her lose trust in men who know her disorder so she seems to have grown up fine. Brandon has the same namesake as her dead brother? Wicked are they related...um no doesn't seem like a twist to show how her life is falling apart. Heather...well if she's known for making rash choices, it's not surprise she would once again try & find Mystery. Another thing, Mystery? The whole name seems a bit eh...& a whole bunch of side jokes come to mind: "What's the mystery with you, Mystery?" Or "Is there really a Mystery to why your love life is a mess, Mystery? Etc etc...

Trying not to be mean, just honest. =) And yes it is a bit too wordy.

Honeybadger12345
28856 words so far

How specific are these summaries supposed to be? Are we merely posting the premise of our novels, or are we trying to go more in depth and actually explaining the major points in the story from start to finish (including plot twists and the ending)?

overthehill
53463 words so far Winner!

I agree. Judging by the critiques received so far, this is in danger of becoming another "Back Cover Copy and Title Critique" thread. I assumed the OP was looking for general opinions about the premise of the plot rather than a detailed critique on the wording of the description.

natedog123

Thought so too. I feel really dumb now posting my plot, I most look like a dweeb when I had a ton of errors in it, but I thought I was going to receive a critique on the premise. Oh well!

overthehill
53463 words so far Winner!

Don't feel a dweeb. I think you had it right and J_S_C misunderstood. There really is no point in critiquing your grammar or description. That should be left for the back page or even a query letter critique.

On the other hand, I do have some sympathy with J_S_C in that your description is a little hard to follow. I've added some extra line breaks and commas just to try and clarify it a bit:

Quote:Plot: Avadora is the messiah, a human sent from the Gods with an aura(?)to protect the Northmanni from their advanced rival tribe, the Catatonse, who were slaughtering the Northmanni before Avadora came.

The Northmanni haven't evolved like we have, they don't experience love or passion, and their ultimate desire is for survival. Avadora does experience these feelings and ultimately never really fits in with the Northmanni.

While they worship her, they treat her like some sort of object only to be used for their gain, and as a result of this she becomes incredibly depressed.

He (who?) subconscious(???) transports Avadora to Earth, our world (presumably you mean ‘our world’ as in ‘present day’), where she awakes from a coma as someone else. She still has her memories from her previous world, and knows that she needs to get back because, without her aura, her whole home would be destroyed.

But Avadora has no idea how to get home and, while learning the ways of this world, she learns a terrible truth about the destiny of her world and Earth.

Getting back is now more important than ever, but what will she find when she does manage to return home? Will her home be destroyed to nothing but a city of embers, destroyed by the Catatones? And can she return to her Earth in time to save it too?


I like the basic idea of Avadora marooned in a strange world and faced with a race against time to get back and save her people. I'm unsure about your use of the word "aura" to describe her special powers. An "aura" to me conjures up the image of some sort of personal techni-coloured forcefield and it is hard for me to make that leap of imagination to see how it could be used to save an entire planet. That may not matter at all if you have included some more detailed description of its form and power in your novel.

I've highlighted "He subconscious transports her to Earth ..." because it doesn't seem to make sense. I'm thinking there's a typo there somewhere.

Other than that, your last para is exactly what I would expect to see on the back cover of your novel. Great as a hook to draw your readers in but, in terms of critiquing your plot, it gives us nothing to go on. May be you could give some examples of the sort of obstacles and twists that Avadora overcomes in her quest to get home ... which, presumably, she does.

overthehill
53463 words so far Winner!

Title: McAdam’s Apple (working title)

Plot: Rose Buchanan, a 30-something divorcee, causes family ructions when, out of the blue, she announces that she is pregnant. The father, McAdam, is allegedly a well-paid engineer working in the Saskatchewan oil fields in Canada. Rose insists that McAdam knows about the baby and will return to support his family. But, when he fails to make an appearance after the birth, Rose’s sister, Iris, enlists the help of her Irish boyfriend, Frank, to track him down.

It was apparently a whirlwind romance, and Rose has very little information about McAdam. Iris’ detective work centres on a poor quality photograph of a windswept drill engineer that gives little away about his physical appearance. Their search takes them to Bergen in Norway and to Aberdeen, but then the trail goes cold. Eventually, the family begin to suspect that Rose knows more than she is telling about the identity of the mysterious McAdam.

Rose’s daughter, Flora (awful names, I know), grows up to be a pretty and intelligent child with an enquiring mind. Soon enough she wants to know what became of her father. The family are fairly sure that “McAdam” is an invention, but they have no new clues to go on. Worse, suspicion falls on Frank, whose looks so closely resemble Flora’s.

The plot loosely follows the search for Flora’s father, but the novel really centres on the unravelling of Rose’s cover story and the affect her secrecy has on other family relationships. No one is giving voice to their suspicions, but it seems that Frank will be forced to prove his innocence if his relationship with Iris is going to survive … and asking for a blood test is out of the question.

