My novel is set in a fantasy world that has three different nations-- One is like England, One is sort of like Morocco-- darker skin and sort of spanish-y influences, and the last is based on Korea. I've got characters from all three nations who work together against a common foe. These places and people are very fleshed out in my mind-- my only trouble is getting their physical description on the page.
I can't think of how to describe people as Asian without it sounding racist-- and of course I can't say they're Asian because there is no Asia. I am absolutely not going to use the word "slanty" or anything like that. I've seen a lot of suggestions online to describe them as having "almond" shaped eyes, but this doesn't seem like an accurate description to me. People of all different races can have almond shaped eyes.
This is what I have, roughly, so far: "She was petite and had the dark shining hair and deep brown eyes of a Chaskuan. The sunlight from the above window illuminated the smooth plane of her face as she crossed her arms and tapped her toe impatiently, waiting for the last of the plebes to find seats."
Does this sound Asian? Once I get to the nation itself I can make the architecture and food clearly Korean influenced, but I'm worried people will already have locked the characters as white in their minds before we get there.
Any suggestions? I do not want to come across as creating some sort of offensive caricature, but I refuse to have an all white cast just to avoid accidental racism. That seems much worse to me.
This is what I have, roughly, so far: "She was petite and had the dark shining hair and deep brown eyes of a Chaskuan. The sunlight from the above window illuminated the smooth plane of her face as she crossed her arms and tapped her toe impatiently, waiting for the last of the plebes to find seats."
So far your description doesn't spell Asian to me. (BTW, what is a Chaskuan?)
I am writing an Asian fantasy set in a world similar to ancient China. I have to convey Asianess without saying Asian (and Chinese without saying Chinese. Can't even say china-doll because...well, there is no China. Oh, no Buddhist monk either, because there is no Buddha.) I rely on generic Asian and architecture to convey Asianess. (Be sure to use something general enough that people know. I use rice-paper, everyone understands. I used cinnabar chair, and all my critic partners ask me what the heck is cinnabar.)
In terms of character description...I'd rather stick to action than to describe what perceived as a "cultural look", because nine times out of ten the look would come off as stereotype. What is your character doing at the time? What is she wearing? Does she bow in greetings? Does she speak formal, polite and use a lot of honorifics? What is her attitude? Does she care about honor and face more than life itself? Does she always try to please every, mild-manner to the point of being vague? Is she strict with her self and with her kids? (Okay, it may sound stereotype here as well, but I am Asian and grew up in Asia, I find these applied to the culture in general.)
Know the culture. Know it well, so that your character doesn't just look the part, but be a genuine product of that culture.
The obvious thing is to not worry too much about racial characteristics.
What's important is that you have people from three distinct cultures, and those cultures are what you need to be concentrating on.
As it's a fantasy world there is no need for them to exactly parallel real world peoples. If you need to physically differentiate the different populations then fine, but you don't need to do much more than pigmentation and hair type really - anything else is for differentiating individuals.
It doesn't sound (East) Asian to me at all, but perhaps that's just me. I live in a culture of whites where dark hair and eyes are not unusual.
However, if their culture is very obviously inspired by Korean culture, I think the readers will understand it (those who don't default to white no matter what).
That being said, I have a similar problem and the best advice I've received here (concerning eyes) is to mention mono eyelids. It's not perfect because many East Asians have double eyelids but still, it might be a descriptive way to point out the way your character's eyes and mono eyelid is still associated with East Asians so maybe this is the way to go?
I am Asian and I have double lid on one eyes and triple on another. ^_-
Personally I find the single eyelid thing mildly offensive. It is not perceived as a good/pretty/preferable feature. A lot of Asian girls actively try to create double eyelids. (From using tapes to surgery.) I know it is irrational to feel that way, but that's just the feeling that comes to mind. If something has a negative connotation from a certain culture, it will be wise to exercise caution while referencing it.
Oh, sorry for this. The advice I received was from other Asians (obviously, I don't expect all Asians to think the same). But I didn't know it was offensive.
The thing is, my character has single eyelids and I was trying to find a way to describe it without using any offensive "descriptors".
I apologize. I will try to think about something else. Perhaps I won't put anything for now and I'll add it later when I think of a better description.
I was not offended by your comment or your post. I just wanted to point out the first visceral reaction that came up and it may be a good idea to be aware of that. It is true that Asians tend to have single eyelids, and there is nothing wrong with it. (My brain speaking not my guts. Body-image brainwashing dies hard.) However, Asian culture nowadays are so obsessed with beauty (beauty means looking like white, blond size 0 super model. Just go on you tube and watch some K-pop vids and you'll know what I mean), some people (especially girls) could get sensitive about it. Again, maybe it's just me.
Yes, I understand that. I am not sure how to approach this, to be honest.
The character in question is the narrator's love interest. He does have single eyelids so I thought I might want to mention it because I don't know how else to denote that he's - well, not part Asian since there is no Asia in my world - but let's just say he'd be played by an Asian actor. Straight black hair and dark eyes just won't cut it because it doesn't denote East Asian to me. I understand not all Asians have single eyelids, but he does. Not sure why; this is simply how I pictured him.
Also, he doesn't have an Asian-sounding name. Maybe I can give him an Asian last name?
Well, if it is a guy than maybe okay. Guys are less sensitive about it. And, hey, PSY has single eyelids, and he is huge in Korea (and going global now ^_-). Double standard, I know, but that's life.
As far as names, an Asian last name should suffice, especially if he is Asian American (or the equivalent in your world).
