avantpop's picture

About the author
avantpop
Novel: A Bra Full of Bullets
Genre: Mystery & Suspense
4,000 words so far  

About avantpop

Location: San Diego and Los Angeles

Home Region:
United States :: California :: San Diego

Age:7

Website: http://www.mhemmingson.wordpress.com

Favorite novels: The Sun Also Rises, Bright Lights Big City, Women, Dear Mr. Capote, Beyond Apollo, McTeague, Moby-Dick, The Songs of Maldorer, Whores for Gloria, The Teachings of Don Juan, Less Than Zero, Them, Moon Palace, In Our Time, A Farewell to Arms, The Naughty Yard,

Favorite writers: Hemingway, Carver, Bukowski, William Vollmann, Paul Auster, Don DeLillo, Gordon Lish

Favorite music: Portishead, DJ Icey, The Doors, Nine Inch Nails, Joy Division, Love and Rockets, Pink Floyd

Non-noveling interests: autoethnography and qualitative research, jourmalism, filmmaking

Joined: October 25, 2004

This Year: Official Participant

NaNoWriMo History:

NaNoWriMo posts: 4

NaNoWriMo buddies: 4

 

Brief Author Bio:

Has published a number of books, from editing the anthology THE MAMMOTH BOOK OF LEGAL THRILLERS (Carrol amd Graf), the crime noir WILD TURKEY (Forge), which won Best Published Novel 2002 from the San Diego Book Awards Assoc. The SDBAA also awarded Hemmingson the first Novel-in-Progress Grant in 2000 for THE ROSE OF HEAVEN (Prime Books). Has recently signed with Black Lawrence Press a collection of stories, PICTURES OF HOUSES WITH WATER DAMAGE, due out in 2010. His collection of 3 novellas, THIS OTHER EDEN, will be published in 2009 by The Dybbuk Press.

As an independent scholar, Cambridge Scholars recently published his autoethnography, ZONA NORTE, and The Borgo Press released his critifictional study, THE DIRTY REALISM DUO: CHARLES BUKOWSKI AND RAYMOND CARVER. THE In 2009, Guide Dog Books will publish THE REFLEXIVE GAZE OF CRITIFICTION and Routledge will publish GORDON LISH AND HIS INFLUENCE ON 20TH CENTURY AMERICAN LITERATURE.

First feature film was produced 2008 by LightSong Films, THE WATERMELON, now making the festival circuit. His novel, THE DRESS, is being made into a movie in New York. Has two other scripts getting ready to shoot in 2009-10.

Staff writer at San Diego Reader.

more imfo:

http://blacklawrence.wordpress.com/2008/10/03/black-lawrence-to-sign-mic...

http://www.sandiegoreader.com/staff/michael-hemmingson/

girl-pointing-gun-at-u.jpg
Synopsis: A Bra Full of Bullets

A Madison Avenue copywriter gets into an entanglement with a young bra model that proves to be far too deadlier than he's ready for, especially when she is "owned" by the woman who designs the new brassieres in the campaign. Set in the 1960s, written in retro paperback sleaze style.