Concerns: I didn’t know about Nano until 2nd November so didn’t give too much thought to either the plot or the characters, which were originally written as place-markers. There is a lot of rewriting to do to flesh out my characters, but my main concern is that the story, as it stands, is too linear and predictable. I need a few credible twists.

Kamboolii
83146 words so far Winner!

So, it looks like the issue is that Rose's baby could be the child of her sister's boyfriend, and that she may have made up this McAdam's person, forcing Frank to prove that he's innocent. I would guess that this would certainly cause a large amount of family drama, and that this story is really about that drama. Personally, I'm not usually into this kind of a story being a main plot, but rather a sub-plot into a larger more interesting story. That being said, the story still works on its own if you're good enough at writing family drama of this type. It would be more exciting to me if McAdam turned out to exist, and its seems easy for Frank to prove he's not the father via a blood test, so it looks like an open and shut case from that perspective - he simply proves that he isn't the father, and if he refuses the test than he's likely the father an the whole thing is made up, so Frank would have to have a pretty good reason for refusing to be tested and still maintain the reader's suspension of belief that he isn't the father. Stuff like this doesn't play well when someone refuses to have a blood test and doesn't have a good reason. It's like a plot hole. Why is asking for the blood test out of the question? There has to be a good reason.

If McAdams is the father, then the quest continues to find him, making the story more of a detective story with family drama in it. That works fine, and holds the reader's interest. Where are Rose's and Iris's parents in this?

overthehill
53463 words so far Winner!

Thanks for that speedy response.

Yes, you are right. Of course a blood test would resolve the whole thing instantly, but the suspicion over Frank does not emerge until Flora is a few years old and, even then, no one really wants to believe that he might be Flora's father. Frank's a lovely guy. It is only that Flora grows up with the same (typically Irish) colouring, after all. In fact, by the end of the book, both Frank and Iris realise that a blood test would remove all doubt, but Iris also knows that asking for one would destroy any remaining trust between them. Luckily it doesn't come to that.

I wasn't sure how much I should give away in my request for a critique, but I'm glad you said you would prefer it if McAdam turned out to exist after all.

overthehill
53463 words so far Winner!

ETA (oh where is the delete/edit key?!)

Don't worry about the search taking Iris and Frank to Bergen and Aberdeen, despite McAdam apparently working in Canada. This is due to a logo on the overalls worn by the windswept character in the photo ... They are trying to identify his employers. It makes sense in the context of the story, I promise.

Kamboolii
83146 words so far Winner!

Title: Beginning in Paradox 1: Kuldorii

Plot:
The ArchMage Chambeeta Kamboolii is pulled out of his sabattical of sixteen years and told it is time to return to work once more. The last task he performed for the organization he serves (the Wu) was to hide the Princess Rokinna Makasha on another world to prevent her death and develop her skills differently so that she would not fail in her efforts to save her Kingdom after her mother's predicted assassination. Now that the threads leading to that assassination have been actualized with the death of Queen Makasha, it is time to retrieve the Princess and return her home. So what the plot boils down to is that Kamboolii must return to Minth where the Princess has been raised without knowledge of who she is, and convince her to return to her home world and save her people.

Wu policy dictates that at least one of every trio sent (they always send three agents) to accomplish a mission where an agent has gone before must contain at least one member of the previous trio sent. Kamboolii is that individual. But there are things that Kamboolii doesn't fully know about this mission, things that he can't remember (by design). In the fragments of the memories that he has, he knows that all of this has been done before - seen before - in a dream of a life that occurred in his early youth when he was trained to view the future and proceed down a given path. His immediate superior, the High Elf Arbiter Nappa Ree, does know these things, and has worked over the course of the last fifty years to put the correct events into place. Essentially, Nappa has served as a Guide for Kamboolii to lead him along this path. The true goal is to prevent the Drathraq Empire from conquering the world of Em that Rokinna Makasha has come from. This path leads to the domination of the Wu by the Drathraq. The Drathraq are formed of a race of Drow Vampires intent on farming and harvesting all worlds administered by the Wu for blood. Allowing the Drathraq to succeed is intolerable. But even worse, there is the potential of releasing a greater power than the Drathraq during the course of this mission, an event that would result in the destruction of everything. Kamboolii must find the middle ground. If he cannot, then this entire timeline must be sealed and split from the Wu realmhead.

Though the plot may seem complicated, it's actually rather simple when read in linear context. The reader only knows bits and pieces as they come into play. The main part of the plot is the journey. The first book deals with recovery of the Princess. The second book deals with the resolution of a paradox that begins at the end of the first book. The third book details what happens when the Princess returns to her home world and must battle the Drathraq on Em to save her Kingdom.

Sparksbet
50048 words so far Winner!