I know my personal feelings are unimportant, but I never considered this type of eyes unattractive. So I suppose I don't have problem mentioning it, because this is how his eyes look. (For some reason I tend to describe hair and eyes a lot when it comes to someone's love interest; probably because those are the first things I notice on a guy). I won't mention it if I don't find a way to do that in a neutral way (not offensive, exoticizing, etc). At the end of the day, single eyelids and epichanthic folds are not really important for him, especially since there's no racial distinction about these features, but I kind of wish to make people realize that he'd be seen as Asian in our world.
Yes, that was my first idea, but then people said it might be too anatomical/obscure to be used in everyday speech. Would a 17 year girl describe her crush's eyes in these terms? Not likely. I think she'd use a more colloquial term. The problem is that there's no colloquial term that's not racial slur in our world.
Curiosity, if the character is the one who has it, would she have looked up the term for it? I think it might not be out of character if someone who knows they have a different eye type to look it up and find out the terms for it and especially why, especially if he or she thought it was an unattractive thing to have? I've done things like that because of my own eyes, I have chamelion eyes not an epicanthic fold, but still. It could be a reason to use a longer term and maybe even an excuse to explain it..
As for describing someone as a different ethnic background, perhaps mentioning eyes tilted at an angle, smooth rounded features (perhaps adding delicate in there for a female character?) olive skin tone? I've always imagined that using the words 'warm skin tone' to mean something in between caucasion and african (mediteranian if you will, or native american), where the words "olive complexion' have always made me think asian. Hopefully this can be helpful?
No, she doesn't have it. It is her love interest. I can't say he's Asian (or of any particular Earth ethnicity) because there's no such a thing as Asia or Korea, etc. in my world.
She has a crush on him so I expect her to pay more attention to his appearance, from his hands and and hair and lips and everything. Eyes are important. (Or at least to me; it is something I am attracted to in a guy). So I thought saying that he has eyes with epicanthic folds is definitely not the way she'd put it.
if their culture is very obviously inspired by Korean culture, I think the readers will understand it
To the extent that they're aware of Korean culture, at least. I could just about pick up on Japanese by use of titles and honorifics, and maybe Chinese by use of nicknames or something, and I know Korean writing on sight, but I couldn't tell you a thing about how to clearly differentiate Korean culture from anyone.
Food also helps. :) Some foods are just clearly Korean. So there could be a fantasy parallel to, say kimchi or samgyeopsal. Also things like manwha, which is similar to Japanese manga... and of course, specific greetings, too. Even describing the writing would be useful - I always see it as more rounded, with each stroke more separated than in other Asian characters. Of course, those may or may not fit a fantasy world if those details don't work with a slightly different culture.... Things like Korean-specific holidays may also not carry over into fantasy if they don't fit there.
In so far as a reader is paying attention to the details and cares enough to wonder which specifically Asian culture was being referenced, I think it wouldn't be too confusing.. I mean, sure, someone like me who has a relative who was in the Conflict, and who was in school with some Korean students, would probably know just enough to get it. But would a reader who didn't get it lose too much of the story if they didn't realize it was inspired by Korean culture? Hopefully there would be enough details for it to stand on its own, too. :)
(Sorry, trying not to reply to anyone specific here - I think I may have, though. This forum layout still confuses me sometimes. XD)
It's something I'm struggling with as well, since my main character is going to be traveling soon and meeting people from all over his world. On top of that, I have a bit of an added wrinkle in that... Shynia is a bit like the United States. There is a racial Shynian "type", but there are also a number of people who have come to Shynia from other places, so he'll have seen other races before so I won't have the ability to describe him seeing a race for the first time.
I'm going to settle for having the characters described the way I normally would and hope that's enough to get the point across.
A character doesn't usually drop into the story naked, with nothing for you to describe but their skin tone, hair colour and eyes. You'll have social cues, clothing cues, food cues, all sorts of things to create the picture. after all, you're not talking about an asian person from here anyway, you're talking about a chaskuan.
and as people have pointed out before, Suzanne Collins explicitly states that Rue had dark brown skin, and people were still grumpmad that Rue was black in the film. Using racial/racist descriptors to indicate to racist people exactly what earth corrollary race your Chaskuan is probably won't serve your novel!
That works when you actually use an earth corrollary race. My only problem is that I don't do that. I create races based on the environment where the characters live. (People who come from lands further from the equator tend to be fairer than those living closest to it, that sort of thing.)
My main character comes from a group that wears under-robes that are like tunics with lacing at the front so they can get it on over their head. Over that, they wear robes that open in front and tie in place with a sash around their waists. I haven't gotten into what they eat in the story (although I know from other stories I've written that they eat a lot of corn). Their culture was... well, entirely made up. They look almost Native American (high cheekbones, somewhat angular eyes, straight dark hair, black or gray eyes and deep tan complexion), but much of the rest might not steer people in that direction.
yeah, I am using a earth location corollary but made up cultures as well. I guess my POV is that regardless of what your characters look like, they are also reflected in the culture they come from, their families and friends, their food, and so on. If there's no earth corollary to whomever your writing, then just write them. People will get it or they won't.
Here's a useful article - fantasy author N. K. Jemisin shares how she describes characters of various different racial origins. There are links to parts 2 and 3.
There's a reason why physical features come to be in real life, and why people dress a certain way, and why they view their bodies as such and such. It's how that people group have developed. You don't have to copy an earth culture to make yours seem legitimate. Just think it through and make sure there's a valid reason for why your people are the way they are - even if that reason is magic in nature, that doesn't mean it's invalid, either.
