Genre: Historical Fiction
About honorLocation: Newfoundland, Canada Home Region: Age:31 Favorite novels: I don't have a favourite. I like a broad range of stuff in a bazillion genres. Yes. A whole bazillion. Favorite writers: Too many to list in a serious attempt to list favourite novelists. How about the least favourite? Thomas Hardy. There you go. Favorite music: Anything instrumental. Well, not ANYTHING, as that might include such things as 46-hour drum solos and a group of harmonicas playing one note for ten minutes. Non-noveling interests: Such things exist? |
Joined: Oktober 4, 2003 This Year: Official Participant NaNoWriMo History: NaNoWriMo posts: 0 NaNoWriMo buddies: 11
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Brief Author Bio: I have had brief flings with chick lit, mystery, fantasy and historical fiction here at Nano. This year I'm planning on a mysterious fantasy set in history that's about a girl. And it's all lies. In fact, this bio is a lie. |
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Synopsis: The Manor House
Alice & Cate, two unassuming Canadians, inherit a Georgian manor house from a great-uncle they never knew they had. They travel to Somerset to settle their inheritance and end up staying in a wreck of a mansion that has seen better days. The morning after their arrival, however, things look brighter. Cleaner. Newer. The cousins realise they've woken up nearly 200 years in the past and are inhabiting the bodies of long-dead relatives. The next day, they wake up again in the 21st Century. Just what the heck is going on with Halstead Manor, anyway?
Excerpt: The Manor House
As she contemplated staying in bed for another hour or two, Cate was suddenly aware that someone was in the room. She peeked through sleep-sticky eyes but saw no one. Maybe it had been Alice, or Mrs P. As weird as he was, Cate didn’t think Peck was the perverted type. A sound came from the other side of the room, and Cate shuddered. Maybe it was mice. Rats?
“Hello?” she called. Immediately she slapped her hand over her mouth. The voice she spoke with was not her own voice. “What the hell?” No, it was not her voice, or her accent. This voice was softer, higher, and distinctly British. She bolted upright in bed and cried, “Holy shit!”
On the other side of the room, a young girl in a light-coloured dress dropped a tray of toiletries and jumped back in fear, “Miss Catherine? Are you unwell?”
Cate rubbed her eyes quickly and took stock of her surroundings. Aside from the strange girl, everything around her looked different. The room was the same – even some of the furniture was in the same place – but it wasn’t dark and dingy. The walls were brightly patterned with wallpaper, the drapes a bold hunter green. The rug on the floor looked almost new. The bed she sat in was not the bed she had gone to sleep in. At least, the mattress was not the same. This one was stuffed with something. Feathers and straw were a possibility. It was lumpy and hard. There were drapes on the four posters. Her cell phone was missing from the bedside table. Instead there was a thick candle half burnt down, a leather-bound book no bigger than the length of Cate’s hand, and a doily that looked suspiciously handmade. “Oh. My. God.”
“Miss? Shall I send for the doctor?” The girl hadn’t moved an inch from where she had dropped the tray. She hadn’t even moved to pick it up. Cate stared at her. She was wearing a period costume, with a long white apron tied just under her breasts. Her hair was covered by a white cap, except for the curls that poked out from beneath the gathered edge of it.
Cate said nothing, afraid that she would hear the other voice come out of her mouth. Instead she threw back the covers, leapt out of bed – which made the girl in the costume step back a little more with a look of fear on her face – and ran for the door. She threw it open and stepped out into the long hall.
Here she was faced with the same strange thing. The long carpet runner was clean and fresh, the ornate wall paper was not cracked or torn, there were living plants here and there along the wall, and there were fewer pictures decorating the place. Cate looked down at herself. She was not wearing the Old Navy tank top and panties she had gone to bed in. She was, however, wearing an ankle-length nightgown with ruffles at the sleeves, neck and bottom hem. As she looked down, her hair fell over one shoulder. It had grown several inches overnight, and instead of being neatly straightened, was somewhat wavy. And it was her original colour, too. No blond highlights or reddish lowlights. Just plain brown. “Oh God,” she said.
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