All the strange names made the plot difficult to follow for me. It seemed interesting, but with so many weird, inpronouncable names floating around, I had trouble remembering who anyone was for more than a sentence.
From what I could gather, it seems like the standard epic fantasy. My main concern is that the fact that the main part of the plot is the journey will lead to a bunch of filler. But if you avoid that, it seems like it'd be a good novel.

Kamboolii
83146 words so far Winner!

I like the filler more than anything else in this story. It's all character reaction and character driven, and while the plot seems simple, by the time the reader hits the second book the plot really comes into its own. Yes, there are a lot of strange terms, but they're introduced a little at a time, and you get the gist of them quickly. Character, organization, and city names are repeated consistently, so you know who these people are, who they serve, and where they're at or where they're going to very easily. So far my readers haven't had trouble with the names. Most of the feedback I've had revolves around further environmental descriptions and more in-depth sensibilities to the characters. Every chapter has its own problem/resolutions building on the initial plot. It is epic fantasy, yes. I think it becomes clear though, rather early on, that it's not standard. It's weird epic fantasy in a strange environment with very odd characters.

Kimberly Dawn
50019 words so far Winner!

Wu, as in Wuism is Chinese. Makasha and Nappa (haha, the cabbage) strikes me as Japanese. While Kamboolii kinda strikes me as Swahili? Something from that family, though I admit my knowledge of African languages is weak. Could be one of the Indo languages...

You probably want to smooth out the naming system, but I have no problem with names like that, as long as they have internal logic to them and the culture fits in some fashion with that logic.

Kamboolii
83146 words so far Winner!

Thanks. They're all from specific cultures, so consistency is maintained on that level. Kamboolii's people all have African sounding names. Rokinna Makasha's people have Japanese sounding names. The "Wu" isn't Chinese, I just like the name - it's an organization composed of thousands of races - so there's no real naming convention there, it's just a big mix. I have cultures with European sounding names as well, such as Quiggerly Jaggert's people.

ELOAgent
49339 words so far


Dana Reeves, twenty and well-educated has the world at her feet.
Running a world-renowned newspaper with her fiancé at her side
is all she has ever dreamed of.

Her happiness is short-lived when her house explodes a week before the wedding, killing Carter and leaving her devestated.

Six years later, she’s the best criminal that crime boss George Grimes’ has ever seen and
on the road to hell in the seedy underbelly of New York, as Grimes’ right hand woman.

Sent to small town of Saffron undercover, Dana’s partner,
Tess Callahan pops in and out as she faces the family she’s
spent so long avoiding, all while meeting Erik Rayner, a man who
can get a rise out of her like no other, and who could possibly be the
one to unlock the key to her bitter heart.

Dana makes a startling discovery when her ex-lover, Carter
Hampton rises from the dead with a deadly truth, tossing her into
his world of lies, murder, and deception.

Torn between her two lovers, crime and a life she no longer
wants, Dana must take a self-journey and make her choice between
them.

Carter, gorgeous, worldly, charming, and everything she
thought she once wanted. Or Erik, kind-hearted and the epitome of
everything she once despised in life. Who will be her final
choice?

Concerns: I have none, at the moment. But if you could help me make this better, I would be extremely grateful. It's rough at best, but it's better than my first attempt, which was Fivewords: GIRL TORN BETWEEN TWO GUYS.




overthehill
53463 words so far Winner!

So, Dana is running a world-renowned newspaper aged 20 (wow!) with her fiancé, Carter.

Then Carter is killed and Dana turns to a life of crime, working for Grimes.

Her partner, Tess, turns up to investigate. (Has Dana also become a lesbian or does Tess also work for Grimes?) No. Hang on. Tess pops in and out of the story, avoiding her family … or is she avoiding Dana’s family? And who is Erik taking the rise out of, Tess or Dana? Dana, presumably. So what has Tess got to do with the plot?

Then Carter rises from the grave and plunges Dana into a world of lies, murder, and deception. But she is an arch-criminal on the road to hell in the seedy underbelly of New York already, right?

So Dana has to choose whether she wants to mend her ways and settle down with kind-hearted Erik who she despises, or go back to Carter and a life of crime that she doesn’t want either. If it were me, my self-journey would take me as far away from the both of them as I could run!

Don’t take me too seriously. I’m sure that the twists are intentional and the story isn’t like that at all, but I wonder if anyone else found this as confusing as I did. Actually, your plot looks like it has the makings of a great book, if you could iron out some of the apparent discrepancies in the description.

ELOAgent
49339 words so far

Oh, sorry, I should have made that more clear: Dana gets sent to Saffron undercover to face the family, she never wanted to see again (Amy, James, and Janelle,) her siblings, and her partner, Tess Callahan pops in and out, unannounced, to help keep Dana stable.

These are all good questions. I will have to redo that. Thank you for your insight. I appreciate it.