Noses. - Broad or narrow? Round or sharp? Crooked? Hooked? Turned up or down? Flared nostrils?
Skin. - More brown, olive, or pink? Pale or tanned? Freckles or moles? Do they get sunburn? Do they wear any specific cosmetics (like kohl) that is associated with any particular cultures more than others? How does this influence your people group's idea of beauty?
Eyes. - Are they more likely to be pale or dark? Are blue or green eyes rare for that people group? Is grey or brown more common? Are there any superstitions about eyes of different color, or cross-eyed people, or a particular eye color? Does your culture have any way to fake eye color or affect it with magic for fashion or other purposes?
Hair. - Straight or curly? Does it tend to be dark and uniform across the population? Is there a lot of variation within the people group? Is there a cultural stigma against hair dye, or is it encouraged/accepted? Do men and women wear their hair different lengths? What about braids or feathers or other decorations? How does the climate affect how your people group style their hair?
Body structure. - Are they tall or stocky? Petite or even smaller? Big feet or little feet? Same for hands? Is there great sexual dimorphism between men/women/other sexes? Do they have a sedentary or active lifestyle? Is there muscle mass uniform, or are some areas like the arms or chest emphasized over others? Does any of this greatly affect their clothing choices? Are they modest or do they prefer to show their bodies?
Facial structure. -How are the cheekbones placed? Are lips full or thin? Do ears tend to stick out noticeably? Attached or free earlobes? What is the usual shape of the jawline? Is the brow particularly prominent? How is scarring or other flaws like acne treated? Does either sex wear cosmetics? What about piercings?
Fantasy elements. -Do they have eyes with pupils and sclera and such, or are they strange in some way? Do they have any animalistic features like tails or claws or wings? Do they have any extra sensory organs? If they shift shape, does it affect any of the above in some way? How can magic change their bodies?
Don't think of them as races. Think of them as people with sets of physical traits in common. The culture will do the rest. Just get the basics down. You don't have to describe them all at once or mark down every last detail. In fact, the physical details aren't as important as cultural details (unless your plot somehow makes it important) - and if you've done your character and world building, it shouldn't be difficult to make the physical and cultural mesh.
At any rate, this is what works for me, and I hope it helps a bit, anyway. :) I generally use a mix of racial backgrounds - some drawn from real life, like a Greco-Roman, Celtic, or Asian origin - while others are invented people groups, or ones that have more fantasy elements than human features.
why is it important that the reader have a specific vision of a real world ethnic type?
the important thing would be that your reader recognize that there are (3) different cultures and ethnicities and there are many (better) ways of achieving that than getting into degrees of skin tone or facial structures
I also kinda wanted to say this, but didn't get around to it in my post.
I guess if people want to describe a specific ethnic type, then we might have to just move to trying to help give them a way to do it, instead of asking why. Though I, too, sometimes find it a little...strange.
Use names of characters to differentiate various cultures. if you're basing a culture in your novel off a culture in the real world then borrow names across from one to the other.
Naming conventions are an easy, generally non-offensive, way to differentiate various cultures from each other. On top of that names will give you an idea of what a cultures native language might sound like. They're easy cues for a reader as well.
I've come across this question a lot, and often I don't really know how to answer it, or what the asker wants to know. I tend to think if you want something rooted in a culture you reference things that people will know as coming roughly from that region, and then you put a few things that are firmly from the exact culture you want to share roots with, regardless of whether people will know it or not.
Let me say one thing, books are also about teaching. They teach us how other people see the world, their ideals, how they see cultures, what words they use and what turns of phrase are familiar to them. Fantasy, the reason I love it, is because I get to see someone else's hopes and dreams, in addition to all of that. So... my point is, if someone doesn't know what something is, they'll look it up if they're interested. So don't be afraid to write about what people don't know about. Someone said something about a Cinnabar Chair, and people not knowing about Cinnabar.
So. What. We have the internet now, more than ever before we have access to information right on our fingertips. And if not, we do it the oldskool way - we ask our friends, teachers, parents, siblings, and we use a dictionary. Writing isn't supposed to cripple the author so that they can only talk about what people will know, Yes, there is a large of element of making a book accessible to most of your audience, but that doesn't mean you have to throw away the small few terms that describe how you feel about an element in your story.
If people don't know about something, they should look it up. It's right that a story shouldn't be littered with things no one knows about, but simple terms like cinnabar? I think not. http://en.wikipedia.org/wiki/Cinnabar
Regarding racist stereotypes, well black isn't really black more often than not. And there aren't easy ways (that come to my mind) to describe the colours that represent the east asian nations, but that's part of our job as writers. We take things and we internalise them, we try to understand, we try to make the paths that others don't have to. Some people can draw a picture, some can make a video, but we have only words to describe what we see.
Quote:Menahem sighed. "How can one explain colours to a blind man?" "One says," snapped Rek, "that red is like silk, blue is like cool water, and yellow is like sunshine on the face"
(from David Gemmel's "Legend")
While perhaps you may debate that quote, it is easy to see the idea behind it. Some skin tones can be described as autumn leaves bathed in sunshine, some like sand, others like woods of all kinds, some like snow, and more still depending on what you want to do.
I think it really depends on what you think the most striking feature of a race is. If you think it's the 'tilted eyes', then find some way to express that. If it's the skin tone, then use that. It's a good idea to try as hard as you can, because you should remember that your mind is unique, and the way that you use to express it could be adopted in future.
Ideas often start in writing, and as this thread clearly demonstrates there are many things that this world hasn't found an ideal way of doing. So despite how it sometimes may pretend that our contributions are for naught, remember that no one has your mind, and your way may actually be the best yet.