Excerpt: A Bra Full of Bullets

Chapter One

The mugger didn’t expect me to fight back. What he didn’t know was that a little switchblade was hardly a threat. In the Army I’d been trained in hand-to-hand combat and even had some opportunities to use the skill in Korea. I was also drunk enough and feeling cocky enough to take him on and defend the lousy $35 I had in my wallet.
I was just leaving Brenda’s apartment and it was two hours before midnight. Brenda wanted me to stay until the clock struck twelve and ushered in 1960—a new decade of hope—but I would have gotten more hell from my wife than I was going to get from my mistress.
Had to get home.
Brenda’s apartment building in the Village was a block from the subway station. The mugger—a shabby fellow with an old green sweater and sporting a goatee—popped out of the shadows of the alley and waved a little silver blade at me.
His eyes were wide and serious.
“The wallet, Daddy-O,” he said.
He was about twenty, twenty-two I figured. Just a kid.
“Are you joking?” I said. “You’re mugging me?”
Light snow was coming down from the night sky. I briefly looked up; there were no stars. There are never stars at this time of the year in New York.
It was cold out and our breaths made small clouds between us.
“The wallet,” he said, “or I cut you open, Daddy-O!”
I said, “’Daddy-O’?”
I wasn’t that much older than him, ten or twelve years. I was thirty-five, six-foot-two, 190 pounds, making me taller and heavier and older than the kid.
He made several sloppy slashing motions. I remembered that one zipperhead who charged me with a bayonet and how I later opened him up and pulled out his intestines and made a decoration of the Gook’s goop. You do strange this in war, stuff your average suburban dweller would never understand.
The mugger took another swipe and me and I grabbed his arm at the sweater and swung him into the wall of the apartment building, hearing his nose crack against the brownstone, American made. The blade fell to the ground, as did my hat. I picked the blade up and looked at it.
“Trash,” I said
The mugger groaned. I grabbed him by his bushy hair and smashed his face into the wall again, this time taking out a few of his teeth.
I position myself behind him and said into his ear: “Mug me? Cut me? You have any idea who I am? I make more money in a month than you’ll probably see in your entire lousy worthless Beatnik life.”
“Lemme go, square,” he said, his body limp.
“Slice me? You ever been cut by a knife? Eh? Answer me? You ever bleed from a blade, Daddy-O?”
He was scared now, and he had a reason: I meant business.
He said, “N-no.”
I said, “Well, here’s something for your personal experience.”
Stabbed him in the ass.
He cried out and fell to the ground.
“Damn you,” he moaned. “Goddamn you to hell, Daddy-O.”
“You’ll live.”
“I just wanted money! I’m hungry!”
“Ever think of asking?” I said. “I know what it’s like to be hard-up, I’ve been there. How about asking instead of stealing?”
Slammed my shoe on his hand.
He groaned, in more pain.
Noticed his ass was bleeding on the sidewalk.
Took out my wallet.
A twenty, a ten, and a five.
Tossed the ten dollar bill his way.
Said, “Happy New Year.”
Adjusted my tie, turned around, and walked away.
“Cripes,” I muttered.
I buttoned my overcoat. I still had the switchblade. Interesting little thing. I decided I’d keep it for a soueviner.
Forgot my hat. Thought it was still in my head but the adrenaline was running too fast in my blood and it wasn’t until I was on the subway that I realized my hat was gone.
What a night. What a day!
Leaving my hat behind it’s what got the trouble ball rolling, some of it anyway, a major part of it…
Guess I should back up a little…

***
Name’s Robert Weaver, bra peddler.
Some fellows are nylon men, some are panties men; I happen to be a bra man. They call us the bra pimps of Madison Avenue. That is the main account I handle at Shaw, Marshall and Holliday—Beauchamp Brassieres, what every woman on the East Coast—and across America—wants under her sweater or blouse, holding their creamy round meaty globes up high for the admiration of all men ages fifteen to seventy.
No woman sags in my ad campaigns.
At the time I was at the penultimate, delicate and tender age of thirty-three, married seven years, two kids, three bedroom apartment in Upper East Side, one mistress in Greenwich Village, a drinking problem with a failing liver to go with it, and a stressful job with the ulcer that came with the package. Thirty-three: no longer the promising young copywriter, not yet the middle-aged ad man.
Thirty-three is an age when anything could happen and almost everything did for me.
My story begins, appropriately, New Year’s Eve—December 31, 1959, just as the U.S. was sliding into 1960 like Errol Flynn making a teen girl. Deep inside I knew that 1960 was going to be a year of change for me; something grand was coming, something ominous. Whatever it was, I welcomed it. Needed it. Was bored with the way my life was: wife, house, kids, lover, flings, job; the same thing day in and day out.
I needed a change, was looking for a change.
The old proverb says, Be careful what you wish for…
Yearned for the adrenaline rushes I felt in the war, or when I landed my first big account.
Felt that when I stabbed the mugger beatnik.
It felt—good.
I felt—alive.
How long had it been since I realized that I was dead, a ghost, an empty husk moving through the world, feeling nothing, living of nothing but the next paycheck, the next account, the next model to have sex with outside my marriage; indeed, how long?