ELOAgent

Steampunk avi8or
42944 words so far

Plot (back cover synopsis): The Civil War is coming, but don't you worry. The North has a new invention that will crush the South once and for all. This modern marvel can switch the minds of two beings, mechanical or organic! Sounds like a dream, but when the machine is used for evil, America and the rest of the world is shrouded in a nightmare. The only one who can stop the madness is Beatrix Bower, an ordinary girl- until now.

Concerns: There's not much information here. It's just a little blurb. This is steampunk if you haven't figured it out, and the invention is about as realistic as an octopus riding a bike. Actually that might work. The 'ordinary girl- until now' does not mean there's magic in the story. Yep, no magic just fake science. This is my first novel, and I want it to be great, so what do you think?

Sparksbet
50048 words so far Winner!

First of all, I love your profile picture. The bunny is cute.
Secondly, though your premise sounds REALLY unique and interesting from this blurb (I've never read Steampunk, but this makes me want to), I don't think it gives away much of the actual PLOT. But I like what I see!

MoonPhaseChick
0 words so far

So a person can switch their mind with that of a plant? For example?

Wilson3sd
12338 words so far

Still Untitled

Plot (This part is 1 of 3 contained in the book. I'm debating breaking this into more manageable chunks.)

Part I
In 1199 Richard the Lionheart was killed storming the castle of one of his feudal lords. By his side was Mercadier, an arrogant bastard in the same vein as Richard. Mercadier died for the first time as he scrambled to escape retribution from the vassals of the former king. He awoke from his injuries amazed and bewildered, considering himself damned.

As he was considered dead, Mercadier disavowed his former holdings and joined a monastery in Northern Italy. There he met Joaquin, a deformed castoff orphaned at the doors of the monastery years before. Joaquin and Mercadier become friends as rumors spread through the village of monsters and demons. Mercadier, understanding now his invulnerability, traces the sightings and midnight disappearances to the deformed Joaquin.

Like Mercadier, Joaquin has a power which alters those he injures. It is Joaquin's innate force and its spread that create the myths and legends of werewolves, vampires, and other supernatural beings in Medieval Europe. Each of those affected by Joaquin in turn spread the infection further.

Mercadier, a devout monk now, sees this as his chance for redemption. He scours Europe tracking Joaquin, who fled when confronted, and destroying the infected. Over the course of 200 years as Mercadier grows closer, Europe changes. By the 1500's Mercadier has tracked Joaquin to Patagonia in South America. Cornered on the Drake Passage, Mercadier traps Joaquin in a sepulchre created through the eruption of a volcano. Trapped, but alive and invulnerable like Mercadier, Joaquin will rot forever.

Mercadier's mission now is to find something that will allow him to return and finally destroy Joaquin.

adora1983
56454 words so far Winner!

I think it sounds cool :)

I know that's not very critical but I liked the overall concept and think it would be interesting and entertaining to read, especially if your going to make it 1 of 3 and continue the story on, so as the reader you'd want to know what happens to Mercadier and Joaquin in the final part.

Hope this help :)

Wilson3sd
12338 words so far

I appreciate it! This is the first time I've really sat and tried to describe my plot (outside of talking to myself), so I appreciate any feedback.

Was there anything that stood out as yay! boo! or meh...? (Sorry, I'm fairly addled right now.)

Parts II and III deserve their own posts, so I'll likely do those soon.

adora1983
56454 words so far Winner!

No worries.

Nothing stood out apart from the werewolf/vampire legends thing, I thought it added to the plot nicely :)

adora1983
56454 words so far Winner!


So basically I'm kind of reluctent to do this, because of my plot twist, but then again, I've been posting on a few critique topics and haven't got great feedback. I thought it, whilst it's still only available as a download to very few people and before more people read it, once I've put the little 'trailer' thing on YouTube and it's really out there in the big world. I thought I should have a plot critique whilst I'm at it ;)

Also this is book 1 of 2, and it's a comedy(at times quite black, at times like a Carry On film)/drama/romance. I've tried to make to equal parts of each.

Each chapter is written from the narrator POV and is interspersed (or sometimes within a chapter) with flashback/memories from Lilli's POV or Elm's POV.
There are also illustrations through the book.
Also to create a so called soundtrack (which is on the website as well) there are song lyrics through out the book as well, I've probably broke a thousand copyright laws and reproducing the lyrics but well I'm not making any money of it, the book is totally and 100% FREE.

The basic idea was to have people see the website first, but the band profiles are in the book, I just thought a website that was a bit like a band's website was a cool idea to go with the book and the facebook page was really just to promote the book so.

www.LilliAndTheMunsters.piczo.com


I'll try and make things as clear as possible, and sorry it's a bit lengthy, a lot happens.

