Glowing Halo
afbeelding van ElizaWyatt

About the author
ElizaWyatt
Novel: The Artificer's Angels
Genre: Fantasy
50,340 words so far  

About ElizaWyatt

Location: Sandpoint, ID

Home Region:
USA :: Idaho :: Coeur d'Alene

Age:25

Website: http://elizaw.wordpress.com

Favorite novels: A Game of Thrones, American Gods, Bridge of Birds, Midnight Nation, House of Leaves, The Name of the Wind, The Blade Itself

Favorite writers: George R.R. Martin, Neil Gaiman, Patrick Rothfuss, Joe Abercrombie

Favorite music: Metal, new age, opera, irish folk, and everything between

Non-noveling interests: 3d graphics, digital art, martial arts, D&D, Spanish, and Latin

Joined: Oktober 25, 2007

This Year: Official Participant

NaNoWriMo History:
'07 '08

NaNoWriMo posts: 121

NaNoWriMo buddies: 26

 

Brief Author Bio:

I grew up in the Seattle area, spent the last six years in Spokane, Washington, then last year moved to Sandpoint, Idaho. This has effectively placed me from a giant, sprawling city into a town of less than seven thousand residents. I now work for a two-year college where I teach computer science, and I'm finishing up a novel I hope to start shopping for publication.

I'm very friendly, and always looking to talk to new people-- go friend me or drop a note if we have something in common. :)

Links:
http://twitter.com/ElizaWyatt
http://ElizaWyatt.net
http://ElizaW.wordpress.com

Projects:
NaNo '07 & '08 - Blue Crystal
A political hostage fights a corrupt king, riles a rebellion, and accidentally puts someone even worse in charge.

NaNo '09 - The Artificer's Angels
Yesterday's villain teams up with a paladin to save his son from an old rival and a clockwork corpse.

Uriel_cover.jpg
Synopsis: The Artificer's Angels
  • POV: Third person omniscient
  • Rating: PG - PG13
  • Genre: Fantasy
  • Sub-Genres: Magical-steampunk, action/adventure, romance

Most grave robbers take the jewelry. This one stole the body.

On a tour of a mechanist’s laboratories-- her brother’s workplace-- Merrily Soarin wanders off, peeks into an ajar door, and discovers a boy in a glass tube. Just before Merrily is caught, she could have sworn that he looked at her. As if he were still alive.

Enter master artificer Maxwell Gallows, once famous, now infamous. He’s been looking for his son’s corpse for a long time, and meeting Merrily Soarin was the best thing that had yet happened for his search. But there are a few problems.

Maxwell Gallows would rather kill Merrily than repay her for her help. The mechanist is one of Maxwell's old enemies, and he won’t back down from a fight. Resurrection is illegal, and protocol dictates that the recipient be destroyed. Leo, the artificer’s son, is so damaged that his next death will be his last no matter how brilliant his father. To make matters worse, in an attempt to steal some of Maxwell’s old projects, the mechanist accidentally activated one.

Mad science has Issues.

---------------------------------------------------

Characters
William Soarin
Gertrude Soarin

Marc Soarin ("Turkey")
Matthew Soarin ("Trouble")
Paul Soarin ("Shadow")
Joel Soarin ("Mooch")
Samin Soarin ("Rascal")
Merrily Soarin ("Gamble") ((the heroine))

Maxwell Gallows ((an anti-hero))
Leo Gallows ((the hero))
Abraham Gennyson ((another anti-hero))
Polly Owens
Doctor Charles Arriene
Penelope Arriene

Uriel (formally the dishonorable Isaac Collins) ((the villain))

Excerpt: The Artificer's Angels

Maxwell's goal was the very back of his laboratory, next to the drafting table. Uriel's hibernation put him standing against the wall. For extra safety, Maxwell had had him strap himself into a set of electro-magnetic cuffs at the wrists, the waist, the neck. "This is Uriel."

Samin looked the man up and down, more than a little disturbed.

Uriel looked human.

He was a big man, just about the same age as Samin if looks were to be any judge. His skin was tan, and because Uriel wore a worker's undershirt Samin could see that Uriel was heavily muscled. His hair was black, pulled back into a knot behind him, his nose and jaw very strong. He looked like a beast of a fellow, someone Samin would want his axe nearby should he prove unfriendly. Samin turned back to Maxwell. "What is this?"

"He's... we'll call him my servant." Maxwell reached around the back of Uriel's head and tapped a button he'd installed there-- a 'kill' switch, should Uriel ever become dangerous. Now Maxwell mostly used it as a way to shock him out of hibernation.

Uriel's eyes opened. They were red, and they glowed slightly.

"So... is he human?" Samin asked. "I can't tell."

"He used to be," Maxwell said. "I needed a prototype to resurrect after Leo died. I couldn't try blind on my son."

"He's a dead man?"

"I didn't kill him, if that's what you're asking. Filched him out of a hospital morgue. There were some problems, of course, with doing it that way. He'd been dead for at least an hour, and he's never remembered anything about his life." Maxwell gestured with his cane brandishing it up and down Uriel's chest. "This man can carry over a literal ton, and yet delicate enough to reassemble eggshells. Mind like a calculator, memory like a written book. A few extra toys built in here and there. I think this is the pinnacle of my life's work."

Maxwell walked to a control booth well away from Uriel and flipped a lever. Uriel's cuffs were released.

"Why do you keep him locked up?" Samin asked.

"Because he's dangerous," Maxwell replied. "Most great artificers are killed by their own creations, you know. I mean to see that that does not become me. Uriel..." Maxwell handed him the list he had written. "I need these things. Load up the crab and ready the hatch doors." Uriel nodded and left to start collecting things. Maxwell frowned and turned back. "Except for Leo's personal effects on the bottom... I'll get those."

Maxwell seemed to have forgotten about Samin-- he left him in his laboratory alone with Uriel.

Samin was fascinated and horrified at the same time. "But..." he finally said, "What is the difference, then, between what Maxwell has done to you, and what Gennyson has done to Leo?"

He hadn't expected an answer.

"I'll need a detailed description of what Gennyson did to the younger Gallows before I can answer that," Uriel said without breaking his work. "But given context and the evidence of grave robbery combined with Gennyson's history with Maxwell Gallows, I suspect Gennyson had stolen the boy's body?"

Samin blinked. "Stole, stored, deconstructed, cobbled together badly."

"Then the difference is that Maxwell is better at his art than Gennyson. In matters of freedom, I have more-- the difference between slavery and prison, retrospectively. In situation, his was the better, as Leo continues to have allies after his remaking." Uriel mounted the ladder at the far side and began to pull it back and forth, taking parts and pieces from selected shelves, packing them into bags for transportation.

"You're a slave?"

"Yes and no." Uriel hopped down from the ladder, slammed the stone floor with both feet on landing. "The technical definition of slavery is, 'a person that is owned by another'. Now, if that definition was expanded, all machines and devices of civilization are the slaves of men, as are all beasts, pets, livestock. The question you must ask is, 'am I human, or not?'. What is a person? Is it a mind, or a will? Can a dead man yet retain a soul? What is the elusive quality that defines humanity?"

Samin's mouth was dry. "Do you want out?"

For a brief moment, Uriel stopped working. His voice had such intensity that Samin stepped back. "Yes."

Samin did not interrupt Uriel again.

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