Wow-- thanks for all the feedback! With the time zone difference I always seem to miss out on the good conversations on here. It's good to know that I'm not the only one who's bumped into this problem. I think i'm going to not worry too much about it-- the names and cultural elements should be distinct enough. Some of you asked why I cared, or thought it was strange to want to base a culture on a particular nation-- I suppose, ultimately, it doesn't really matter. It probably won't impact a reader's enjoyment of the book. I'm just hoping to put what's in my head on the page is all-- and as I'm living in Korea I've got such a wealth of observational inspiration to work off of. I imagine that most of it will go over people's heads, as Korean culture isn't super well known in America. That doesn't bother me.
As far as the eye-lid discussion goes-- I do know for a fact that women are self-conscious about this. There are plastic surgery ads everywhere here specifically for this. And while I don't see it as any less beautiful myself-- I wouldn't want someone to point out a feature that I was self-conscious about.
Just a query along the lines of the epicanthic fold, at risk of causing argument I just want to ask:
What is wrong with describing a physical trait which isn't currently fashionable in the real world in specific countries? There are cultures which shun albinism or pale skin, should a person not be described as white? A race will have distinct appearances - in fantasy they may range from normal to exceptional. Yet there is the overarching fact these worlds are not our own.
There are races with horns, tails, unusual eyes, no bellybuttons, wings, tentacles... Most fantasy has dwarven styled races where even the women have beards, which is largely considered an unattractive trait in many cultures. Elves are often depicted with pointed ears and almond eyes.
What is the classic portrayal of beauty in specifically current real world countries is in no way a measure of what is attractive in a fantasy land where such a trait might even be considered desirable.
The contrast between what happens in a magical world and our own is what makes fantasy intriguing and makes people think. Would it honestly be so terrible to depict something as neutral or desirable that isn't as popular somewhere real?
Ah, well I was referring to the mano eye lid not the epicanthic fold-- but either way... I'm not saying that it would be wrong to describe this, or that our standards of beauty within fantasy need to match real-world standards of beauty. Certainly, fantasy gives us the opportunity to challenge real-world prejudices and preferences.
My original question was less about how to describe a specific Asian character, but how to cue readers into the fact that a large group of people are a particular race. If I base that distinction on them having mano eye lids, it would be like reducing an entire real-world race into the possession of a single feature which is not homogeneously present and is, by a lot of people, considered to be undesirable. Like saying "you know that thing about yourself that you're not crazy about?-- well, that's the thing that makes you Korean to me." Like I said before-- I consider this to be a perfectly beautiful feature myself, and I don't intend to impart such thinking on my characters-- I'm more thinking about the way any of my Korean friends will feel when they pick up my book.
I have to say, is "slanted" really conceived as an absolutely racist description? Maybe it's just because I find that trait attractive myself, but people of all ethnicities can have slanted eyes, and in either direction for that matter.
I'm stumped because I find Asian features really beautiful, and in my story mermaids/men are sort of based on them, but I don't want to come off as racist by describing them.
Historically, the term has been used pejoratively. Words like this carry a long history of racism-- less because of their inherent meaning, and more because of the way they have been used in the past. Though, i think in this case, even the inherent meaning is a bit racist. It assumes that non-asian eyes are the norm. It defines asian eyes by the way in which they deviate from an outside standard of normalcy.
But if you're using "slanted" to describe a non-asian person? I've heard the term being applied to Angelina Jolie, among other people. Does it always automatically refer to an epicanthic fold, which does occur in other places of the world as well, like Africa (I'm half-African myself, by the way.) I've always seen it as saying someone has a hooked nose; it doesn't necessarily mean straight or button noses are the standard. I never though about it as offensive if it's highlighted as a positive thing, but I suppose that doesn't matter if that's the way people perceive it. Thanks for the reply, this gave me a lot to think about!
I think you're absolutely right-- the words we use to describe race in general are often inaccurate. It's not as though anyone is actually "black" or "white," in the true sense of the colors. And many features which are considered to belong to one particular race are actually present elsewhere and not universally present in the race in question. Yet we as a culture have assigned direct correlations-- like that the epicanthic fold is an Asian characteristic. I suppose that's why we as writers are all struggling to find accurate, inoffensive descriptions-- because race is such a murky, complex thing, ultimately.
As far as saying "hooked nose," I think you are right, seeing as a hook is a particular shape that exists regardless of noses. But when a white person describes an asian or an african nose as "wide," they do so out of an assumption that their own noses are the standard. It would be just as true to say that their noses were "narrow," from the opposite perspective. I'm trying really hard to avoid these kinds of ethnocentric descriptors in my own writing, especially as I'm writing in third person.
The way I'm getting around the description of Asian eyes for the time being is by having my Asian eyed character describing one of the Caucasian eyed character's eyes, as he's the peculiarity in this particular land.
I'm having a bit of trouble in that while my characters do have that look they do not have that culture, so it may be confusing at times.
To add on to Allana's excellent advice- the most helpful advice I've seen for both writing and media of any sort is: Don't allow White to be Default. Because it's not and it makes anything non-white seem "other" by comparison. To do this describe white characters just as hard as you do with characters of any other race.
So, if you have your (presumably white) character describe themselves either in comparison to others and/or just musing on themselves it will greatly remove the "white is default" bias that can often occur AND make it will help when you are trying to describe and illustrate the differences between the three groups.