Any feedback would be much appreciated :)

The plot-

Lilli Morgan is returning to the music scene after roughly a 2 year break with her own band, Lilli and the Munsters. We already know from the blurb and also in chapter 1, that she quit as vocalist with her former band The Wires, live on TV hence the 2 year break. It revealed that she quits because The Wires guitarist Adam basically wouldn't take no for an answer and keeps trying to get into Lilli's pants.


The story really starts when Lilli and the Munsters are guest judges on a TV show, like x-factor/pop idol, and suddenly The Wires(as they are now) are brought in as the replacement band on the so called rival team.
The night before the show is due to start Lilli starts an affair with a man, but we don't know who this is, only being referred to as 'he'.
During the next 2 weeks(the run of the TV show), Lilli continues this affair, we also meet Rafael, the bands PR. Whilst we also find out that LATM's keyboardist Sarah, has also started up an affair with a man... the same man? Different man? We don't know because he's identity is also kept a s secret. Although the man/men are describe as vaguely the same.

Next Lilli and also LATM win some awards at a ceremony that The Wires are also attending. Basically their up for pretty much the same awards and LATM win. More importantly after the ceremony Lilli and her lover are at the hotel and lurking in the shadows someone (we have know idea who) takes a photo.

Then in the next chapter 7, Lilli and Elm go home for their aunt's birthday party, which Sarah is also invited too.
In this chapter, we meet Phil (Lilli and Elm's older brother), their parents Ken and Liz.
We also find out who Lilli's lover is... it's Elm.
And for the next few chapters... the word farce sums it up...

Chapter 10, Dave, LATM's bassists finds out about how close Lilli and her brother really are.

Then it's Sarah's birthday. We find out that Stuart, LATM's drummer, already knows about Lilli and Elm, but we don't know how.

And final chapter, chapter 12 is where I think the most drama of the book kicks in.
Someone has sent Rafael the photo's of Lilli and Elm kissing, requesting they only want to deal with Lilli personally, and they don't want money etc.
Elm goes to Phil and explains about the photo and also that Lilli thinks she might be pregnant. Then after some hysterical crying Elm goes to Lilli and asks what she going to do...

And that is where book 1 ends, on hopefully a really good cliffhanger... Who's the mystery photographer? And what do they want if not money? Will they sell the photo's to the press anyway? Is Lilli pregnant? What about when their parents find out? Who is Sarah sleeping with? What's she going to do when she finds out about Lilli and Elm?




MoonPhaseChick
0 words so far

Just wanted to say I love the band name ;)

adora1983
56454 words so far Winner!

Thanks :)

Honeybadger12345
28856 words so far

Strange Land (One of a series of five)

When Lena Price was nearly six years old, an unidentified vampire murdered both of her parents. Fearing she would grow up badly because of the tragedy, her loving godfather did his best to keep her safe from the harsh world of vampire attacks and hate, with the two residing in the heart of Cape Cod, virtually isolated from any bloodboroughs (slums and shanty towns that vampires are segregated to).

Now eighteen, Lena leaves her perfect home and arrives at Eliot University, the first American college to integrate human students with lycanthropes and shifters five years ago. While her best friend Lewis flourishes in the new environment, Lena feels completely overwhelmed by not only the sudden wave of adult responsibility, but also the intense anti-preternatural and anti-human sentiment fuming among the many students. Lena desperately clings onto her old, innocent life at home, but she can only sense it breaking away, leaving her feeling as isolated as ever. Her kind boyfriend of over one year, Jack, is the only thing keeping her afloat, for he is a living emblem of her life in Cape Cod.

The confusion and loneliness only increases when she befriends Leo, a vampire that recently escaped twelve-year imprisonment in an extremist organization, the S.U.N.S. (Society for “Undesirable” National Suppression). He was conditioned in a way during his imprisonment so that he would vomit every time he drank human blood by mixing emetics in his food. Though society and her loved ones have taught her to view his kind as evil, she helps him recuperate and moves him into a condemned frat house on campus, for Leo confesses to being Lena’s great-great-great-great uncle, and has watched over the familial line for generations. She feels connected to Leo, for so few of her true family members are still alive or are in contact with her.

Lena keeps Leo a secret from everyone, especially Jack, for he hates vampires more than most people. After leaving to see a movie when Lena backs out of sex, her and Jack get into an argument while driving. Not paying attention, they drive near a bloodborough, where they see a group of vampires. Jack, a wannabe member of the Office of Vampire Population Control and Eradication (where he interns), recklessly goes off to deal with them.

In the process, Jack accidentally murders a human being he assumed to be a vampire. This is the turning point of the novel. Horrified, Lena wants Jack to tell the police, but by manipulating her love for him, he convinces her to keep the whole thing a secret. Despite this, there perfect relationship begins to crumble as Jack reveals a darker side of himself, and confesses to hating all preternatural beings. He begins to shed the guilt he felt for the murder, believing he only prevented another potential vampire and meal, as well as getting rid of a “scarfie” (term for those who seek out vampires). For Lena, the dividing line between good and evil have blurred far too much, as well has the memories of her innocent, black-and-white childhood.

