Genre: Other Genres
About chicklitgurrlLocation: TX~by way of LA~by way of MD Home Region: Age:913 Website: http://shonbacon.com Favorite novels: Beloved, Mrs. Dalloway, The Hours, All Around the Town, The Shadow of the Wind Favorite writers: Bernice McFadden, ZZ Packer, Mary Higgins Clark, Carlos Ruiz Zafon, Michael Cunningham...and cannot forget SHAKEY! Favorite music: Depends on the genre of the book... Non-noveling interests: These days, solely working on my Ph.D. in technical communication & rhetoric from Texas Tech University. |
Joined: October 3, 2004 This Year: Official Participant NaNoWriMo History: NaNoWriMo posts: 10 NaNoWriMo buddies: 40
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Brief Author Bio: Shon Bacon is an author, editor, and educator – all of which connects with her being a true wordsmith. As an author, she has published both in the creative and academic arenas – short stories, essays, co-authored novels, and composition textbooks. In the last three years, every screenplay she’s written has placed in some level of a competition. As an editor, she helps writers to develop their stories for publication with the mindset of not only helping the story but helping writers become better at their craft. As an educator, she has taught freshman composition, mass communication courses, and fiction writing at the university level. Currently, Shon is busy writing screenplays and pursuing her Ph.D. in technical communication and rhetoric at Texas Tech University. Her debut solo novel, DEATH AT THE DOUBLE INKWELL, will be released June 2010 from Lady Leo Publishing. You can learn more about Shon through her official website [http://shonbacon.com] and through CLG Entertainment [http://clg-entertainment.com], dedicated to her editorial services. |
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Synopsis: Educating Sophia
THIS is subject to change, LOL Usually, I have an outline and a quaint little paragraph about what the story's about before I write it, but this year, I jumped in with a title, an MC's name and a loose idea for the beginning, so basically, I don't have much.
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Thinking this will probably end up being some type of hyperfiction. So, basically, it's allowing me to just go wherever I want with this.
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As a young girl, Sophia Davis has always wanted to write. Even her first diary at the age of ten bears the literary dreams she had.
But in life, sometimes dreams fade.
So, too, did Sophia's.
Years later, Sophia finds herself alone when her father, then her mother die just mere months apart.
Now alone, with no family, a 37-year-old Sophia decides to pick up her Baltimore roots and move to Texas where she'll pursue her Ph.D. in a concentration unfamiliar to her and somewhat removed from the call of creative writing that still attempts to beckon her back to it.
For Sophia, the move is a way to start fresh and to plant herself into something stable, something "sure." But just because she wants a "quiet" life doesn't mean that's the kind of life she's destined to have.
Soon, she'll learn her move away will bring her closer to those things long lost.
Excerpt: Educating Sophia
Crawl before Walking: The Blog
Tomorrow, things come to an end.
Don’t they always though?
I’m sitting here in my empty home save for a dining room set I’m leaving for the new owners, and for the first time since I’ve decided to leave it all, there is a tug in my chest, a yearning to have my home fully furnished again.
A yearning to drive thirty minutes down the road and pull into my parents’ driveway on any afternoon to find my mother in the kitchen, making something like meatloaf, mashed potatoes and gravy, and fresh greens and carrots.
But we all yearn, and sometimes, our yearnings, our wants are for naught.
Sometimes, the rose-colored glasses of our lives get smashed right on our faces, cutting into our eyes, distorting the world before us.
Or perhaps, showing us exactly how cruel and bloody that world is.
Right now, I’m trying not to cry. I’ve cried so much over the last few weeks, months, years. You all know this. I’ve cried to keep from screaming every drop of air from me.
Feels weird to be this old, yet feel so young. I feel vulnerable. Unsteady. Unsure. Like that first time on the bike when Mama pushed me and said, “Ride, girl, ride,” and I did, pedaling three rotations before crashing to the ground and scuffing my palms. At least then, Mama got me right back up, tending to my cuts, and told me, “I’m so proud of you, Sophia. You’re such a big girl. Wanna try again?”
And because she believed in me, because her eyes told me she would never leave my side, never hurt me, I wiped the tears from my eyes, nodded, and said with a shaky voice, “OK, let’s.”
Now, no amount of tending to can ease this emotional fungus inside of me.
I have crashed to the ground from the bike of life, and there is no one there to tell me that they are proud of me, that I can get back up and do it again.
I feel like a gaping wound, one that bleeds, that’s tender to the softest of touches, that gets re-injured just as a scab begins to cover it.
And that’s bad all by itself.
But what makes it worse? I don’t care.
I don’t care that I don’t care.
I’m crying because I hurt, yes.
But I’m crying even more because that gaping wound has been there for so long, has been in contact with so much that it’s immune to itself. It doesn’t even know that it hurts anymore.
I don’t know that I hurt anymore.
I just know that Mama’s leaving is the climactic ending to Sophia Davis.
To this Sophia Davis anyway.
I wouldn’t even know how to get her back.
I’m not sure anymore I want her back.
And to keep from killing her, thus killing myself, I’m running.
I just hope at some point the running will stop.
I’ll keep you all posted. If someone had told me that seven years ago I would be sharing my life with people I didn’t even know and would grow to care about them as if they were my own flesh and blood, I would have laugh right in their face.
Absurd, I’d say.
But as I close this entry out, I just have to say that you guys will never know how much your comments have helped me through this.
Now, I think I might need you more than ever.
SD, signing out.
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