My novel is set in a fantasy world that has three different nations-- One is like England, One is sort of like Morocco-- darker skin and sort of spanish-y influences, and the last is based on Korea. I've got characters from all three nations who work together against a common foe. These places and people are very fleshed out in my mind-- my only trouble is getting their physical description on the page.
I can't think of how to describe people as Asian without it sounding racist-- and of course I can't say they're Asian because there is no Asia. I am absolutely not going to use the word "slanty" or anything like that. I've seen a lot of suggestions online to describe them as having "almond" shaped eyes, but this doesn't seem like an accurate description to me. People of all different races can have almond shaped eyes.
This is what I have, roughly, so far: "She was petite and had the dark shining hair and deep brown eyes of a Chaskuan. The sunlight from the above window illuminated the smooth plane of her face as she crossed her arms and tapped her toe impatiently, waiting for the last of the plebes to find seats."
Does this sound Asian? Once I get to the nation itself I can make the architecture and food clearly Korean influenced, but I'm worried people will already have locked the characters as white in their minds before we get there.
Any suggestions? I do not want to come across as creating some sort of offensive caricature, but I refuse to have an all white cast just to avoid accidental racism. That seems much worse to me.
So far your description doesn't spell Asian to me. (BTW, what is a Chaskuan?)
I am writing an Asian fantasy set in a world similar to ancient China. I have to convey Asianess without saying Asian (and Chinese without saying Chinese. Can't even say china-doll because...well, there is no China. Oh, no Buddhist monk either, because there is no Buddha.) I rely on generic Asian and architecture to convey Asianess. (Be sure to use something general enough that people know. I use rice-paper, everyone understands. I used cinnabar chair, and all my critic partners ask me what the heck is cinnabar.)
In terms of character description...I'd rather stick to action than to describe what perceived as a "cultural look", because nine times out of ten the look would come off as stereotype. What is your character doing at the time? What is she wearing? Does she bow in greetings? Does she speak formal, polite and use a lot of honorifics? What is her attitude? Does she care about honor and face more than life itself? Does she always try to please every, mild-manner to the point of being vague? Is she strict with her self and with her kids? (Okay, it may sound stereotype here as well, but I am Asian and grew up in Asia, I find these applied to the culture in general.)
Know the culture. Know it well, so that your character doesn't just look the part, but be a genuine product of that culture.
The obvious thing is to not worry too much about racial characteristics.
What's important is that you have people from three distinct cultures, and those cultures are what you need to be concentrating on.
As it's a fantasy world there is no need for them to exactly parallel real world peoples. If you need to physically differentiate the different populations then fine, but you don't need to do much more than pigmentation and hair type really - anything else is for differentiating individuals.
It may help to describe her first through the eyes of a character who is seeing one of her people for the first time.
That way you can make note of how her people differ from what that character is used to seeing in a genuine, culture-of-the-novel-relevant way.
It doesn't sound (East) Asian to me at all, but perhaps that's just me. I live in a culture of whites where dark hair and eyes are not unusual.
However, if their culture is very obviously inspired by Korean culture, I think the readers will understand it (those who don't default to white no matter what).
That being said, I have a similar problem and the best advice I've received here (concerning eyes) is to mention mono eyelids. It's not perfect because many East Asians have double eyelids but still, it might be a descriptive way to point out the way your character's eyes and mono eyelid is still associated with East Asians so maybe this is the way to go?
I am Asian and I have double lid on one eyes and triple on another. ^_-
Personally I find the single eyelid thing mildly offensive. It is not perceived as a good/pretty/preferable feature. A lot of Asian girls actively try to create double eyelids. (From using tapes to surgery.) I know it is irrational to feel that way, but that's just the feeling that comes to mind. If something has a negative connotation from a certain culture, it will be wise to exercise caution while referencing it.
Oh, sorry for this. The advice I received was from other Asians (obviously, I don't expect all Asians to think the same). But I didn't know it was offensive.
The thing is, my character has single eyelids and I was trying to find a way to describe it without using any offensive "descriptors".
I apologize. I will try to think about something else. Perhaps I won't put anything for now and I'll add it later when I think of a better description.
I was not offended by your comment or your post. I just wanted to point out the first visceral reaction that came up and it may be a good idea to be aware of that. It is true that Asians tend to have single eyelids, and there is nothing wrong with it. (My brain speaking not my guts. Body-image brainwashing dies hard.) However, Asian culture nowadays are so obsessed with beauty (beauty means looking like white, blond size 0 super model. Just go on you tube and watch some K-pop vids and you'll know what I mean), some people (especially girls) could get sensitive about it. Again, maybe it's just me.
Yes, I understand that. I am not sure how to approach this, to be honest.
The character in question is the narrator's love interest. He does have single eyelids so I thought I might want to mention it because I don't know how else to denote that he's - well, not part Asian since there is no Asia in my world - but let's just say he'd be played by an Asian actor. Straight black hair and dark eyes just won't cut it because it doesn't denote East Asian to me. I understand not all Asians have single eyelids, but he does. Not sure why; this is simply how I pictured him.
Also, he doesn't have an Asian-sounding name. Maybe I can give him an Asian last name?
Well, if it is a guy than maybe okay. Guys are less sensitive about it. And, hey, PSY has single eyelids, and he is huge in Korea (and going global now ^_-). Double standard, I know, but that's life.
As far as names, an Asian last name should suffice, especially if he is Asian American (or the equivalent in your world).