Concerns: I do not want the murder to happen in the very beginning, so I am a little lost about what to do for the first part of the book. Yes, I have the thing with Leo and Lena transitioning to college, but I don’t think it’s enough to hold the plot until get to the murder scene. Any ideas? Nothing big, just something to do with Jack and Lena before the murder. The novel is more complex and serious than it sounds, and isn’t as vampire-centric as it seems to be in this summary.

Note: Having noticed this in a few other posts, I ask for you to please not correct my writing. I know it sucks in this, but that’s not why I am here.

Illusionary Nothing
50011 words so far Winner!

Heya honeybadger, I notice that you, like so many unfortunates, got skipped. I'll offer what I can.

First, congrats for melding the real world with the supernatural in what sounds like a very seamless manner. I can really picture this alternate earth you're describing.

Leo being her many-time-distant great uncle is quite strange and sudden. I understand this is part of her character development to become someone who accepts the supernatural, but I feel this should be tied more into the plot, and perhaps hinted at throughout. A big problem I have with this is that it doesn't make sense that he watches over his descendants. If he's as far removed as you suggest, there must be LOADS of them by now, and it would be quite impossible. I feel like you could dump this aspect and the plot would still work, as well as be a lot more believable. I also didn't really get the SUNS thing- what it meant, why he would be imprisoned, or why he was conditioned to vomit. I do like the idea of her befriending a vampire, though.

That Jack turns out to be a complete maniac should not completely surprise the reader or Lena. There should be a transition- maybe he gradually becomes more extreme in his views during his internship at this angry organisation- although here, I also feel a huge plothole- vampires and werewolves are allowed to go to university, but can still be hunted down and killed? Either they're considered people or they aren't. I feel a decision needs to be made here. Potentially, he always has an aggressive streak that Lena didn't like, but was so good to HER that she ignored it or made excuses (this is often the case in RL).

I don't know if this is something you want, but I feel you shouldn't start with her parents being killed when she's a kid- start when she's just leaving for university, right in the thick of things because she's going somewhere that accepts the very creatures her uncle has tried to protect her from. Start with the real conflict.

There are definitely some plot holes here, but I can see the basis for a really good urban fantasy with a strong focus on character development, which is how I like them. Focus on believability and consistency in your world and characters, and I'm sure everything else will follow nicely.

Well done and good luck. :)

Illusionary Nothing
50011 words so far Winner!

To clarify, when I say 'dump this aspect' in regards to the Leo aspect of the plot, I mean scrap him being related. As a friend, it is much more believable, and the character development is all the stronger.

Honeybadger12345
28856 words so far

Ah, well I shall clarify a few of things you mentioned (God, too much of my story needs to be explained). The SUNS are like the supernatural equivalent to the KKK, except they prefer torture over death. To sum it up, they torture and/or kill supernatural creatures, and even humans who fraternize with them. The reason they fed Leo blood mixed with emetics is so that he would develop an aversion to human blood, just in case he escaped their clutches, and also as a way of torturing him.

Vampires also cannot attend university, or even legally live alongside humans. They are considered murderers and criminals by most people, and are therefore segregated to nonhuman territory called Bloodboroughs, namely abandoned city slums and shanty towns as I mentioned before. Vampire cannot legally be in human territory (they often disregard this rule though). Every month or two (or something, I have to work this out), certain workers of the Office of Vampire Population Control and Eradication go on "stakeouts" (Yes, I had to use this terrible pun) and kill a few vampires, or their quota, to keep their numbers down. Again, vampires are not considered humans.

Werewolves, on the other hand, are now considered fellow human beings, and have been allowed the chance to go to school and form families with human beings. However, since this social development is so recent, they are still widely disliked by many, and are treated rather similarly to African Americans in the late twentieth century.

And the entire Leo being her relative thing, I'm a little unsure about that too. I actually developed a family tree from him all the way down to Lena, and I imagined him targeting a very specific line of people, who all shared similar characteristics to his beloved sister, who died during labor. He would actually turn some of them into vampires every once in a while out of loneliness. Between his generation and Lena's generation, there was actually only four people who he really observed. Still, I get what you're saying about it. I shall consider it

Jack is also a very odd character, but is complex and honestly my favorite character. He's extremely likable in the beginning, but it is clear that he seems to hate vampires more than most people do. He also does become very involved in his internship, so much that it worries Lena a little. His development into the basic villain of the piece is gradual, because he actually does feel quite guilty about the murder. While he has always held a secret, extreme dislike of all preternatural beings, the moment when he actually (and brutally) takes a human life kind of just takes over him, and he claims the murder was a good thing almost as a way with not dealing with it. If you're wondering, he had a very screwed up life before he moved to Cape Cod and met Lena.