***
It was the day before 1960 at the office, or the last day of 1959 if you want to think of it that way. There was work to do, but not so important that people didn’t start pouring the drinks at 10 a.m. I didn’t have one until noon, until I got some tedious small items off my desk, made a few calls, and gazed over the copy I had been working on yesterday.
The general atmosphere at the agency was festive. This wasn’t just a new year, but a new decade. There was talk of all the hope, all the new things to experience, the promotions to be had, new accounts, how TV was changing the business, how Kennedy was going to make America a better place and beat Krushnev’s ass something silly.
Copywriters, artists, secretaries, stenographers, management, switch board operators and receptionists alike mingled, drank together, laughed, and—a few drinks down the line—started to get too friendly.
Mr. Shaw, who was in his early 60s, was getting a little fresh with a twenty-three-year-old receptionist who had only been with us for two weeks now. The girl, who wore a tight sweater that enhanced her attributes, giggled at everything he said to her, and she went, ”Oh, Mr. Shaw, you’re too much!” every thirty seconds. She knew how to play the game. I suspected a promotion for her within the first month of 1960; that’s how it usually worked with Andy Shaw.
“Always make the boss happy,” a familiar female voice said behind me.
“Indeed,” I replied, “the games of dirty old men moving employees around like chess pieces on the board of commerce.”
“How poetic,” she said. She was Fran, my secretary. She was twenty-five, petite, short dark hair, and had been working for me since I started here. She was a damn good secretary and I wouldn’t have any other.
She was also quite tipsy, holding a flute of champagne in her hand.
I was drinking rye, straight.
“How is it?” I asked.
She held up the flute. “This?”
“Looks tasty.”
“It is tasty.”
She offered me the flute.
“Taste?”
“No thanks.”
“I don’t have atomic germs,” she said with a giggle that was similar to the giggles coming from that receptionist.
“Champagne and rye are a bad mix,” I told her.
“There’s no cognac,” Fran said, “that’s what I’d like, cognac.”
“That can be cured.”
“You have some?”
“You know I do, Fran.”
“Wasn’t sure if you polished off that bottle yet.”
“There are no dead soldiers beyond those walls of my inner sanctum.”
I’d had a bottle of fine cognac, straight from France, since I‘d started here, since she’d been here, used only on special occasions—celebrations when signing a new account or when an ad campaign paid off well.
Yes, she knew I had that bottle…
I was feeling—good.
I was feeling—drunk.
I looked at her blue dress, how it clung to her hips and breasts.
Damn me.
“Shall we?” I said.
“Indeed,” she said.
We made our way into my office. I didn’t realize how loud the good times were getting out there until I closed the door.
The sounds were muffled.
“Nice and quiet,” Fran said, leaning against the door, her eyes glassy.
“Maybe you’ve had enough to drink,” I suggested.
“The hell with that,” she said. “It’s the last day of 1959. Do you know what that means?”
“No, what does it mean, Fran?”
“It means it times for some magnificent cognac.”
“I concur.”
“Of course you concur.”
“Of course?”
“We think alike,” she said, her words slurred. “Or I think like you. I know what you’re thinking, Robert.”
I brought out the cognac, nestled in the bottom drawer of my desk, and two paper cups.
“What am I thinking?” I asked.
I poured the sweet elixir into the cups.
She stumbled forward.
“We’re thinking the same thing,” she said, “about 1959.”
I handed her a cup.
“To 1959,” I said.
“Goodbye, time!”
We held up our cups and drank.
Her eyes bulged. “My, that stuff’s the best.”
“Another?”
“I’m not saying no.”
We had another.
We had a third.
And then she fell forward, I caught her in my arms, and then we were kissing. It was inevitable. I knew this would happen; she knew this would happen. Yes, we were thinking the same think. Yes, she knew I had this bottle, she knew we’d have to go into my office to get it, I played right into her plan. Or was it my plan?
She broke the kiss and said, “Is this a mistake?”
“Probably.”
“Should we stop?”
“Probably.”
“Don’t stop.”
We kissed some more. I ran my hand down her back and cupped her ample rear end that was soft and warm.
“We agreed,” I started to say.
“What?”
“We agreed to not do this again.”
“He broke it off, Robert.”
“Who? Stan?”
“Who else?” She waved her hand in front of my face. “Do you see the ring still there? It’s gone. So long, dreams of martial bliss.
“What happened?”
“Does it matter?”
“It might.”
“I don’t want to talk about it. I want you to kiss me.”
I kissed her.
“There’s still my wife,” I said.
“Rot,” she whispered. “I know about Brenda, remember?”
I unzipped the back of her dress.
“This is a bad idea,” I said, but I kept doing it.
“The last act of the decade, Robert,” she said, “who cares?”
I agreed. A new dawn lay ahead for all of us, so why not.

avantpop's Writing Buddies

empressTria
10,856 / 50,000
Melissa437
0 / 50,000
Nerd Poetica
0 / 50,000
MisterAndy3
0 / 50,000


Home :: About :: Search :: My NaNoWriMo :: FAQs :: Fun Stuff :: Donation/Store :: Forums :: More from OLL
Privacy Policy :: Terms and Conditions :: Codes of Conduct :: Returns Policy

Copyright © 2009 The Office of Letters and Light :: All posted novel excerpts remain copyright their authors.
Powered by Drupal