I know my personal feelings are unimportant, but I never considered this type of eyes unattractive. So I suppose I don't have problem mentioning it, because this is how his eyes look. (For some reason I tend to describe hair and eyes a lot when it comes to someone's love interest; probably because those are the first things I notice on a guy). I won't mention it if I don't find a way to do that in a neutral way (not offensive, exoticizing, etc). At the end of the day, single eyelids and epichanthic folds are not really important for him, especially since there's no racial distinction about these features, but I kind of wish to make people realize that he'd be seen as Asian in our world.
You could also use the phrase "epicanthic fold." It may be kind of wordy for you, but if it works in your style, it can be useful.
http://en.wikipedia.org/wiki/Epicanthic_fold
Yes, that was my first idea, but then people said it might be too anatomical/obscure to be used in everyday speech. Would a 17 year girl describe her crush's eyes in these terms? Not likely. I think she'd use a more colloquial term. The problem is that there's no colloquial term that's not racial slur in our world.
Curiosity, if the character is the one who has it, would she have looked up the term for it? I think it might not be out of character if someone who knows they have a different eye type to look it up and find out the terms for it and especially why, especially if he or she thought it was an unattractive thing to have? I've done things like that because of my own eyes, I have chamelion eyes not an epicanthic fold, but still. It could be a reason to use a longer term and maybe even an excuse to explain it..
As for describing someone as a different ethnic background, perhaps mentioning eyes tilted at an angle, smooth rounded features (perhaps adding delicate in there for a female character?) olive skin tone? I've always imagined that using the words 'warm skin tone' to mean something in between caucasion and african (mediteranian if you will, or native american), where the words "olive complexion' have always made me think asian. Hopefully this can be helpful?
No, she doesn't have it. It is her love interest. I can't say he's Asian (or of any particular Earth ethnicity) because there's no such a thing as Asia or Korea, etc. in my world.
She has a crush on him so I expect her to pay more attention to his appearance, from his hands and and hair and lips and everything. Eyes are important. (Or at least to me; it is something I am attracted to in a guy). So I thought saying that he has eyes with epicanthic folds is definitely not the way she'd put it.
if their culture is very obviously inspired by Korean culture, I think the readers will understand it
To the extent that they're aware of Korean culture, at least. I could just about pick up on Japanese by use of titles and honorifics, and maybe Chinese by use of nicknames or something, and I know Korean writing on sight, but I couldn't tell you a thing about how to clearly differentiate Korean culture from anyone.
Food also helps. :) Some foods are just clearly Korean. So there could be a fantasy parallel to, say kimchi or samgyeopsal. Also things like manwha, which is similar to Japanese manga... and of course, specific greetings, too. Even describing the writing would be useful - I always see it as more rounded, with each stroke more separated than in other Asian characters. Of course, those may or may not fit a fantasy world if those details don't work with a slightly different culture.... Things like Korean-specific holidays may also not carry over into fantasy if they don't fit there.
In so far as a reader is paying attention to the details and cares enough to wonder which specifically Asian culture was being referenced, I think it wouldn't be too confusing.. I mean, sure, someone like me who has a relative who was in the Conflict, and who was in school with some Korean students, would probably know just enough to get it. But would a reader who didn't get it lose too much of the story if they didn't realize it was inspired by Korean culture? Hopefully there would be enough details for it to stand on its own, too. :)
(Sorry, trying not to reply to anyone specific here - I think I may have, though. This forum layout still confuses me sometimes. XD)
It's something I'm struggling with as well, since my main character is going to be traveling soon and meeting people from all over his world. On top of that, I have a bit of an added wrinkle in that... Shynia is a bit like the United States. There is a racial Shynian "type", but there are also a number of people who have come to Shynia from other places, so he'll have seen other races before so I won't have the ability to describe him seeing a race for the first time.
I'm going to settle for having the characters described the way I normally would and hope that's enough to get the point across.
A character doesn't usually drop into the story naked, with nothing for you to describe but their skin tone, hair colour and eyes. You'll have social cues, clothing cues, food cues, all sorts of things to create the picture. after all, you're not talking about an asian person from here anyway, you're talking about a chaskuan.
and as people have pointed out before, Suzanne Collins explicitly states that Rue had dark brown skin, and people were still grumpmad that Rue was black in the film. Using racial/racist descriptors to indicate to racist people exactly what earth corrollary race your Chaskuan is probably won't serve your novel!
That works when you actually use an earth corrollary race. My only problem is that I don't do that. I create races based on the environment where the characters live. (People who come from lands further from the equator tend to be fairer than those living closest to it, that sort of thing.)
My main character comes from a group that wears under-robes that are like tunics with lacing at the front so they can get it on over their head. Over that, they wear robes that open in front and tie in place with a sash around their waists. I haven't gotten into what they eat in the story (although I know from other stories I've written that they eat a lot of corn). Their culture was... well, entirely made up. They look almost Native American (high cheekbones, somewhat angular eyes, straight dark hair, black or gray eyes and deep tan complexion), but much of the rest might not steer people in that direction.
yeah, I am using a earth location corollary but made up cultures as well. I guess my POV is that regardless of what your characters look like, they are also reflected in the culture they come from, their families and friends, their food, and so on. If there's no earth corollary to whomever your writing, then just write them. People will get it or they won't.
Here's a useful article - fantasy author N. K. Jemisin shares how she describes characters of various different racial origins. There are links to parts 2 and 3.
http://nkjemisin.com/2009/04/ways-to-describe-characters-of-color/
I just describe features.
There's a reason why physical features come to be in real life, and why people dress a certain way, and why they view their bodies as such and such. It's how that people group have developed. You don't have to copy an earth culture to make yours seem legitimate. Just think it through and make sure there's a valid reason for why your people are the way they are - even if that reason is magic in nature, that doesn't mean it's invalid, either.