Wow, this came out a lot longer than it meant to be...

Illusionary Nothing
50011 words so far Winner!

People 'explaining' themselves usually just makes me more confused, but you totally avoided that. I can see from this answer that your plot and characters are very well thought out, and your division between werewolves being considered humans and vampires sub-human is a good one, although I still wonder why vampires are allowed to live in slums or come into the cities at all if they're considered monsters to be killed, this does really clear things up for me.

Your explanation of Leo is much better that way, but I still feel a slight tug of disbelief in it (bear in mind all my comments are only my opinion, not that of every reader ever). I do really love the idea of her being like his sister who died in labour though, it seems like good character development and would explain their attachment and his protectiveness more. Maybe he's not related but he becomes interested in her because she reminds him of his sister anyway. Afterall, you don't have to be related to be similar. That's just an alternative though, as I said, it does sound better already.

As for Jack, it sounds like you've already thought long and hard on his progress and that you can love the villain of your piece speaks volumes.

You totally pass my plot-test. :) And I know how difficult it can be to explain stories that rely on character development and interaction, you've done awesomely to get it across well in just two posts.

Wilson3sd
12338 words so far

@Honeybadger

How much of the plot is world building? There seems to be a pretty defined and intricate society within this story.

Second, to get to your concern. I hate the term, but it seems the scene is the cliffhanger for the first part/act. Rather:
Act I would go Family Murder to Cape Cod to College to Jack Murder. I think this sets you up to pursue the ramifications of the murder throughout the remainder.

Sorry this is short, I remember it from another thread and seeing it here helps put the pieces in line. My mac just ate my original post for it, so I had to retype quickly.

NanoDiva
0 words so far

Hi friends :) My WIP is realistic YA (I think) fiction. The plot is basically the coming of age story of my 20 year-old FMC. It's very contemporary as it deals with the issue of how difficult it is for this generation of college grads to find employment, how terrible the economy is, etc. The FMC suffers her first terrible heartbreak from a long distance relationship. Also, suffers a lot from how other people treat her because of jealously. The novel charts her journey from being a very innocent college freshman to a point where she figures out how strong she really is and what she's meant to do in the world. It's very character driven, not only by the FMC but the other characters as well. Third person POV.

NanoDiva
0 words so far

Wow, just read over my post and I apologize for the typos-- I'm on my phone.

adora1983
56454 words so far Winner!


Sounds interesting and something people of the same age could relate to etc.

Interested to know why others are jealous of her and how the long distance relationship comes about and then breaks down.

As a general idea, it sounds fine :)

Hope this helps :)

NanoDiva
0 words so far

Thank you! It does :)

adora1983
56454 words so far Winner!

No worries :)

Kimberly Dawn
50019 words so far Winner!

Seven years ago, Henry was on a bounty mission to hunt down an ex-princess. However, this person also turned into his worst nightmare. Her name was Launye Kaylca Strider, who in addition to being an ex-princess, was also an ex-witch. Upon their first meeting he kinda thought she was attractive especially after she set several men's pants on fire. That was until she called Henry's--well, she called it small--a fact that was broadcast all over the multiverse.

Since the plan to kill her failed, the secret organization that regulates magic, WOMA, cursed Launye as a fairy. She had to consume magic water to stay alive otherwise the curse will eat her lifespan. Henry was made to be her guardian as punishment for his failure and was sentenced as Launye's murderer to cover for her supposed demise.

Together, they gathered a band of not-so merry men to form Magic Solutions, Inc. on a backwater planet. The company solves magical problems for the right price. Launye, however, consumes all of the company's profits through her expensive habit. For seven years of bickering they haven't had any progress on finding a cure. Things would have continued this way until Isabelle, a television producer showed up on their door step. With her large boobs, dyed-platinum hair, stiletto and sweet talk of blackmail, she induced them into a television contract.

Magic is forbidden to anyone who does not belong to WOMA. WOMA rather not have their secrets leaked to the public. They begin their attacks to kill Launye.

In addition, the new assignments are much harder than expected, making Launye consume more magic water which makes her addiction worse. Henry tries desperately to control her consumption, but Launye often defies him.

After a Giant God Squirrel eats one of their employees, company loyalties fall apart. Time is running out to find Launye a cure and free Henry of his obligation.

Concerns: I'm still trying to nail the tone to match the story, which is kinda a fun, dark comedy romp. I'd also like to be able to shorten this for a query format, but the structure of the story doesn't lend itself to a traditional query very well since the direct antagonist is also the other protagonist.