Noses.
- Broad or narrow? Round or sharp? Crooked? Hooked? Turned up or down? Flared nostrils?
Skin.
- More brown, olive, or pink? Pale or tanned? Freckles or moles? Do they get sunburn? Do they wear any specific cosmetics (like kohl) that is associated with any particular cultures more than others? How does this influence your people group's idea of beauty?
Eyes.
- Are they more likely to be pale or dark? Are blue or green eyes rare for that people group? Is grey or brown more common? Are there any superstitions about eyes of different color, or cross-eyed people, or a particular eye color? Does your culture have any way to fake eye color or affect it with magic for fashion or other purposes?
Hair.
- Straight or curly? Does it tend to be dark and uniform across the population? Is there a lot of variation within the people group? Is there a cultural stigma against hair dye, or is it encouraged/accepted? Do men and women wear their hair different lengths? What about braids or feathers or other decorations? How does the climate affect how your people group style their hair?
Body structure.
- Are they tall or stocky? Petite or even smaller? Big feet or little feet? Same for hands? Is there great sexual dimorphism between men/women/other sexes? Do they have a sedentary or active lifestyle? Is there muscle mass uniform, or are some areas like the arms or chest emphasized over others? Does any of this greatly affect their clothing choices? Are they modest or do they prefer to show their bodies?
Facial structure.
-How are the cheekbones placed? Are lips full or thin? Do ears tend to stick out noticeably? Attached or free earlobes? What is the usual shape of the jawline? Is the brow particularly prominent? How is scarring or other flaws like acne treated? Does either sex wear cosmetics? What about piercings?
Fantasy elements.
-Do they have eyes with pupils and sclera and such, or are they strange in some way? Do they have any animalistic features like tails or claws or wings? Do they have any extra sensory organs? If they shift shape, does it affect any of the above in some way? How can magic change their bodies?
Don't think of them as races. Think of them as people with sets of physical traits in common. The culture will do the rest. Just get the basics down. You don't have to describe them all at once or mark down every last detail. In fact, the physical details aren't as important as cultural details (unless your plot somehow makes it important) - and if you've done your character and world building, it shouldn't be difficult to make the physical and cultural mesh.
At any rate, this is what works for me, and I hope it helps a bit, anyway. :) I generally use a mix of racial backgrounds - some drawn from real life, like a Greco-Roman, Celtic, or Asian origin - while others are invented people groups, or ones that have more fantasy elements than human features.
why is it important that the reader have a specific vision of a real world ethnic type?
the important thing would be that your reader recognize that there are (3) different cultures and ethnicities and there are many (better) ways of achieving that than getting into degrees of skin tone or facial structures
I also kinda wanted to say this, but didn't get around to it in my post.
I guess if people want to describe a specific ethnic type, then we might have to just move to trying to help give them a way to do it, instead of asking why. Though I, too, sometimes find it a little...strange.
Use names of characters to differentiate various cultures. if you're basing a culture in your novel off a culture in the real world then borrow names across from one to the other.
Naming conventions are an easy, generally non-offensive, way to differentiate various cultures from each other. On top of that names will give you an idea of what a cultures native language might sound like. They're easy cues for a reader as well.
I've come across this question a lot, and often I don't really know how to answer it, or what the asker wants to know. I tend to think if you want something rooted in a culture you reference things that people will know as coming roughly from that region, and then you put a few things that are firmly from the exact culture you want to share roots with, regardless of whether people will know it or not.
Let me say one thing, books are also about teaching. They teach us how other people see the world, their ideals, how they see cultures, what words they use and what turns of phrase are familiar to them. Fantasy, the reason I love it, is because I get to see someone else's hopes and dreams, in addition to all of that. So... my point is, if someone doesn't know what something is, they'll look it up if they're interested. So don't be afraid to write about what people don't know about. Someone said something about a Cinnabar Chair, and people not knowing about Cinnabar.
So. What. We have the internet now, more than ever before we have access to information right on our fingertips. And if not, we do it the oldskool way - we ask our friends, teachers, parents, siblings, and we use a dictionary. Writing isn't supposed to cripple the author so that they can only talk about what people will know, Yes, there is a large of element of making a book accessible to most of your audience, but that doesn't mean you have to throw away the small few terms that describe how you feel about an element in your story.
If people don't know about something, they should look it up. It's right that a story shouldn't be littered with things no one knows about, but simple terms like cinnabar? I think not. http://en.wikipedia.org/wiki/Cinnabar
Regarding racist stereotypes, well black isn't really black more often than not. And there aren't easy ways (that come to my mind) to describe the colours that represent the east asian nations, but that's part of our job as writers. We take things and we internalise them, we try to understand, we try to make the paths that others don't have to. Some people can draw a picture, some can make a video, but we have only words to describe what we see.
While perhaps you may debate that quote, it is easy to see the idea behind it. Some skin tones can be described as autumn leaves bathed in sunshine, some like sand, others like woods of all kinds, some like snow, and more still depending on what you want to do.
I think it really depends on what you think the most striking feature of a race is. If you think it's the 'tilted eyes', then find some way to express that. If it's the skin tone, then use that. It's a good idea to try as hard as you can, because you should remember that your mind is unique, and the way that you use to express it could be adopted in future.
Ideas often start in writing, and as this thread clearly demonstrates there are many things that this world hasn't found an ideal way of doing. So despite how it sometimes may pretend that our contributions are for naught, remember that no one has your mind, and your way may actually be the best yet.