Also my head is halfway in the story so points may not be clear, though the book is pretty much finished. (Revising the second chapter for a fourth time. TT)

Not sure if this plot too, has a legitimate need of a prologue. I'm heavily debating it since the men that read the story don't seem to pick up on the foreshadowing clues. --;; (This book has a weird gender bias. I'm serious. It splits the audience along gender lines. And I do mean gender rather than sex.)

Steampunk avi8or
42944 words so far

This sounds amazing! Great idea, I would definetely read this. Isabelle sounds like a great character. All of your characters are great for that matter. Giant God Squirrel? I won't ask, but I'm sure it's genius. My only concern is this sounds a lot like a Terry Prattchett book. One of my favorite authors, but you may want to make sure Isabelle doesn't turn into Christine form Maskerade for example. When you say 'multiverse', I just have to wonder. Other than that, absolutely fabulous and I'm sure it will be hilarious if that's what you're going for. :D

Kimberly Dawn
50019 words so far Winner!

Thanks!

Yeah, I've been told that, but my friend (my self-nominated writer's assistant) said that it reads very differently. She said it's likely to be a cult favorite rather than a bestseller. The characters are too childish to be Terry Pratchett and the plot gets kind of black comedy very quickly. (I think that's the Joss Whedon humor sticking its way in.) It leads with the genocide of unicorns... and the characters being more concerned about the loss of money rather than the foul-mouthed unicorn's unfortunate demise via Launye.

Science Fiction/Fantasy Adventure Comedy/Parody novel with a dark/noir edge to it.

Isabelle is based on years of me practicing writing vapid women. Uniformly all of the women readers have hated her. Daddy's girl, flips back hair while the men don't think she's that bad. A few men said they'd like to meet her. (She mostly acts as a foil for Launye.)

The only story I know to split the audience along gender lines evenly.

Steampunk avi8or
42944 words so far

This plot is steampunk if you can't tell. :)

The Civil War is fast approaching. Beatrix Bower can feel it in her bones. Her theories are confirmed when the newly elected President Lincoln requests her father to build an invention to help the North crush the South once and for all. This modern marvel can actually switch the minds of two beings, organic or mechanical. To naïve Beatrix it sounds like a dream, but when an unassuming yet powerful enemy snatches the new technology, America and the rest of the world is shrouded in a nightmare.

The only ones who can stop it are young Beatrix and her ragtag posse. Wren, the local oddball who despises wealth and its effects, is always at the throat of Marie, one of society’s elite. Axel, an obnoxious albino with a crippling fear of the sun, might just be more useful than he seems. Okapi is a simple mechanic with his head in the clouds.

When Beatrix’s father is killed, the stakes raise and the mystery intensifies. Tracking an enemy who is constantly switching between bodies can be difficult, especially when he puts his consciousness into the bodies of the people Beatrix loves. Faced with the right choice and the difficult choice, our heroes must follow a faceless villain around the world as he leaves carnage in his path.

With new inventions, the spirits of the dead can be brought back, if only for a time, and machines might start thinking for themselves. The eyes are the windows to the consciousness, and there is nothing civil about this war.

Divine_Dreamer
0 words so far

May I have some critiques and comments on my plot? Thank you!

Title: Swiss Chocolates and Rice Hats (subject to change)

Plot/Summary:

Ever since her father died in a landslide accident four years earlier, Hoang Mai-Ly's family has been struggling to make ends meet in their poor village in the Sa Pa province of north Vietnam. Determined and desperate to help feed her family, Mai decides to grab a once-in-a-lifetime chance and travels abroad with an American news-reporter to Switzerland. She takes up an occupation as a simple dishwasher in a quaint German restaurant, sending meager amounts of money back home. But soon, she is given an opportunity to serve as a house-keeper in the home of one of the richest, well-known families in the area. When Mai meets Hartwin Eichelberger, the prodigious heir to the family business and fortune, she discovers a whole new world full of hope, possibility... and love.

Illusionary Nothing
50011 words so far Winner!

Okay, this is like what comes before a plot. All you've written here is the set-up- the plot really starts when she works for Eichelberger, right? Except, where's the conflict? There doesn't seem to be any. What gets in the way of a relationship with Eichelberger, for example. And what conflicts are there during her journey with the reporter to Switzerland?

You need to show what Mai has to overcome, otherwise this is a non-plot. Nothing is at stake here. There is no risk or challenge.

I will say that it is an interesting set-up and I feel you've described it well, I just feel that you need to describe the actual plot more.

Jack Fisher
0 words so far

Divine_Dreamer wrote:.. Hoang Mai-Ly ... takes up an occupation as a simple dishwasher in a quaint German restaurant, sending meager amounts of money back home. But soon, she is given an opportunity to serve as a house-keeper in the home of one of the richest, well-known families in the area. ...


a non-European /non-German would have a very hard time getting a work permit for that kind of unskilled job, if its even possible. maybe you could work that problem into your plot.

Who's online

There are currently 3590 users online.