Wow-- thanks for all the feedback! With the time zone difference I always seem to miss out on the good conversations on here. It's good to know that I'm not the only one who's bumped into this problem. I think i'm going to not worry too much about it-- the names and cultural elements should be distinct enough. Some of you asked why I cared, or thought it was strange to want to base a culture on a particular nation-- I suppose, ultimately, it doesn't really matter. It probably won't impact a reader's enjoyment of the book. I'm just hoping to put what's in my head on the page is all-- and as I'm living in Korea I've got such a wealth of observational inspiration to work off of. I imagine that most of it will go over people's heads, as Korean culture isn't super well known in America. That doesn't bother me.
As far as the eye-lid discussion goes-- I do know for a fact that women are self-conscious about this. There are plastic surgery ads everywhere here specifically for this. And while I don't see it as any less beautiful myself-- I wouldn't want someone to point out a feature that I was self-conscious about.
Just a query along the lines of the epicanthic fold, at risk of causing argument I just want to ask:
What is wrong with describing a physical trait which isn't currently fashionable in the real world in specific countries? There are cultures which shun albinism or pale skin, should a person not be described as white? A race will have distinct appearances - in fantasy they may range from normal to exceptional. Yet there is the overarching fact these worlds are not our own.
There are races with horns, tails, unusual eyes, no bellybuttons, wings, tentacles... Most fantasy has dwarven styled races where even the women have beards, which is largely considered an unattractive trait in many cultures. Elves are often depicted with pointed ears and almond eyes.
What is the classic portrayal of beauty in specifically current real world countries is in no way a measure of what is attractive in a fantasy land where such a trait might even be considered desirable.
The contrast between what happens in a magical world and our own is what makes fantasy intriguing and makes people think. Would it honestly be so terrible to depict something as neutral or desirable that isn't as popular somewhere real?
Ah, well I was referring to the mano eye lid not the epicanthic fold-- but either way... I'm not saying that it would be wrong to describe this, or that our standards of beauty within fantasy need to match real-world standards of beauty. Certainly, fantasy gives us the opportunity to challenge real-world prejudices and preferences.
My original question was less about how to describe a specific Asian character, but how to cue readers into the fact that a large group of people are a particular race. If I base that distinction on them having mano eye lids, it would be like reducing an entire real-world race into the possession of a single feature which is not homogeneously present and is, by a lot of people, considered to be undesirable. Like saying "you know that thing about yourself that you're not crazy about?-- well, that's the thing that makes you Korean to me." Like I said before-- I consider this to be a perfectly beautiful feature myself, and I don't intend to impart such thinking on my characters-- I'm more thinking about the way any of my Korean friends will feel when they pick up my book.
I have to say, is "slanted" really conceived as an absolutely racist description? Maybe it's just because I find that trait attractive myself, but people of all ethnicities can have slanted eyes, and in either direction for that matter.
I'm stumped because I find Asian features really beautiful, and in my story mermaids/men are sort of based on them, but I don't want to come off as racist by describing them.
Historically, the term has been used pejoratively. Words like this carry a long history of racism-- less because of their inherent meaning, and more because of the way they have been used in the past. Though, i think in this case, even the inherent meaning is a bit racist. It assumes that non-asian eyes are the norm. It defines asian eyes by the way in which they deviate from an outside standard of normalcy.
But if you're using "slanted" to describe a non-asian person? I've heard the term being applied to Angelina Jolie, among other people. Does it always automatically refer to an epicanthic fold, which does occur in other places of the world as well, like Africa (I'm half-African myself, by the way.)
I've always seen it as saying someone has a hooked nose; it doesn't necessarily mean straight or button noses are the standard. I never though about it as offensive if it's highlighted as a positive thing, but I suppose that doesn't matter if that's the way people perceive it.
Thanks for the reply, this gave me a lot to think about!
I think you're absolutely right-- the words we use to describe race in general are often inaccurate. It's not as though anyone is actually "black" or "white," in the true sense of the colors. And many features which are considered to belong to one particular race are actually present elsewhere and not universally present in the race in question. Yet we as a culture have assigned direct correlations-- like that the epicanthic fold is an Asian characteristic. I suppose that's why we as writers are all struggling to find accurate, inoffensive descriptions-- because race is such a murky, complex thing, ultimately.
As far as saying "hooked nose," I think you are right, seeing as a hook is a particular shape that exists regardless of noses. But when a white person describes an asian or an african nose as "wide," they do so out of an assumption that their own noses are the standard. It would be just as true to say that their noses were "narrow," from the opposite perspective. I'm trying really hard to avoid these kinds of ethnocentric descriptors in my own writing, especially as I'm writing in third person.
The way I'm getting around the description of Asian eyes for the time being is by having my Asian eyed character describing one of the Caucasian eyed character's eyes, as he's the peculiarity in this particular land.
I'm having a bit of trouble in that while my characters do have that look they do not have that culture, so it may be confusing at times.
this sounds like a genius work around! Well done, you. Wish I was giving one of my asian inspired characters an early POV so I could do the same.
To add on to Allana's excellent advice- the most helpful advice I've seen for both writing and media of any sort is: Don't allow White to be Default. Because it's not and it makes anything non-white seem "other" by comparison. To do this describe white characters just as hard as you do with characters of any other race.
So, if you have your (presumably white) character describe themselves either in comparison to others and/or just musing on themselves it will greatly remove the "white is default" bias that can often occur AND make it will help when you are trying to describe and illustrate the differences between the three groups.